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New York, 1937. A teenager hired to star in Orson Welles' production of Julius Caesar becomes attracted to a career-driven production assistant.
The Odyssey of director Radomir Belacevic who leaves his native village on his faithful horse named Knight and sets out to the capital trying to put his drama on the National Theatre's program, allegedly backed by foreign investors, too. Seduced by flashy lights of the city and beauty of metropolitan women, his Don Quixotean mission takes a different route and he becomes a modern Ulysses who forgets his roots and assimilates with the urban jungle.
Coco Baisos, a mature woman who likes to lead a big train, finds herself once again a widow, the fifth to be more precise. Bursting with energy and natural optimism, Coco is firmly determined not to be put down by fate. She immediately starts looking for a new companion, preferably a billionaire, so as not to have to give up her habits of luxury and pomp. She would indeed be very unhappy if fate forced her to modify her lifestyle. But the wallets trimmed do not run the streets. This manhunt, longer than expected, will hold many surprises for him ...
Bois d'Enghien, engaged to a young girl from a good family, has to break up with Lucette Gautier, his mistress, a dilettante of salons. Not having been able to tell her of his break-up, he finds her at her fiancée's house, invited for the event. A Mexican general, jealous of his rivals, arrives and complicates the situation, as does a notary clerk, Bouzin, a singer in his spare time.
