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This place is nothing but chaos. Your God doesn’t even come here. Texas Killing Fields is directed by Ami Canaan Mann and written by Don Ferrarone. It stars Sam Worthington, Jeffrey Dean Morgan, Jessica Chastain, Chloe Grace Moretz, Jason Clarke, Annabeth Gish and Stephen Graham. Music is by Dickon Hinchliffe and cinematography by Stuart Dryburgh. Film is based around real events involving the many murders of women whose bodies have been found in a desolate area of road and wasteland between Houston and Galveston. Ami Canaan Mann is the daughter of Michael Mann, one of the masters of modern day crime story movies, so it’s not very surprising to see Ami, for her sophomore production, venture into murky waters. Texas Killing Fields is a bayou noir, where although the title hints at human devastation unbound, it’s actually a slow burning skin itcher more concerned with the people investigating crime than that of the perpetrators. How the sorry events affect all who come in to contact with the crimes at the film’s core, is what drives Texas Killing Fields on. Sadly the screenplay takes on board too much and nearly derails an otherwise very good movie. If it comes down to atmosphere and technical smarts in achieving such? Then this is one of the finest of recent times. There’s a constant sense of broody foreboding throughout, the haunting landscapes are all gnarly and spectre like, the whole area literally stinks of death and misery. Even when the story is away from the fields of the title, there’s a mood of despair filtering out from Mann and Dryburgh’s lenses, the hot Texas weather draining every ounce of sweat from the emotionally troubled detectives. All of the atmosphere is helped considerably by Hinchliffe’s music, which piggybacks the misery with ominous bluesy tones. Unfortunately all this deft atmospheric craft can’t stop the screenplay from being annoying. A sub-plot involving Worthington and Chastain as ex husband and wife is as pointless as it gets, which simultaneously wastes Chastain in the process. The makers have chosen to actually have suspects front and centre for the crimes on screen (unlike the real life cases, most of which remain unsolved), well they intend to keep it mysterious, but anyone paying attention will catch on quickly enough. There’s also problems with the sound mix, which at times is appalling, rendering some crucial dialogue exchanges as inaudible. Cast are good, especially Morgan and Moretz, and Mann shows a good hand at action sequences to compliment her astute mood setting skills. But this still feels like a misfire, and subsequent critical appraisals and internet rating systems have it as just above average. That’s a little unfair, there’s much for the neo-noir/crime movie crowd to get enthralled by here, but Mann may need to sharpen up her story telling whiles to fully bloom her undoubted potential. 6.5/10
Two men wake up to find themselves shackled in a grimy, abandoned bathroom. As they struggle to comprehend their predicament, they discover a disturbing tape left behind by the sadistic mastermind known as Jigsaw. With a chilling voice and cryptic instructions, Jigsaw informs them that they must partake in a gruesome game in order to secure their freedom.
Jigsaw has disappeared. Along with his new apprentice Amanda, the puppet-master behind the cruel, intricate games that have terrified a community and baffled police has once again eluded capture and vanished. While city detective scrambles to locate him, Doctor Lynn Denlon and Jeff Reinhart are unaware that they are about to become the latest pawns on his vicious chessboard.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
When Liliana decides to return to Uruguay she will have to face up to a new dilemma, perhaps the last great dilemma of her life: To choose between supporting a collective case for female prisoners, raped during the time of the dictatorship, or to reconcile with her son and be able to live peacefully as a mother and a grandmother.
Two lost souls visiting Tokyo - the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial - find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
Ely, a young man who can't get over Celine, his past love, meets Mia, a young woman who escaped from a painful past in the Philippines and is trying her luck to rebuild her life in Spain. They meet. They fall in love. But can they overcome the hurt of the past to have a future together?
Seven years after Jason, Orked is now married to a much older guy, Arif. Everything seems ideal in their marriage at first glance. One fateful morning, Orked is awakened by a distressing phone call from Mak Inom with news that Pak Atan has become catatonic due to diabetic complications.After some chaos, they take Pak Atan to the hospital. There, Orked bumps into Alan, Jason’s elder brother. His father, Pa has also been hospitalized. As the film develops, we witness the friendship between Alan and Orked flourish, to Arif’s apprehension. Perhaps because for Orked, Alan is a link to her first love.
It tells a story about a free-spirited older couple, Pak Atan and Mak Inom who decide to spend more time in the country after getting tired of city life. But they find that life in the old village isn't a good thing when they get cheated by a distant relative, Yem, out of some money. They cut him off and Yem plots revenge. Meanwhile, in the city, the couple's daughter Orked is being wooed by a young gentleman,
Christmas! Every year, expectations are high again. And that's why a little dissatisfaction quickly becomes the deepest despair. "Over there, it's snowing" tells of the joy and sorrow of December 23rd and 24th, as experienced by the residents of a Munich townhouse. The focus is on the freshly separated Miriam, her daughter Julchen and the awkward pastor Gregor.
With the threat of having to close her father's candy store, Wendy and her six-year-old daughter Grace travel to the big city in hopes of making extra holiday cash to save the store. When she's offered a job in the toy department of Wolmans, the city's biggest department store, Wendy can't wait! Her excitement doesn't last long when the store's manager, Teanna, destroys the Christmas spirit throughout the store and replaces Santa with a hunky male underwear model surrounded by elfin "babes." What Teanna is unaware of is that she has in fact sacked the real Santa. Unaware of his real "Santa" status, Wendy reaches out to the old man but it seems even he has given up hope. With her daughter losing faith in the holiday, Wendy realizes she must bring the true meaning of Christmas back to Wolmans before it is too late.