Mufasa The Lion King 2024 - Movies (Mar 31st)
The Killer Is Calling 2025 - Movies (Mar 31st)
Hearts Around the Table Sharis Second Act 2025 - Movies (Mar 31st)
Mickey 17 2025 - Movies (Mar 30th)
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Punt The Irish and The NFL 2025 - Movies (Mar 30th)
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King of the Apocalypse 2025 - Movies (Mar 29th)
Art Attack The Dissection of Terrifier 3 2025 - Movies (Mar 29th)
Sound of Hope The Story of Possum Trot 2024 - Movies (Mar 29th)
Better Man 2024 - Movies (Mar 29th)
Jason Byrne - The Ironic Bionic Man 2024 - Movies (Mar 29th)
Duchess 2024 - Movies (Mar 29th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
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Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Recipes for Love and Murder - (Mar 31st)
Fatal Family Feuds - (Mar 31st)
The Americas - (Mar 31st)
The Real Housewives of Atlanta - (Mar 31st)
48 Hours - (Mar 31st)
90 Day Fiance- Pillow Talk - (Mar 31st)
60 Minutes - (Mar 31st)
The Baldwins - (Mar 31st)
Filthy Fortunes - (Mar 31st)
The Equalizer - (Mar 31st)
Grosse Pointe Garden Society - (Mar 31st)
Krapopolis - (Mar 31st)
Watson - (Mar 31st)
The Righteous Gemstones - (Mar 31st)
Evil Lives Here - (Mar 31st)
Suits LA - (Mar 31st)
The White Lotus - (Mar 31st)
Home Town Takeover - (Mar 31st)
The Great North - (Mar 31st)
90 Day Fiance - (Mar 31st)
Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.
Somewhere in the Balkans, 1995. A team of aid workers must solve an apparently simple problem in an almost completely pacified territory that has been devastated by a cruel war, but some of the local inhabitants, the retreating combatants, the UN forces, many cows and an absurd bureaucracy will not cease to put obstacles in their way.
A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…
The satirical commentary on clergymen in post-revolutionary Iran. While in prison, petty criminal Reza (Parviz Parastui) comes across a clergyman, sparking a plan for escape. Reza dons his new acquaintance's clerical robes and makes a bid for freedom. He soon learns that being a clergyman brings little respect from the public. Reza travels to the outlying villages, from where he plots to escape the country. However, his plans must be put on hold when the villagers accept him into their community and expect him to perform religious duties. Will Reza's prison break transform him into an unlikely pillar of the community?
Tucker and Hamid are going to be grandfathers for the first time, but only if they can come together long enough to save their first-born grandchild.
A female election agent and a gun-toting soldier try to collect votes among the local islanders with mixed success.
The abolishment of a railway station in a remote Bosnian village affects the lives of the local railwaymen.
An Iranian family survives the shah and the ayatollah and moves to France. This story follows the family through it all. Despite the politics, revolution, prison, beatings, assassinations and suicides this is a comedy.
A satirical take on the mundane absurdities of life in modern-day Iran, these nine vignettes illuminate the lighter side of enduring under authoritarian rule. Whether choosing a name for a newborn, graduating from grade school, getting a driver’s license, applying for a job, or seeking approval for a film script, if you live in Iran, you best come fluent in Orwellian discourse. Progressing along a rough timeline from birth to death, each story is shot in a static camera angle as a single petitioner negotiates with an authority figure hovering just outside of frame, who is practiced in the language of doublespeak.
Professor Gerasim and assistant Tugomir are in a ski-resort where opportunity for cheating and love is around every corner.
A couple of morticians entertain themselves by betting on how many cold customers will come in that day. But one of the corpses refuses to cooperate...