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Gerade in der Originalfassung ist „Ted“ ein anarchischer Spaß. Seth MacFarlane, der neben seiner Regiearbeit auch noch Ted spricht, hat ihr einen Film erschaffen, in dem kein Blatt vor den Mund genommen wird und vor allem davon lebt, dass Ted einfach in jeder Szene auf die eine oder andere Art daneben benimmt. Immer einen fiesen Spruch auf den Lippen sprudeln die Beleidigungen und unangebrachten Sätze nur so aus Ted heraus und wenn man bei menschlichen Protagonisten schnell das Gefühl hat, dass dieses Verhalten zu viel des Guten ist, kommt dies bei Ted nicht vor. Dies mag daran liegen, dass Ted eben ein Teddybär ist und man so ein Verhalten von einem Kuscheltier eben nicht erwartet. Erstaunlich ist auch, wie gut Mark Wahlberg (Shooter, Vier Brüder) im Zusammenspiel mit dem chaotischen Teddybären funktioniert. Wahlberg hat sich in den letzten Jahren ja eher in Actionfilmen und ernsteren Produktionen positioniert, zeigt aber in „Ted“, dass er den „Over the top“-Humor genau beherrscht wie das Actionfach. Und auch Mila Kunis (Black Swan, Ausgequetscht) darf man nicht vergessen. Kunis hat sich ja schon mehrfach in Komödien ausgetobt und beweist in „Ted“, dass sich auch in derberen Vertretern des Genres eine gute Figur macht. „Ted“ bietet aber nicht nur derben Humor, sondern mindestens eine Szene, die in die Filmgeschichte eingehen wird, den Donnersong. Wenn John und Ted bei Gewitter im Bett liegen und ihr Lied singen und dabei das Unwetter wild beschimpfen, dann bleibt auch bei den Zuschauern kein Auge trocken, die ansonsten wenig mit dem Film anfangen können. Insgesamt gesehen ist „Ted“ allerdings kein Meisterwerk. In erster Linie nutzt Seth MacFarlane seine Erfahrung die er mit der TV-Serie „Family Guy“ gesammelt hat und mixt den derben Humor der Serie mit neuen Figuren. Klar, mit dem gesellschaftsuntauglichen Ted präsentiert er dabei eine Figur, die man so auf der Leinwand noch nicht gesehen hat, er erfindet sich allerdings mit dem Film nicht neu, sondern erschließt mit „Ted“ nur eine neue Zielgruppe, nämlich die Komödienfans, die MacFarlane noch nicht von „Family Guy“ kenne, aber derbe Komödie wie z.B. „Hangover“ mögen. [Sneakfilm.de]
Ted is THE poster child for the fact that every great concept doesn't automatically become a guaranteed winning project once it leaves the drawing board. This movie SCREAMS "Here's a great idea, but we just didn't know what to do with it." Whether it was because of lack of imagination or too many tokes on the community bong, nobody will ever know. Having a movie about a real-live Teddy Bear existing in the every day life of a 30-something underachiever sounds like a winning formula. However after the first few moments, the movie stalls, the dialog gets stale quickly and the majority of the story revolves around Ted getting high and/or trying to bang shallow, attractive women (even though Hasbro didn't include on him full, working equipment) while the main character tries to balance his 4-year ongoing relationship with a woman completely out of his league and his life-long Thunder Buddy (Ted). Lewd, crude and rude, Ted does little to entertain beyond the limited soph-moronic humor. Unless you are a rabid fan of Family Guy or the 80s Flash Gordon, live in or around the Boston area or think it's funny to hear the F-word every other second, this one won't be for you.
Great watch, will watch again, and do recommend. This is a stupid movie, it doesn't mean it's bad: it's not a great movie, but it is entertaining. I love stupid humor and dirt comedy, basically absurdist comedy which Seth MacFarlane excels at. The cast is great, and I think it would have been a very different movie if they had used anyone else in any role. The concept alone is unique and refreshing, "Did you see the movie about the teddy bwear that came to life?", that's this movie. You almost owe it to yourself to see such a unique concept. And they they do some fantastically structure humor mixed with some rather contrastingly serious romantic drama. They even mix in a touch of horror, and I was even able to get into it, despite it being about a Teddy Bear that has express displeasure about not being constructed with a penis. I can't imagine ever watching this and not being entertained.
Harry Potter has lived under the stairs at his aunt and uncle's house his whole life. But on his 11th birthday, he learns he's a powerful wizard—with a place waiting for him at the Hogwarts School of Witchcraft and Wizardry. As he learns to harness his newfound powers with the help of the school's kindly headmaster, Harry uncovers the truth about his parents' deaths—and about the villain who's to blame.
Year three at Hogwarts means new fun and challenges as Harry learns the delicate art of approaching a Hippogriff, transforming shape-shifting Boggarts into hilarity and even turning back time. But the term also brings danger: soul-sucking Dementors hover over the school, an ally of the accursed He-Who-Cannot-Be-Named lurks within the castle walls, and fearsome wizard Sirius Black escapes Azkaban. And Harry will confront them all.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.
In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.
In this enchantingly cracked fairy tale, the beautiful Princess Buttercup and the dashing Westley must overcome staggering odds to find happiness amid six-fingered swordsmen, murderous princes, Sicilians and rodents of unusual size. But even death can't stop these true lovebirds from triumphing.
An irritable marketing executive, Neal Page, is heading home to Chicago for Thanksgiving when a number of delays force him to travel with a well meaning but overbearing shower curtain ring salesman, Del Griffith.
A girl who halfheartedly tries to be part of the "in crowd" of her school meets a rebel who teaches her a more devious way to play social politics: by killing the popular kids.
A young boy whose parents just divorced finds an unlikely friend and mentor in the misanthropic, bawdy, hedonistic, war veteran who lives next door.
An American man returns to the village of his birth in Ireland, where he finds love and conflict.