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**Intro** Quo Vadis Aida, released in 2020, is more than a film. It tells us a story, and it reminds us of our political organisation’s failures and invites us to wake up, so that those tragic events will never happen again. The Srebrenica genocide happened in 1995 and, although it’s very recent, too many people ignore this tragedy. **Real events inspired the movie**, although some characters are fictional. The whole cast delivered a good product which got an Oscar nominee as “Best International Feature Film” and many others awards. **Movie’s analysis at SpotaMovie.com** - **The Story** In July 1995, the Serbian’s soldiers were ready to invade Bosnia and the city of Srebrenica. U.N. officers and the blue helmets had the duty to protect the population and prevent the invasion. Aida is an interpreter working for the U.N., helping during the negotiation between the Bosnians and the blue helmets. While the time quickly passes, colonel Karremans doesn’t receive any updates or support from the U.N., NATO, or the Dutch government. The situation is dangerous. Thousands of people gathered near the U.N. compound seeking help. But they are too many, the blue helmets struggle to keep control, and general Mladic is ready to enter the city.
Set as the Bosnian Serb army laid siege to the town of Srebrenica, this dramatises the story of an UN interpreter “Aida” (Jasna Djuricic) and her desperate fight to rescue her husband and two sons from the encroaching forces under the command of the ruthless Ratko Mladic (Boris Isakovic). Their “safe zone” is little safer than elsewhere in the war-torn community and with the largely Dutch troops entirely out-gunned and lacking external support either politically or militarily, she knows that if she can’t get her family away as they evacuate then they will not leave alive. What we see here shows the shocking ineffectiveness of the international community’s response to this horror and, despite pleas from their blue-hatted soldiers on the ground, how little was actually done to assist those facing racial genocide at the hands of a charismatic thug. Djuricic does really well here as she strives to convey a palpable sense of not just her own family panic, but of a grand scale fear that innocent civilians faced indiscriminate violence, relocation and quite possibly death imminently. It’s also quite a potent reminder of the obligations due to people who put themselves in harm’s way to help peacekeeping operations as and when these situations change. Even if, technically, these people are not a direct responsibility we still have a duty of care that this drama clearly shows us abrogated. It’s almost entirely filmed using an intimate hand-held style of photography that adds quite a degree of intimacy to the proceedings, and the last few scenes are as traumatic as cinema gets. Though it’s a tough watch it’s a worthwhile one.
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.
The Queen is an intimate behind the scenes glimpse at the interaction between HM Elizabeth II and Prime Minister Tony Blair during their struggle, following the death of Diana, to reach a compromise between what was a private tragedy for the Royal family and the public's demand for an overt display of mourning.
A young Finnish woman escapes an enigmatic love affair in Moscow by boarding a train to the arctic port of Murmansk. Forced to share the long ride and a tiny sleeping car with a larger than life Russian miner, the unexpected encounter leads the occupants of Compartment No. 6 to face major truths about human connection.
Accused of the genocide of Mayan people, retired general Enrique is trapped in his mansion by massive protests. Abandoned by his staff, the indignant old man and his family must face the devastating truth of his actions and the growing sense that a wrathful supernatural force is targeting them for his crimes.
Paris, in the early 1990s: a group of young activists is desperately tied to finding the cure against an unknown lethal disease. They target the pharmaceutical labs that are retaining potential cures, and multiply direct actions, with the hope of saving their lives as well as the ones of future generations.
An in-depth look at the culture of Los Angeles in the ten years leading up to the 1992 uprising that erupted after the verdict of police officers cleared of beating Rodney King.
Leftist radical-turned-terrorist Giorgio—who fled to Latin America in the '70s to escape justice—decides to surrender after hearing about the fall of the Berlin Wall. Determined to lead a comfortable, bourgeois life in his native Italy, he cuts a deal with a shady police chief, getting his sentence reduced in exchange for ratting out former comrades. Once released, Giorgio obsessively pursues his dream of becoming a "respectable" citizen, even if the way is paved with larceny, pimping, drug-dealing, rape, heist, and murder...
A college grad takes a clerical job working for the literary agent of the renowned, reclusive writer J.D. Salinger.
Gustavo idolizes his older brother Paco and his punk, "Frikis" bandmates. When word reaches the Frikis of a potential reprieve from the effects of the economic crisis, they do the now unthinkable: deliberately inject themselves with HIV to live at a government-run treatment home. It's there that they create their own utopia to live and play music freely.
Based on true events, "Nitram" lives with his parents in suburban Australia in the mid-90s. He lives a life of isolation and frustration at never fitting in. As his anger grows, he begins a slow descent into a nightmare that culminates in the most heinous of acts.