Grease Guns

A humanity student, Lucien is active in various extracurricular activities. Recognized by his peers, he represents other students in their challenge of college rules and the settlement of the fate of an incompetent professor. He ends up being thrown out of the school. After his mother's death, even though he dates Lise, a young woman with whom he does acting, he has to resist the advances of a homosexual whose death he will accidentally cause.

Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.

In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.

When a teenager finds himself caught in a glitchy-glitzy reality with his onscreen male idol, he does all he can to be possessed by this man and ignore the violent clues of how he got there.

An outbreak has Esteban confined at home and separated from Alan. From his rooftop bedroom, he tries to maintain their relationship through video calls, but the isolation seems endless and reality catches up with them.

Kosuke Mikado, who works at a bookstore, has been suffering from a peculiar constitution that ghosts can see from an early age. One day, Kosuke was invited by a exorcist, Rihito Hiyakawa, who came to the bookstore and decided to work with him. The two men, who were requested by the detective Hanzawa to investigate the serial murder case that occurred a year ago, eventually found a body, but the body was cursed. While searching for the truth, they often hear the voice of the murderer who committed suicide...

The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.

Jason (Danny Bedford) is in a crisis. He won’t go to work and stays holed up in his flat. But when his TV breaks, he is forced to call co-worker Richard (Sean Hart) to fix it. All is normal, except when Jason mentions that a friend of his may be dead in his bed. Instead of hightailing it out of the potential murder scene, Richard (who has the hots for Jason) instead not only checks the body (yes, dead) but also proposes a homemade autopsy. And when the scalpel cuts the flesh, these two young men are now in it together. But it is not just one body, a serial killer is roaming London’s streets, but the bodies seem to all end up in Jason’s flat.

The adolescent Milan discovers his own suspected homosexuality at the age of 17 and the consequences for him and his family but also the liberation as he understands why he has been so down and rebellious.

Sparrow is the beautiful story of a small boy who is teased because he thinks he can fly. When a family myth about his war veteran grandfather comes to light, he discovers the strength to stand up to the bullies in a very unusual way.

Staged in a loft on Lafayette Street, across from the Public Theatre, the piece used the film adaptation of Kyle Onstott’s 1957 novel, “Mandingo,” as its primary script. Sitting on cushions on the floor, audience members had to crane their necks to see the proceedings. Enter Moishe Pipik (the amazing Tony Torn), a long-nosed Jewish character in a huckster’s checked suit. When he pisses in a pot of earth, a money tree springs up. Moishe has a friend, Blaster, a black teen-age junkie and drug dealer. They’re refugees, in a sense—racist and anti-Semitic parodies of Jewish liberal identification with blackness. Sometimes they hang out as if they were on a talk show, their chatter intercut with all that “Mandingo” mess, Mandingo’s black phallus looming in the minds of the white people who constructed their dream of an antebellum South on black backs.