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**Intro** Quo Vadis Aida, released in 2020, is more than a film. It tells us a story, and it reminds us of our political organisation’s failures and invites us to wake up, so that those tragic events will never happen again. The Srebrenica genocide happened in 1995 and, although it’s very recent, too many people ignore this tragedy. **Real events inspired the movie**, although some characters are fictional. The whole cast delivered a good product which got an Oscar nominee as “Best International Feature Film” and many others awards. **Movie’s analysis at SpotaMovie.com** - **The Story** In July 1995, the Serbian’s soldiers were ready to invade Bosnia and the city of Srebrenica. U.N. officers and the blue helmets had the duty to protect the population and prevent the invasion. Aida is an interpreter working for the U.N., helping during the negotiation between the Bosnians and the blue helmets. While the time quickly passes, colonel Karremans doesn’t receive any updates or support from the U.N., NATO, or the Dutch government. The situation is dangerous. Thousands of people gathered near the U.N. compound seeking help. But they are too many, the blue helmets struggle to keep control, and general Mladic is ready to enter the city.
Set as the Bosnian Serb army laid siege to the town of Srebrenica, this dramatises the story of an UN interpreter “Aida” (Jasna Djuricic) and her desperate fight to rescue her husband and two sons from the encroaching forces under the command of the ruthless Ratko Mladic (Boris Isakovic). Their “safe zone” is little safer than elsewhere in the war-torn community and with the largely Dutch troops entirely out-gunned and lacking external support either politically or militarily, she knows that if she can’t get her family away as they evacuate then they will not leave alive. What we see here shows the shocking ineffectiveness of the international community’s response to this horror and, despite pleas from their blue-hatted soldiers on the ground, how little was actually done to assist those facing racial genocide at the hands of a charismatic thug. Djuricic does really well here as she strives to convey a palpable sense of not just her own family panic, but of a grand scale fear that innocent civilians faced indiscriminate violence, relocation and quite possibly death imminently. It’s also quite a potent reminder of the obligations due to people who put themselves in harm’s way to help peacekeeping operations as and when these situations change. Even if, technically, these people are not a direct responsibility we still have a duty of care that this drama clearly shows us abrogated. It’s almost entirely filmed using an intimate hand-held style of photography that adds quite a degree of intimacy to the proceedings, and the last few scenes are as traumatic as cinema gets. Though it’s a tough watch it’s a worthwhile one.
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.
In mid-90s Mexico City, five young siblings are left in the care of their grandmother after their parents suddenly disappear. As they fight to survive, the line between reality and something darker starts to blur. The grandmother, haunted by eerie visions and deepening fears, becomes more distant, while the children’s grip on reality begins to unravel. After a clash with their neighbors, the siblings withdraw even further into isolation, cutting themselves off from the outside world.
An aging hairdresser escapes his nursing home to embark on an odyssey across his small town to style a dead woman's hair for her funeral, rediscovering his sparkle along the way.
While flying a routine reconnaissance mission over Bosnia, fighter pilot Lt. Chris Burnett photographs something he wasn't supposed to see and gets shot down behind enemy lines, where he must outrun an army led by a ruthless Serbian general. With time running out and a deadly tracker on his trail, Burnett's commanding officer, Admiral Reigart, decides to risk his career and launch a renegade rescue mission to save his life.
Two soldiers from opposite sides get stuck between the front lines in the same trench. The UN is asked to free them and both sides agree on a ceasefire, but will they stick to it?
In 1990s Los Angeles, a 13-year-old spends his summer navigating between a troubled home life and a crew of new friends he meets at a skate shop.
Based on true events, "Nitram" lives with his parents in suburban Australia in the mid-90s. He lives a life of isolation and frustration at never fitting in. As his anger grows, he begins a slow descent into a nightmare that culminates in the most heinous of acts.
In the questionable town of Deer Meadow, Washington, FBI Agent Desmond inexplicably disappears while hunting for the man who murdered a teen girl. The killer is never apprehended, and, after experiencing dark visions and supernatural encounters, Agent Dale Cooper chillingly predicts that the culprit will claim another life. Meanwhile, in the more cozy town of Twin Peaks, hedonistic beauty Laura Palmer hangs with lowlifes and seems destined for a grisly fate.
During the Battle of Sutjeska, partisan troops must endure 24 hours of big and heavy attacks on German units Ljubino grave, to the main Partisan units, with the wounded and the Supreme Headquarters, pulled out the ring that is tightened around them.
A true story about a gay boy growing up in the collapsing USSR, his courageous mail-order bride mother, and their adventurous escape to Seattle in the 90s.