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**A good movie, with nice gothic touches, despite being tiring, slow, excessively dark and not very faithful to the original book.** I saw this movie very recently and was pleased. The film is a remake of an older work, from 1972, both of which are inspired by an older historical novel of the same name, published in 1796 by Matthew Gregory Lewis, an English playwright, perhaps still inspired by the vapors of republicanism and fanatical anticlericalism coming from neighboring Revolutionary France. This film takes place in the early years of the 17th century, in the Spain of the ultra-Catholic Habsburg Kings. A baby, abandoned at the door of a Capuchin convent, becomes the prestigious preacher Friar Ambrósio, who draws crowds with his sermons. However, things change after the arrival of Valério, a new monk, whose burns force him to always keep his face covered. As time passes, we will discover that this new monk is not what he seems. The plot is pleasant and has a Gothic touch, although it does not take place in the medieval period, but in the times of the Counter-Reformation. For me, as a historian, the film has too much imagination and there are very fanciful details, like the story of the pregnant nun left for dead. The original book is not so macabre, and it gives this character a better, more interesting and appealing plot, making the nun Agnes one of the heroines of the original story. And if it's true that I really enjoyed the dense environment and the pleasantly dark atmosphere, it's also true that the film is very still. Being a French production, the cast is overwhelmingly French-speaking and delivers a restrained, elegant performance, more profound than truly dramatic. I liked the work done by the actresses Joséphine Japy and Déborah François, the latter being seductive without really having to show much of her body. Geraldine Chaplin also seemed to me to be fine in her short role. Roxane Duran and Frédéric Noaille both had very little time to show their worth. Ultimately, the film ends up being, almost, a one-actor film: the prestigious and competent Vincent Cassel sustains the film and gives us a mature, well-achieved and consistently intense work. Making the gloomy environment even denser, the cinematography doesn't give us much space to see beyond the few points of light that exist in the scene. I understand that the director, Dominik Moll, wanted it, and saw in this cinematography, signed by Patrick Blossier, a mark of style, but for me, it was problematic and tiring. Without any exaggeration, there are scenes immersed in full darkness, with only the face of the actor or actress, partially visible in a very dim light. Along with this excessive darkness, the film's pace is exasperatingly slow: a 90-year-old woman in a walker walks faster. The music, signed by Alberto Iglesias, is good and does her job very well.
No one is safe when seemingly random killings emerge as a deadly pattern intended to usher in the end of the world. A murder victim with the same DNA as Christ. A serial killer mimicking the deaths of the 12 Apostles. Inspector Niemans and a young, rebellious detective team up with a beautiful expert in religion to crack the case before their elusive suspect completes the cycle of terror, paving the way to an even bigger bloody catastrophe.
When the devil resurfaces with aims to take over the world in human form, Johnny Blaze reluctantly comes out of hiding to transform into the flame-spewing supernatural hero Ghost Rider - and rescue a 10-year-old boy from an unsavory end.
When the townspeople of a small Mexican village start disappearing, the locals point the suspicion at two young visitors. The only solution is for the two to unearth the legend of a madman in this supernatural thriller.
Mateho, an officer of the Inquisition and rational man of science, visits a remote monastery to investigate a bizarre murder of a monk. And you guessed it: something evil is afoot. But is the terror man-made or the result of witchcraft?
Cast into a violent and bloody world of murder, Hereward, a novice monk, must deliver the Holy Gospel of Lindisfarne - a book of great beauty and power - to the safety of the Iona monastery, while being pursued by a Viking death squad hell- bent on its capture. On his way to the monastery, he meets a fierce and skilled swordsman who answers his prayers and dedicates his life to protecting Hereward while he delivers the book. In the midst of their journey, they are confronted by Vikings ready to kill in order to get what they want, leaving Hereward and his protector at their mercy.
A drifter is picked up by police in connection with the disappearance of a young couple on a remote, windswept island months before. But the drifter turns the table on their investigation and relates a tale of madness and the supernatural.
In a post-nuclear world, a happy family of ranchers is beseiged by a roving band of ne'er do well marauders who want to eat the men and mate with the women. Having already killed and eaten an entire mission full of nuns, the family has no choice but to grab their rifles and defend their homestead. Meanwhile, the lonely, nubile daughter begins to have feelings for the buff blond stranger with no family who has wandered onto the property. It's romance, intrigue, action, and violence on the dark continent!
A group of teenage, treasure seeking, grave robbers accidentally uncover the tomb of a satanic sect leader from the early Spanish colonial age, reawakening the diabolical killer, who promptly sets out to complete his unholy mission of spawning the son of Satan.
A visual incursion into the troubled psyche of a young boy whose unstable and manipulative mother committed suicide in front of him.
Addiction y is not just about anything material or secondary. Don’t compromise between people, don’t spoil your status, age, social status or nationality. Sometimes, it’s about the power that comes to mind, and the one that comes to mind. Loneliness is the biggest addiction. From himself. And that's what makes it dangerous. The film depicts the main character and his alter ego. The leading symbol is the mask of confusion and misunderstanding in the face of the alter ego, which confuses the consciousness of the main character in every possible way, and does not give awareness of what emotions he is guided by. That is why the hero tries to get rid of him. His eyes are covered by his Safety Zone, which wants to preserve, to save from the internal changes of the character. But the hero is stronger... he allows himself to grasp more, and resolutely confront his inner, distorted for the worse, "I" Resist and don't be addicted.
In 1543, at the University of Salamanca, in Spain, Fray Antonio Román, an Augustinian monk who spreads humanist ideas, considered heretical, among his more inquisitive students, a clandestine group of four led by the brilliant novice Luis de León, mysteriously dies in unspeakable circumstances. In the present day, the historian Lara Cabanes is hired to find out if the monk was murdered, as is suspected and she is told, but the task will not be easy to achieve.