Zhan bei guo

Two Shots adapts the extra chapter of the same name, while All or Nothing adapts Chapter 174 of the same name and a scene of the final chapter of the manga, which also matches with the conclusion of the final episode of the anime series. Two Shots tells the story of how Kurama and Hiei met, while All or Nothing covers a story of the main characters coming back together to solve a hostage crisis in the spirit world.

Two brothers have half of a powerful ancient Chinese talisman. An evil gang leader has the other half, and determines to get the brothers' half and have a complete medallion so he can gain absolute power.

Based on parts of the classic Chinese novel The Water Margin (aka Outlaws of the Marsh).

Ma travels to Shanghai to look for his father and to learn kung fu from him, and in the process discovers that he has superhuman strength. He puts his extraordinary power to good use as he goes against a band of ruthless fighters!

A ruthless warlord is using his poisonous palm to kill Ming Patriots, and only the Kung Fu Phantom (Wong Tao) has a chance of ending his reign of terror.

Master Yu is invited to Los Angeles to take on numerous fighters in a Kung Fu contest. He beats all comers and this angers a local mob boss who lost a great deal of money on illegal betting…

Chen and his brother travel to Shanghai in search of fame and fortune, but end up pitted against Chinese Mafia bosses - and can only fight their way out of the web of violence and betrayal they find themselves caught up in.

An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.

During China's Warring States period, a district prefect arrives at the palace of Qin Shi Huang, claiming to have killed the three assassins who had made an attempt on the king's life three years ago.

Lau Leung-wah plays the titled character, a Chinese Robin Hood who robs the rich to help the poor. She is an early Republican Era Mulan, who switches effortlessly between charming gentility and agile ferocity, and Lau personifies her character's duality with a balance of grace and vigour. Chang Cheh, on the verge of fostering seismic changes in cinema with his martial-arts machismo, pens a script that captures the spirit of changing Chinese womanhood, underscored by a conflict between Black Butterfly and her father, a veteran detective.

After the son of a wealthy family is kidnapped by a group of ruthless criminals, a group of policeman and a Chinese waiter desperately try to solve the crime.