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A Mormon weds a rich English girl, takes a second wife in Utah, and is killed by his first wife's lover.
Today and Tomorrow (Hungarian: Ma és holnap) is a 1912 film directed by Michael Curtiz and starring Gyula Abonyi and Jenőné Veszprémy.
Mary Alden and her brothers Matthew and George have extremely different political views. Matthew is a committed pacifist, and is constantly giving speeches against war. George is notified that his draft number, 258, has been called and to report for induction, but he refuses. Mary, on the other hand, is intensely patriotic and comes up with a plan to shame him into reporting for induction. Meanwhile, Matthew is being set up for a patsy by a gang of German secret agents, led by Van Bierman, who are planning to blow up an airplane factory.
Theda Bara's vamping is at its most evil here. She plays the Russian Princess Petrovitch, who loves only her pearls. Her husband, the Prince (E.F. Roseman), sells state secrets to a spy to pay her exorbitant bills, and her response is to report him to the secret police. Then she runs off to Monte Carlo with her lover, Count Zerstoff (Emil deVarney), but she poisons him after he racks up a load of gambling losses.
Vere Herbert lives with her wicked mother, Lady Dolly (Marie Curtis), who is living in sin with Lord Jura (Glen White). Although Vere is in love with an opera singer, Lucien Correze (Harry Hilliard), Lady Dolly convinces her that marrying the dissolute Prince Zouroff (Walter Law) will save her father's honor. But the Prince makes her miserable and insists on having his mistress, Jeanne deSonnaz (Caille Torrez), live with them.
Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hopes of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Camille discovers that Armand has not lost his love for her.
Mary Lynde (Theda Bara) is an innocent girl who has grown up in New York's Greenwich Village. One of the artists there, Felix Benavente (Sidney Mason), uses her as model when he paints a portrait of the Madonna for a church. His friend Robert Sinclair (Hugh Thompson) corrupts Mary so that her father (Walter Law) casts her from his home. She goes to live with Sinclair in his mountain lodge, but after the birth of a child, he callously casts her aside. Subsequently, her baby dies and she sinks to the depths of despair.
Refusing to join his family in their new social life when Henry Dillingham suddenly becomes wealthy, Donald Dillingham causes even greater disapproval by marrying chorus girl Ardell Kendall. Learning that famous sculptor Gustaf Borgstrom wishes to use Ardell as model, the Dillinghams suddenly welcome Donald and Ardell to their estate. Donald surrenders to both the jazzy pleasures and the attentions of Maybelle Wescott, but Ardell remains aloof and in order to pay off Maybelle threatens Mr. Dillingham with exposure of his infatuation with a chorus girl.
Mary Doone (Theda Bara) is a poor British girl who runs away from her adopted family because the father made a pass at her. She lives at a parish house, and at the outbreak of World War I, she becomes a Red Cross nurse.