Free Fun

In the year 2700, a comic book artist encounters a mysterious alien while seeking revenge against the pyromaniac who burned down her printing presses.

Nataly, a trans woman is visiting her ex lover Leon with her daughter Secreto. Leon is living in a mysterious community hiding from the sun: these reunions will remind Nataly the memory of a toxic and abusive relationship.

Just a shapeshifting bug alien guy getting ready for his blind date, and nothing is going according to plan.

Sergio answers 36 questions to make Gabriel fall in love. Did you know Glauber was a Pisces?

A man and a woman have a date at a bar and drink a strange cocktail that makes them swap bodies while having sex. This incident will trigger in them fears and doubts but also the desire for new experiences…

Upon the death of his mother, a gay man in blue-collar America returns to his childhood home. There he discovers a cardboard time machine that he made when he was a boy. As he uses it to get glimpses of his future, he ponders the weight of his life's choices.

A gay disabled teenage boy changes into the body of a beautiful woman, so that he can be loved.

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema-he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they'll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.

Facial Weaponization Suite protests against biometric facial recognition–and the inequalities these technologies propagate–by making “collective masks” in workshops that are modeled from the aggregated facial data of participants, resulting in amorphous masks that cannot be detected as human faces by biometric facial recognition technologies.

A knight framed for a tragic crime teams with a scrappy, shape-shifting teen to prove his innocence.