Dead Hearts

A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.

An interview with one of the most influential and controversial filmmakers of some century. Marie Saint Marie opens up about her personal life and artistic processes in a raw portrait that few filmmakers would have the balls to display.

When a young woman finds a lost cat, she must track down its owner.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

When a young man finds himself alone in a club after hours, he pretends he's in a martial arts movie only to be interrupted by his crush, leaving him embarrassed. But has the power of his imagination brought something dark to life?

In this autobiographical animated short, Elise Simard crafts the story of a young girl seeking self-discovery and rebirth. Drifting between real and imagined events, the film uses time-lapse photography with ink and pastels, creating a haunting, compassionate exploration of addiction and existence.

Sang-woo knows his teacher's secret: a visit to a gay bar. Kyeong-hoon and Sang-woo embark on a journey about their sexuality and their relationship and their place in society.

The 19-year-old homosexual Leo has completed his high school diploma with flying colors, only in love he is unsuccessful. Although he has already had some experience with boys at his age, he does not seem to be able to build up a stronger bond with his own gender. This is mainly due to the fact that he feels because of his homosexuality as disregarded and marginalized. At least he maintains a very close friendship with Elli, who became his best friend during his baccalaureate. Her happy and combative nature impresses him greatly and with her help, he creates a well-functioning partner replacement: the typical youthful weekend escapism in the form of party, alcohol and drugs. He manages to escape...

Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.

Hymn of the Nations, originally titled Arturo Toscanini: Hymn of the Nations, is a 1944 film directed by Alexander Hammid, which features the "Inno delle nazioni," a patriotic work for tenor soloist, chorus, and orchestra, composed by Italian opera composer Giuseppe Verdi in the early 1860s. (For this musical work, Verdi utilized the national anthems of several European nations.) In December 1943, Arturo Toscanini filmed a performance of this music for inclusion in an Office of War Information documentary about the role of Italian-Americans in aiding the Allies during World War II. Toscanini added a bridge passage to include arrangements of "The Star-Spangled Banner" for the United States and "The Internationale" for the Soviet Union and the Italian partisans. Joining Toscanini in the filmed performance in NBC Studio 8-H, were tenor Jan Peerce, the Westminster Choir, and the NBC Symphony Orchestra. Preserved by the Academy Film Archive in 2010.

This "Theater of Life" documentary was produced in cooperation with the International Committee, YMCA. It focuses on the work of Dr. Spencer Hatch, as he shows residents of small Mexican villages how to make their land better able to grow food and make them more independent.