Gegenschuss - Aufbruch der Filmemacher

A video essay using images and interviews to critically explore the history and current role of pornography.

FRONTLINE and Forbidden Films investigate Pegasus, a powerful spyware sold to governments around the world by the Israeli company NSO Group.

Second part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by An Opera of Violence; followed by Something to Do With Death.)

Third part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by The Wages of Sin.)

This 150-minute documentary, directed by Nobuhiko Ôbayashi on the set of Akira Kurosawa's Dreams, features behind-the-scenes footage and interviews with cast and crew.

Since the summer of 2020, boats along the Atlantic coast from the Strait of Gibraltar to the Bay of Biscay in the north have been repeatedly attacked by orcas. The whales purposefully attack the rudders and destroy them. Researchers are trying to find out what drives them. Curiosity? Competition for food? Or play?

Sydney, in the 50s. Rosaleen Norton is a painter specialised in occult themes, infernal sabbatical visions exuding wanton sexuality. In conservative Australia, the Witch of King's Cross was soon accused of obscenity, and of taking part in satanic rituals, orgies and whatnot...

Documentary film about the painter and sculptor Jörg Immendorff who ranks among the most important German artists. The filmmakers accompanied Immendorff over a period of two years – until his death in May 2007. The artist had been living for nine years knowing that he was terminally ill with ALS. The film shows how Immendorff continued to work with unabated energy and how he tried not to let himself be restrained by his deteriorating health.

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

One of the most provocative and elusive figures in contemporary art finds himself the subject of Maura Axelrod's film. Catapulted to worldwide notoriety in 1999 by The Ninth Hour, a sculpture of Pope John Paul II toppled by a meteorite, Maurizio Cattelan's work has bordered on criminal activity (breaking into a gallery and stealing another artist's work) and regularly defies good taste - Him features Hitler in prayer and sold earlier this year for a whopping £12,000,000. Building his career on evasion, trickery and subversion, Cattelan is perhaps not the most reliable of interviewees, but ex-girlfriends, family members, collectors and dealers build a compelling and intimate portrait of an enigmatic figure. Bold, witty and playful as a Cattelan work itself, is this film really all it seems?