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This place is nothing but chaos. Your God doesn’t even come here. Texas Killing Fields is directed by Ami Canaan Mann and written by Don Ferrarone. It stars Sam Worthington, Jeffrey Dean Morgan, Jessica Chastain, Chloe Grace Moretz, Jason Clarke, Annabeth Gish and Stephen Graham. Music is by Dickon Hinchliffe and cinematography by Stuart Dryburgh. Film is based around real events involving the many murders of women whose bodies have been found in a desolate area of road and wasteland between Houston and Galveston. Ami Canaan Mann is the daughter of Michael Mann, one of the masters of modern day crime story movies, so it’s not very surprising to see Ami, for her sophomore production, venture into murky waters. Texas Killing Fields is a bayou noir, where although the title hints at human devastation unbound, it’s actually a slow burning skin itcher more concerned with the people investigating crime than that of the perpetrators. How the sorry events affect all who come in to contact with the crimes at the film’s core, is what drives Texas Killing Fields on. Sadly the screenplay takes on board too much and nearly derails an otherwise very good movie. If it comes down to atmosphere and technical smarts in achieving such? Then this is one of the finest of recent times. There’s a constant sense of broody foreboding throughout, the haunting landscapes are all gnarly and spectre like, the whole area literally stinks of death and misery. Even when the story is away from the fields of the title, there’s a mood of despair filtering out from Mann and Dryburgh’s lenses, the hot Texas weather draining every ounce of sweat from the emotionally troubled detectives. All of the atmosphere is helped considerably by Hinchliffe’s music, which piggybacks the misery with ominous bluesy tones. Unfortunately all this deft atmospheric craft can’t stop the screenplay from being annoying. A sub-plot involving Worthington and Chastain as ex husband and wife is as pointless as it gets, which simultaneously wastes Chastain in the process. The makers have chosen to actually have suspects front and centre for the crimes on screen (unlike the real life cases, most of which remain unsolved), well they intend to keep it mysterious, but anyone paying attention will catch on quickly enough. There’s also problems with the sound mix, which at times is appalling, rendering some crucial dialogue exchanges as inaudible. Cast are good, especially Morgan and Moretz, and Mann shows a good hand at action sequences to compliment her astute mood setting skills. But this still feels like a misfire, and subsequent critical appraisals and internet rating systems have it as just above average. That’s a little unfair, there’s much for the neo-noir/crime movie crowd to get enthralled by here, but Mann may need to sharpen up her story telling whiles to fully bloom her undoubted potential. 6.5/10
Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music. A girl who has always had to translate speech into sign language for her deaf parents yet when her love for playing music grows strong she must decide to continue doing something she cannot share with her parents.
A woman and her daughter struggle to make their way through the aftermath of the Balkan war.
Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....
An average, everyday metalworker and volunteer firefighter content in his marriage to his childhood sweetheart finds his emotions unexpectedly stirred when he falls for a pretty waitress from a nearby town.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
Six filmmakers present six short films about the experiences of Chinese immigrants. Shot across Malaysia, Thailand, Singapore and Myanmar, the anthology depicts the crisis of identity that accompanies international migration.
It's winter in a suburb. A housewife is brutally raped. A young woman becomes a victim of attempted rape. The Police tighten noose on Anders, a young road worker who was seen on the site in both cases. The two women think they recognize him in the lineup, and police investigators use all their strength to solve the case. Anders is a common and simple individual. He could be any youth. The meeting with the ongoing investigation and the solid judiciary, forces him out of a seemingly monotonous, habitual life and forces him to react and think.
A woman who desperately wants a baby asks a girl who is considering abortion to give her the baby instead. The two arrive at an isolated vacation home to spend time in seclusion until the girl gives birth to a baby, but they unexpectedly encounter a mysterious young painter and some criminal hunters.
When Alice, a beloved neonatal intensive care unit supervisor, is forced to take early retirement, her young colleague Jenny decides to turn the upcoming staff Christmas party into a surprise celebration for her. The plan is complicated by Matt, the hospital’s new CFO, who’s been tasked to cut costs. Initially at loggerheads, Jenny and Matt get to know and understand each other —a sweet Christmas gift neither saw coming.