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There is something oddly static about this self adaptation of P.G. Wodehouse's comedy romance. Joan Fontaine is "Lady Alyce" an heiress who casually meets visiting dancer/composer Fred Astaire ("Jerry") on a trip to London. Their romance is soon smouldering (well, as much as anything actually smouldered in 1937), much to the chagrin of her well-to-do family at their ancestral "Tottney Castle". Aided and abetted by George Burns, his press man ("George") and Gracie Allen ("Gracie"), his secretary - who offer an efficient if not terrific foil for the slightly obvious gags - he persists in pursuing his love. The dancing, almost all of which is performed en seul by Astaire - illustrates well his skill and the quality of the Gershwin's score, but somehow his solo performances just don't really engage. It's not just that there isn't a Ginger Rogers, it's that there is anyone at all. The briefest of scenes with Fontaine offer a taste of what we might have had (granted, she is not so adept as his more famous partner), but instead this is essentially a solo effort that, for me, demonstrated certain limitations with Astaire's acting prowess. It's an enjoyable film to watch, and there's no denying "Put Me to the Test" and "Nice Work if You Can Get It" get toes a-tapping, but the dance ensembles scenes are more reminiscent of a choir practice, and the whole thing just lacks pizzazz...
Flighty Emily "Jacks" Jackson works for the British edition of Vogue magazine. Rather than pursue a relationship, Jacks regularly hooks up with her devoted ex-boyfriend, James Wildstone, and lives with Peter Simon, a gay screenwriter. When Jacks meets Argentinian photographer's assistant Paolo Sarmiento, she assumes he is gay and tries to bring him and Peter together, unaware that Paolo is straight and in love with her.
The story takes place in Haifa, Israel, in 1979, during three days before the Shabbat. A young woman trying to raise three children, work from home, and observe the strict Moroccan traditions of her family finds herself at constant odds with her husband and her brothers, who want her to stay married and leave behind the notions of being loved and free.
Young Stanzi who is visiting Vienna helps a young corporal and musician to become famous for his marching song "Die Deutschmeister".
Leopold, head waiter at the "Weißen Rössl" (White Horse Inn), is secretly in love with the owner of the restaurant, Josepha. But she's only interested in the lawyer Dr. Siedler. Jealous, Leopold comes up with a plan to gain Josepha's attention.
Kurt Hoffmann′s satire concerning Germany′s development during the first half of the 20th century tells the story of two schoolmates - Hans and Bruno. They could not be more different. While Hans is ambitious and must always work hard for his career, it seems that the happy go lucky Bruno is carefree.
Countess Franziska "is kidnapped" by a band of robbers. However, her father is not willing to pay the ransom so Franziska changes sides.
With the wedding of her younger sister fast approaching, Kat Ellis faces the undesirable prospect of traveling alone to London for the ceremony. While this is bad enough, Jeffrey, the man who left her as they moved closer to marriage, happens to be the groom's best man. Determined to show everyone - most of all Jeffrey - that her romantic life is as full and thrilling as ever, Kat hires a charming male escort as her date.
