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A Journey of Redemption and Resilience In Bruised, Halle Berry steps into the ring not only as the film’s star but also as its director, delivering a raw, unflinching portrayal of a fighter’s journey to reclaim her life. This film is not just about physical combat; it’s about the inner battle we all face when life knocks us down and the courage it takes to rise again. Berry plays Jackie Justice, a former MMA fighter who’s been beaten by life in more ways than one. As she struggles to escape the ghosts of her past, she is suddenly faced with an unexpected challenge: the return of her young son. This moment forces Jackie to confront her failures and to fight for something far greater than her own redemption—her son’s future. What sets Bruised apart is its unapologetic grit. Berry doesn’t shy away from showing the harsh realities of life at rock bottom. But more than the blows in the ring, it’s the emotional punches that land hardest. Through every setback, every moment of self-doubt, Bruised reminds us that true strength is born not from the absence of fear, but from facing it head-on. The law of abundance and the law of assumption are woven into Jackie’s journey. She begins the film believing in her limitations, defined by past mistakes and pain. But as she steps into the octagon one more time, we witness a profound shift. Jackie embraces her worth, not through external validation but by assuming the mantle of victory in her heart long before the bell rings. This is where her real transformation occurs—by envisioning her success, she taps into the abundance of strength and resilience that’s been within her all along. Halle Berry’s directorial debut is a testament to perseverance and self-belief. Through its relentless portrayal of struggle and survival, Bruised reminds us that no matter how many times life throws us to the mat, we always have the power to rise again. For anyone looking for a film that celebrates the fight within, Bruised is a knockout.
Young Cuban Rafael just buried his mother, and comes to Houston to meet his father John for the first time. The difficult part is that John doesn't know he is Rafael's father. John runs a dance studio, and everyone prepares for the World Open Dance championship in Las Vegas. It soon becomes clear Rafael is a very good dancer, and Ruby is the biggest hope for the studio at the championship.
Everyone has Halloween, but in Yorkshire, they have Mischief Night, where madness and mayhem rule. In the course of one night, the barriers that separate two families—one white, one Asian—come tumbling down in a blaze of crime, clubbing, love and fireworks—changing all their lives forever.
Mona Bergström is a sweet eurovision-obsessed woman in her 30s. She is married to a lazy husband and has four children, all named after her favorite Swedish Eurovision popstars. Her brother is a crossdressing guy self-titled "Candy Darling". Mona works in a retirement home for disabled people, where she is responsible for taking care of a young man named David who suffers a movement-restricting disease forcing him into a wheelchair. David's parents have abandoned him, as they wanted a normal child. Mona holds a big place in David's heart, and vica versa. David's goal is to get his parents to come and visit him, and he wants to show them that he is a great person, despite his handicap. Therefore he works with music on his computer, and his goal is to create a song, send it to "The Cardigans", a famous Swedish band and have them play the song and credit him, hoping his parents would spot it and want to visit him.
Over the years, a child's romantic ideals about death blossom into necrophilia, the study of embalming and the most profound relationship of her life.
The engagment between a struggling photographer and an assistant professor is marred by an act of violence.
Taking over Leeds United, Brian Clough's abrasive approach and his clear dislike of the players' dirty style of play make it certain there is going to be friction. Glimpses of his earlier career help explain both his hostility to previous manager Don Revie and how much he is missing right-hand man Peter Taylor.
The year is 1950 and an English couple, Louise and Michael, have arrived in French-occupied Indochina to cover a story on a French-owned rubber plantation. They are to be the guests of the enigmatic plantation overseer, Daniel, and his beautiful yet difficult daughter Viola, at their elegant, decaying villa amid a tropical jungle. Michael and Louise hope that some time spent working in an exotic location will help reignite the passion in their floundering marriage. Instead they become unwittingly involved in the personal, sexual and political tensions of their hosts. Daniel is desperate to hold onto a way of life no longer possible in a country struggling for independence, bringing him into conflict with not only his daughter but also with his adopted country.
Following the death of her mother Tessa (Pamela Rabe), a young woman, returns after many years to the weather-beaten family home on the shores of Sydney's Botany Bay. But the old family home begins to bring old wounds more and more to life. The story unfolds through flashbacks yet as it progresses the flashbacks merge into the present as it becomes apparent that the situation Tessa has returned to is very much the result of that which passed before.
A story of children who feel safer in the streets than at home, about children seeking out sturdy lifeboats that cross between the world of fantasy and the harsh reality of life. Jarka is one of these children. Ten years-old, and living with a mother who is not yet ready to be a mom, Jarka spends most of her time alone. Pushed by her desire for love and to form a fully functional family, she finds herself substituting a "mother" to two babies.
Panic attacks and memory loss signal the plight of a writer whose body is inexplicably being taken over by another woman.
A man trying to put his life back on track gets some advice from an unexpected benefactor - the ex-footballer Eric Cantona.