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This Martini is shaken but not stirred. The Midnight Story (AKA: Appointment With A Shadow) is directed by Joseph Pevney and written by Edwin Blum and John Robinson. It stars Tony Curtis, Marisa Pavan, Gilbert Roland and Jay C. Flippen. Music is by Joseph Gershenson and CinemaScope cinematography is by Russell Metty. When a San Francisco priest is murdered, friend of the priest, Joe Martini (Curtis), a traffic cop, gets a hunch and ingratiates himself into the family of the man he thinks is responsible. Somehow it has become one of those 1950s black and white crime movies entered into film noir publications. It doesn't belong in that particular filmic chest, but it does ask to be sought out by fans of such 1950s fare. In actuality it's a whodunit? Thrusting a handsome and restrained Curtis into a murder mystery while his emotions get whacked from all sides. Filmed (joyously so) and set in Frisco, the makers never once play their hand to reveal what the finale will bring. The everyday life of a working and loving Italian-American family is vividly brought to life, luring us in to their world as intrigued but concerned observers - the North Beach District a sweaty backdrop just waiting to spill its secrets. Pevney keeps things brisk, never letting things sag, even as the inevitable romantic thread dangles (it's 1950s Tony Curtis after all), there's always an air of suspicion and mystery pulsing away in the narrative. Curtis fronts up for dressage, but delivers promise on an interesting role, but it's Roland's movie all the way. A damn fine turn that only comes to being in the final quarter. In support there is the sturdy presence of Flippen and Ted de Corsia, both of whom leave a telling mark. Each and all building to a finale, which may not contain the wallop one had hoped, but strikes a positive note and rounds it out as a film to seek out. 7/10
Tony Curtis is a keen San Francisco cop ("Joe") who is convinced that the killer of a local priest is none other than local crab fisherman "Malatesta" (Gilbert Roland). There's no evidence, though, and that man has a fairly cast iron alibi. His boss "KIlrain" (Ted de Corsia) tells him to forget it but he can't, so he quits and with a bit of off-the-books help from his sergeant "Gillen" (Jay C. Flippen) he sets out to ingratiate himself with his suspect. Against all the odds, they actually start to bond, and after a short while the older man suggests that "Joe" moves into the family home where he fits in well with "Mama" (Argentina Brunetti) and takes a bit of a shine to the tempestuous daughter "Anna" (Marisa Pavan). The longer he associates with this family, the more convinced he becomes that his hunch was wrong. Then, out of the blue, his old boss gets in touch with some startling information... Curtis is quite engaging here, as are the enthusiastic Pavan and Roland and as the story moves along we are all drawn into the seemingly delightful family scenario. There's a twist waiting for us. It's not one that's entirely unexpected but it quickly hurls us towards an ending that I found just a little rushed and disappointing. This is a solid story that just about manages to keep the romance at bay while the noir-elements prevail, and is still worth a gander.
Smilja is a little girl living in Dalmatian Zagora. One day, her mother dies under a small oak tree and she is left without parents. Luckily, she gets adopted and continues to nurture the oak where her mother died. Many years later, Smilja is a handsome woman, but her jealous stepbrother Josip kills her boyfriend Ivan and rapes her. Ivan's brothers swear revenge.
After being abducted as children, and suffering years of abuse, a teenage boy and girl find themselves living on the street.
Two policemen, one an old-timer, the other his volatile younger partner, find themselves suspended when a video of their strong-arm tactics becomes the media's cause du jour. Low on cash and with no other options, these two embittered soldiers descend into the criminal underworld to gain their just due, but instead find far more than they wanted awaiting them in the shadows.
One evening, Hammer gives a ride to Christina, an attractive hitchhiker on a lonely country road, who has escaped from the nearby lunatic asylum. Thugs waylay them and force his car to crash. When Hammer returns to semi-consciousness, he hears Christina being tortured until she dies. Hammer, both for vengeance and in hopes that "something big" is behind it all, decides to pursue the case.
A young priest, Father Chisholm is sent to China to establish a Catholic parish among the non-Christian Chinese. While his boyhood friend, also a priest, flourishes in his calling as a priest in a more Christian area of the world, Father Chisholm struggles. He encounters hostility, isolation, disease, poverty and a variety of set backs which humble him, but make him more determined than ever to succeed.
An upper-crust family dinner is interrupted by a police inspector who brings news that a girl known to everyone present has died in suspicious circumstances. It seems that any or all of them could have had a hand in her death. But who is the mysterious Inspector and what can he want of them?
Seemingly mild-mannered businessman Edmond Burke visits a fortuneteller and hears a remark that spurs him to leave his wife abruptly and seek what is missing from his life. Encounters with strangers and unsavory people weaken the barriers encompassing his long-suppressed rage, until Edmond explodes in violence.
One of the US Air Force's most modern tactical aircrafts, an F-100 with a new laser guidance system, crashes into the sea near Malta - a region where the Soviet forces are highly present, too. The CIA immediately sends out their best secret agent, Ken Tani, to salvage the system before it falls into enemy hands. To ensure his loyalty, they bring his two young sons to a nearby hotel on the island.
A young and naive college art student becomes obsessed with assuming the identity and personality of a departed coed who used to live in her room, and in so doing causes complications that result in two men, a student and her art professor, lusting after her.
Ralph Cotter, a ruthless criminal, escapes violently from a farm prison. Then, he seduces a dead inmate’s sister, gets back quickly into the crime business, faces corrupt local cops who run the city’s underworld and meets a powerful tycoon’s whimsical daughter.
In this biopic about the life and death of Ângela Diniz, Angela meets Raul and believes she has found someone who loves her free spirit as much as she does. The overwhelming attraction makes the couple drop everything and live the dream of rebuilding their lives on the beach. But the relationship declines into abuse and violence, giving rise to one of the most remembered murders in Brazil.