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Disco’s Revenge 2024 - Movies (Feb 7th)
The Coddling of the American Mind 2024 - Movies (Feb 6th)
Death Without Mercy 2024 - Movies (Feb 6th)
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A European Christmas 2024 - Movies (Feb 4th)
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The Vanished Elephant - (Feb 7th)
This Old House - (Feb 7th)
The Rachel Maddow Show - (Feb 7th)
Ask This Old House - (Feb 7th)
Impractical Jokers - (Feb 7th)
The Last Word with Lawrence ODonnell - (Feb 7th)
Shoresy - (Feb 7th)
NFL Icons - (Feb 7th)
Dexter- Original Sin - (Feb 7th)
Scamanda - (Feb 7th)
Southern Charm - (Feb 7th)
Southern Hospitality - (Feb 7th)
Georgie and Mandys First Marriage - (Feb 7th)
Severance - (Feb 7th)
The Pitt - (Feb 7th)
Ghosts - (Feb 7th)
The ReidOut with Joy Reid - (Feb 7th)
Jen and Chris - (Feb 7th)
Matlock - (Feb 7th)
The Traitors - (Feb 7th)
The Spirit of Satan. Crescendo is directed by Alan Gibson and written by Alfred Shaughnessy and Jimmy Sangster. It stars Stefanie Powers, James Olson, Margaretta Scott, Jane Lapotaire and Joss Ackland. Music is by Malcolm Williamson and cinematography by Paul Beeson. Susan Roberts (Powers) travels to the South of France to stay with the Ryman family as she researches the work of late composer Henry Ryman for her thesis. Once there at the villa, Susan finds that the remaining family members are a little strange… Out of Hammer Films, Crescendo came at the end of the studio’s cycle of psycho-thrillers that had begun so magnificently with Taste of Fear in 1961. Filmed in Technicolor, Crescendo has more than a passing resemblance to Taste of Fear. We are in a remote French villa in the company of some shifty characters. A wheelchair features prominently, there’s spooky goings on, skeletons in the closet and our lead lady who is the outsider at the villa is in grave danger. So it’s Taste of Fear but in colour then! Crescendo is not a great film, it’s ponderously paced by Gibson, meandering through the first half set up and it’s all a bit too obvious as to what is going to unravel. That said, the finale is a good pay off in its construction, the Ryman villa set is suitably designed for some creepy shenanigans, while the colour photography is deliciously lurid with the zesty oranges and ocean greens particularly striking the requisite campo composition. Then there’s the cast! Powers is just dandy, having had her trial run in the disappointing Die! Die! My Darling! in 1965, she hits the required “woman in confused peril” notes even though the script does her absolutely no favours. Olson gets to don the worst hair cut in Hammer history as Georges, but the character is pungent with emotional disturbances. Wheelchair bound and having a penchant for hard drugs administered by the sultry maid… Ah yes! Lapotaire as the housemaid Lillianne, she steams up the screen with her teasing sexuality, positively revelling in her ability to have poor Georges eating out of her hand. Scott handles the batty Ryman matriarch well enough, while Ackland does a damn fine Lurch impression. The film has some qualities that put it above average, but it’s a bit too bloodless to be a must see horror film, and much too laborious to be a thriller. It sits in some sort of Hammer Film purgatory, a picture that asks you to take the rough with the smooth. But all things considered, you probably should watch Taste of Fear instead. 6/10
After the harrowing death of his partner, forensic psychologist and best-selling author Alex Cross cannot forgive himself and has retreated to the peace of retirement. But when a brilliant criminal kidnaps a senator's young daughter, he is lured back into action as the kidnapper wants to deal with Alex personally. Teamed with Jezzie Flanigan, the Secret Service agent assigned to protect the missing girl, Alex follows a serpentine trail of clues that leads him to a stunning discovery - the kidnapper wants more than just ransom.
A woman reports that her young daughter is missing, but there seems to be no evidence that she ever existed.
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.
Following an unexpected tragedy, child psychologist Malcolm Crowe meets a nine year old boy named Cole Sear, who is hiding a dark secret.
When Ruby and Rhett's parents are killed in a car accident, their carefree teenage lives are suddenly shattered. Moving to an incredible house in Malibu with the Glasses', old friends of the family, seems to be the beginning of a new life for them.
A law student takes a job as a night watchman at a morgue and begins to discover clues that implicate him as the suspect in a series of murders.
Two runaway, gun-obsessed, outlaw lovers are given a task to kill two political figures in the midst of a civil revolution outside the walls where these characters are trapped, waiting for the phone call to give them a sense of purpose
A young man who is haunted by his murdered brother turns to a psychiatrist whose unorthodox treatment twists his world even further.
Kaori and Natsumi go to the same university. They met for the first time after learning they had the same boyfriend. Their boyfriend, Naoki, was a gangster. He blackmailed Kaori with a sex video and forced her to help him with credit card fraud, while tempting Natsumi with sweet words at the beach aiming for the landing patent of Natsumi's mother's apartment. Kaori and Natsumi were upset that they were tricked and conspired to kill Naoki. They developed a strange friendship as they dismembered Naoki's body. Kaori and Natsumi went by car to the sea where they planned to scatter the remaining bones. But Kondo and other yakuza learned what they did and chased after them. What is the ending of the escape for life and death, love and friendship?
Following the disappearance of her husband on Halloween night, a woman relentlessly searches for him while developing a mysterious illness that ultimately endangers her own life.
A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.