Deadtown aneb Cesta tam a zase zpátky

Blues and folk singer Karen Dalton was a prominent figure in 1960s New York. Idolized by Bob Dylan and Nick Cave, Karen discarded the traditional trappings of success and led an unconventional life until her early death. Since most images of Karen have been lost or destroyed, the film uses Karen's dulcet melodies and interviews with loved ones to build a rich portrait of this singular woman and her hauntingly beautiful voice.

Showtime's "In the 20th Century" is a millennium-related series of feature-length documentaries in which famous directors take on major subjects of their choosing. In the fourth of the six films, "The Pursuit of Happiness," filmmaker Robert Zemeckis delves into the history of America's relationship with mind-altering substances over the past 100 years, presenting interviews with historians and professionals in the drug treatment field, interspersed with a treasure trove of film and television clips depicting the highs and lows of smoking, drinking and drugging in the 20th century

Stories about Tartu and Southern Estonia, capturing the tricks and mysteries about the arts of survival. Renowned filmmakers from Estonia and abroad bring us uniquely wild tales of people, communities, and the culture they live in. In these stories, we meet peculiar vehicles known as “karakat” from Peipsi, charming non-places of Tartu, the wild German woman living an off-grid life without water and electricity, mischievous goats and crazy village parties, the diverse Annelinn residents and nostalgic Petseri, slime mould and space exploration, and of course, the artists of survival from today and past.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.