Self Portrait

An ode to Norman McLaren from Mirai Mizue

Adam and Eve are cast out of Eden. They discover that flowers can bring both joy and solace.

A contemporary man in the eye of the cyclone created by information. He finds no support for his hands and feet. It’s like in a poem by Tadeusz Rozewicz (‘falling in every direction’), he turns to dust when his time finally comes.

In this one, Max has run low on ink, so Ko-Ko finishes drawing himself and then heads over to the camera room, where he creates his own characters, a mechanical dancing Dresden doll with whom he falls in love and a couple of automaton musicians. He gets rid of the musicians, but, alas, the projectionist gets oil onto Ko-Ko's soon-to-be bride, melting her.

Max has a toothache, and it's up to The Clown and a bespectacled rabbit to pull out the aching tooth.

A gingerbread comes to life, enacting revenge for his fallen brother.

Sketches of a Spanish circus made by Richard Williams in 1953 come to life. Williams began the project at the age of 20 and finished it when he was 77. It premiered at the Pordenone Silent Film Festival in 2010.

A dream-like story of a sleeping man whose body parts live their own lives at night to return to him in the morning - all except one leg which has chosen freedom. Its owner as well as a crowd of homeless men chase the leg, but it grows feathers and flies away as a bird. A grotesque tale with a poetic ending and with interesting music by Janusz Hajdun.

A stop-motion film from Émile Cohl with tin soldiers, children's drawings and cannibals.

A child dreams of the Bible tale, reenacted by toys.

A mother and her son are driving through heavy snowfall to bid a final farewell to their dead husband and father. A sudden and unexpected wrong turning takes them to a completely different place from the one they had expected. Some memories exist in a borderland.