The House Invictus

14-year old Uwe lives in s suburban Hamburg housing estate. Besides trouble, the boy has not much to expect from his parents. To get his hands on some money, he prizes open vending machines, and to let out his frustration he beats up "wogs". Among them is Dschingis, his nemesis. But one day, the rivals make peace. They become friends because they realize that they have the same problems and are driven by the same dreams and hopes.

Timo is gay. Because a boy in his class came out publicly, he gathers the courage to tell his friends but they don’t react the way he had hoped for. On top of that, his homophobic parents also find out. As he then also starts receiving anonymous threats, he doesn’t see any way out of this mess.

It's 1986, tormented teenager Henry is struggling with his sexuality and abusive home life. Henry sits in his closet contemplating suicide. In a flash of light he is transported to 2016 where he meets teenager Ben — now occupying his room 30 years later.

Thomas, the son of a millionaire lives a fairly isolated existence, in a mansion in rural France. His father hires a widowed woman to take care of things while he is away. The maid's son, Charles moves in as well, and the two parents hope that the two can become friends but they become enemies immediately after meeting each other. Once their parents fall in love, Thomas decides to make Charles, who he views as an "invader", as miserable as possible.

Sofiane lives in a high-rise block at the edges of Paris. A violent young man, he tries to be like his gang of friends. However, Sofiane is attracted to guys. Through his contradictions, he embodies the confusion of today's idle young people who have lost their bearings and live withdrawn into themselves.

A lonely, awkward teenager encounters a male sex worker on a morning in suburban Sydney. Based on the short story "Concealer" by Andy Boreham.

From the heart of the Amazon comes this exclusive LGBTQ+ compilation from emerging Latin American directors from Brazil and Peru. These 5 thought-provoking shorts prove that universal social themes have no borders. They are: The Last Romantics [Os Últimos Românticos] (2019); Savage Fire [Fogo Selvagem] (2017); My Only Earth Is in the Moon [Minha Única Terra É Na Lua] (2017); Sandra Calling [Sandra Chamando] (2017); Carlito Leaves Forever [Carlito se va para siempre] (2018).

Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his clients is murdered and Detective Sunday begins pumping him for details on his different clients, something he is reluctant to do considering the nature of his work. Julian begins to suspect he's being framed. Meanwhile Michelle begins to fall in love with him.

In the 1820s, a taciturn loner and skilled cook travels west to Oregon Territory, where he meets a Chinese immigrant also seeking his fortune. Soon the two team up on a dangerous scheme to steal milk from the wealthy landowner’s prized Jersey cow – the first, and only, in the territory.

When a children's entertainer finds that a video of him masturbating has gone viral online, his life is thrown into chaos. Amid the fierce public backlash and media scrutiny he is forced to confront the wrath of the anonymous online haters to defend and redeem himself.

Based on the only extensive prose work by the surrealist painter Josef Capek, Shades of Fern most resembles the philosophical fairy tales and fables of Josef’s older brother, the legendary Czech novelist and playwright Karel Capek. Two young poachers, more boys than men, kill a gamekeeper when they are caught illegally hunting. Panicked, they retreat into a forest that grows steadily more forbidding and deadly as their fear for the future—and guilt over their action—mounts. Loosely based on hundreds of oral folk tales and legends that haunt the woods of Czechoslovakia, Vlácil’s contemporary updating artistically underscores the relationship between man and nature, crime and punishment, isolation and society, and guilt and memory.