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Pursuing the massive success and of "Hasta el viento tiene miedo", horror director Carlos Enrique Taboada achieves an equally engaging horror story with 'El Libro de Piedra'. In this case, Taboada works with Marga Lopez and Norma Lazareno again, but playing completely different roles. Mrs. Lopez is not a strict school headmistress and she becomes a sweet and delicate governess. On the other hand, Norma Lazareno is not a naughty student anymore and she becomes a reluctant stepmother, who hopelessly tries to win her stepdaughter affection. Offering a sinister story that deals with a troubled little girl, this film contains a nice amount of beautiful shots and landscapes, that in some cases, surpases the dialogs and the characters. In 'El Libro de Piedra', a sweet governess named Julia Septién, is hired by a wealthy man to take care of his young daughter, named Silvia. As soon as the governess arrives to the mansion, she finds out that Silvia is mentally troubled. However, Julia demonstrates her courage and willingness to help the child, and she decides to stay to take care of her. Mrs. Septién manages to win Silvia's affection and the bond between the two of them grows stronger each day. However, the relationship between Silvia and her stepmother, Mariana, becomes extremely hostile and Mrs. Septién, hopelessly tries to fix this. Silvia, on the other hand, finds her affection on a statue of a boy named 'Hugo', as she calls him. It first, Julia seems amused by the idea of the imaginary friend, but as the days go by, she realizes that there is nothing amusing whatsoever. Silvia's obsession with Hugo becomes disturbing to everyone and Julia starts to fear that the child might be involved in black magic and the hostility between her and her family, is not exactly a good sign. Coping with a few unnoticeable editing mistakes, this Gothic horror masterpiece, manages to be entertaining the whole time. I like to think of it as a dark Gothic drama, with some mellow winks here and there and a final scene that erases all the mellowness with a sudden slap. Most Gothic lovers are going to appreciate "El libro de piedra" for the beauty and yet simplicity of the imagery and the situations. The interface between Mrs. Septién, the governess and little Silvia, is perhaps one of the most appealing characteristics of this film, in which a little girl is basically measured as a monster by everyone. A girl who is feared by everyone at a tender age and yet, there's someone who manages to reach her heart, creating a loving bond and realizing that little Silvia is a sweet girl deep down, no matter how hard it is to see that. "El libro de piedra" causes ambiguous reactions, because in the end, it is not very clear whether if Silvia is pure evil or if she is merely a saddened and helpless soul who ends up devoting herself to a dark supernatural strength in order to find some company
Dr Sánchez Blanch owns and operates a psychiatric hospital where he specializes in hypnotizing his severely emotionally disturbed patients.
The year is 1920 and the house isolated in the wilderness has a secret. It is waiting for the curse to come true. For years, everyone who has bought the house and tried to pull it down has died of mysterious circumstances. It is like the house has a will and a life of its own.
Army Lieutenant Halliday, accused of stealing the Army payroll, pursues the real thief on a frantic chase through Mexico aided by the thief's ex-girlfriend and is in turn being chased by his accuser, Capt. Blake.
Leona Stevenson is confined to bed and uses her telephone to keep in contact with the outside world. One day she overhears a murder plot on the telephone and is desperate to find out who is the intended victim.
Jim Hanson’s quiet life is suddenly disturbed by two people crossing the US/Mexico border – a woman and her young son – desperate to flee a Mexican cartel. After a shootout leaves the mother dead, Jim becomes the boy’s reluctant defender. He embraces his role as Miguel’s protector and will stop at nothing to get him to safety, as they go on the run from the relentless assassins.
Su-hyeon, a patient with terminal cancer, gets a wig as a present from her sister, Ji-hyeon. Strange things happen as Su-hyeon wears the wig and horror starts to sweep over Ji-hyeon as she watches her sister getting slowly possessed.
Maria, an unfortunate young woman, kills her rapist father in self-defense, and is later tried, sentenced, and shipped off to a woman's penitentiary where she and her fellow inmates are subjected to psychological and sexual abuse at the hands of a psychotic lesbian warden.
A horror movie star returns to his famous role after years in a mental institution but the character seems to be committing murders independent of his will.
In 1965 Mexico City, Flavia, a wealthy yet lonely schoolgirl, befriends Veronica, a young orphan girl who has a fascination with witchcraft. Veronica convinces Flavia that she is a real witch and forces her to be her assistant. The children's games gradually become more serious and Veronica demands more from Flavia.
Julie, an American on vacation in Mexico, spots a giant, one-eyed amoeba rising from the ocean, but when she tries to tell the authorities, no one believes her. She finally teams up with a marine biologist in an attempt to destroy it.
