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**By: Louisa Moore / www.ScreenZealots.com** _This film was screened at Fantastic Fest_ Maybe I just don’t “get” the horrendous “Birdemic 3: Sea Eagle.” Is this one of those movies that’s so god-awful that it becomes cool to hate-watch it, or was this made with artistic sincerity? It’s sad because I don’t think writer / director James Nguyen set out to purposely make a bad movie, but this is one of the worst things I have ever seen. It’s not fun to watch, it is not enjoyably bad, and this film should swiftly be tossed where it belongs: straight in the garbage bin. In what could be the worst public service announcement about global warming and climate change ever, the movie tells the story of Evan (Ryan Lord), a gerontologist who studies human aging and his relationship with marine biologist Kim (Julia Culbert). Most of the story consists of clunky dialogue about how ocean temperatures are rising and sea life is dying from the acidic water. Blah, blah, blah, let’s get to the furiously crazed birds because then the movie will pick up steam, right? Guess again. The film is a sequel to the 2010 cult classic “Birdemic Shock and Terror,” and it follows a similar filmmaking formula: grab a camera and create a movie without a care in the world. The production values are absolutely horrendous, from the inconsistent sound and lighting to the hackneyed camerawork and labored acting. The special effects look like something an untalented 6-year-old could whip up in ten minutes on the family room computer. The script is equally awful, with an especially painful scene about healthy eating. If this is supposed to be played for laughs, it’s not working. I wholeheartedly admit and agree that it can be fun to watch second-rate movies (“Sharknado,” “The Room,” “Troll 2”) and get a good laugh, and there sometimes is pleasure to be found in crappy films. But in order to provide any sort of amusement, a movie still has to be passably watchable. “Birdemic 3: Sea Eagle” is not. Some movies become cult classics for a reason, and just because it’s bad doesn’t make it good. I would not impose this film on my worst enemy, and I highly recommend you do not subject yourself to this 83 minutes of pure torture.
A new music teacher in a 1955 West Texas home for wayward boys brings new vision and hope for many of the interned boys.
About the wedding day of Seto Ryosuke, an elementary school teacher, and Aikawa Mizuki, a lemon farmer. Right before the ceremony, Mizuki finds out that his partner didn't tell his parents, relatives, and friends that he is marrying a man. This discovery starts a series of events the two have to face, like a furious outburst of Ryosuke's father, a big fight between heads of the two families, as well as an appearance of Mizuki's ex-boyfriend.
Amos, delving into his past, embarks on a journey to relive the conversations he shared with his late friend Vogel. In these nostalgic reunions, Amos immerses himself in memories that hold the unique essence of their relationship. As the memories unfold, an intriguing mystery is unveiled: the encrypted question Vogel sought to answer, "How long do clouds live?".
At the Tromaville Institute of Technology's nuclear plant, Prof. Holt has perfected "subhumanoids": living beings without emotions who perform menial tasks. When school reporter Roger Smith meets a beautiful subhumanoid named Victoria, they fall in love and he becomes determined to save her and the school from a giant mutant squirrel, Tromie.
In England, a group of space scientists led by Bernard Quatermass, who have developed plans for the first Moon colony, learn that a secret, ostensibly government-run, complex of identical design has been built in a remote part of England and is the focus of periodic falls of small, hollow "meteorites" originating in outer space. Quatermass determines to investigate and uncovers a terrifying extraterrestrial life form which has already begun action to take over the Earth.
The opposite lives of a workaholic architect and a fiery artist are upended when their chance encounter in breathtaking Peru shifts their views on life.
A fancy dress ball takes place in a strange palace. The host is unknown. The theme: "your idea of human representation”. During the course of this mysterious and rather frightening evening, each guest is transformed into his own character and the intrigue thickens.
The pupils at a high school next to a nuclear power plant start acting and looking strange after buying contaminated drugs from a plant worker.
A hard-nosed Chicago journalist has an unlikely love affair with an eagle researcher.
After his lover rejects him, Maurice attempts to come to terms with his sexuality within the restrictiveness of Edwardian society.