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Beetlejuice Beetlejuice 2024 - Movies (Sep 15th)
The 430 Movie 2024 - Movies (Sep 15th)
All American- Homecoming - (Sep 17th)
Below Deck Mediterranean - (Sep 17th)
WWE Raw - (Sep 17th)
Tipping Point Australia - (Sep 17th)
The 11th Hour with Stephanie Ruhle - (Sep 17th)
After Midnight - (Sep 17th)
Raw Talk - (Sep 17th)
Celebrity Treasure Island - (Sep 17th)
The Boy That Never Was - (Sep 17th)
Basketball Wives - (Sep 17th)
Nick Cannon Presents- Wild N Out - (Sep 17th)
The Last American Vagabond - (Sep 17th)
Historys Greatest Escapes with Morgan Freeman - (Sep 17th)
Prison Chronicles - (Sep 17th)
Gangland Chronicles - (Sep 17th)
My Brilliant Friend - (Sep 17th)
English Teacher - (Sep 17th)
Back Roads - (Sep 17th)
Bargain-Loving Brits in the Sun - (Sep 17th)
Help We Bought A Village - (Sep 17th)
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.
The film shows a parade down Fifth Avenue, New York. In the foreground many children, both black and white, can be seen following alongside the parade. The participants in the parade include cowboys, Indians, and soldiers in the uniform of the United States Cavalry on horseback and riding horse-drawn coaches. Buffalo Bill can be seen on horseback, lifting his hat to the crowd. Filmed on 1 April 1901.
In the background is a row of three-masted sailing ships, at anchor, their sales furled. In the foreground, a simple pier that's more like a yardarm juts out above the water; about 15 boys of six or seven years of age are on the jutting wood, and they jump off into the water below. The water looks to be about three feet deep. They swim back toward the pier. A small motorized boat passes. It's a stationary camera; one take.
Resorptive symptoms of intoxication after injection of cocaine in cats. Motor and vegetative arousal stages, tonic-clonic spasms and their spread in the motor system are shown in the individual phases of the poisoning.
A documentary short that follows a 13-year-old girl named Nejmia, who lives in Sana’a and refuses to wear the veil.
Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.
In 1960, Utrecht University took over the Studio for Electronic Music from Philips. In this studio in Utrecht, composers and artists worked on their own compositions. In 1961, Jan Vrijman made a film about Karel Appel, De werkelijkheid van Karel Appel, and Appel himself made a musical composition for this film in the studio in Utrecht. Van der Elsken films and photographs Appel during the composition of his Musique Barbare, as well as recording conversations on tape; the film is in fact a kind of collage of film, photographs and sound. As well as an exceptional record of Karel Appel’s working process, this film is a unique documentation of the studio and therefore a significant piece of Dutch musical history.