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Killer at the Crime Scene - (Mar 4th)
Storyville - (Mar 4th)
Four in a Bed - (Mar 4th)
Dogs Behaving (Very) Badly - (Mar 4th)
Make It At Market - (Mar 4th)
Tour de Fred- Northern Ireland - (Mar 4th)
Come Dine With Me- South Africa - (Mar 4th)
Chris Jansing Reports - (Mar 4th)
Son of a Critch - (Mar 4th)
Family Feud Canada - (Mar 4th)
Small Achievable Goals - (Mar 4th)
Eva Paus Asian Kitchen - (Mar 4th)
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Australian Idol - (Mar 4th)
Escape to the Country - (Mar 4th)
The Real Housewives of Sydney - (Mar 4th)
Crimewatch Live - (Mar 4th)
The Yorkshire Auction House - (Mar 4th)
Richard Osmans House of Games - (Mar 4th)
The 11th Hour with Stephanie Ruhle - (Mar 4th)
A damaged psyche post despicable crime. Outrage is directed by Ida Lupino and Lupino co-writes the screenplay with Collier Young and Malvin Wald. It stars Mala Powers, Tod Andrews and Robert Clarke. Music is by Paul Sawtell and cinematography by Archie Stout. Transport your mindset back to 1950 and you are in all probability going to admire this picture more than you would think. As is duly noted by other reviewers, this pic, and it's treatment of rape as a core subject matter, is dated as such, but that in no way lessens not only its impact and importance in the pantheon of film making, but also the fine work by Lupino. Lupino treads with careful guile, not resorting to sensationalism, it's a super piece of directing from one of the great ladies of cinema yore. Pic's story deals with how Ann Walton (Powers) is raped and after the ordeal how she reacts to everyday life under her fragile mental state. The decisions she makes, her perception of things and ultimately a near cataclysmic event that brings thins to the boil - sort of. Lupino adds in some imposing images, her film noir work serving her well, thus we get odd angles, ominous bulbous lamp lights, lonely streets and clown posters! The pursuit of Ann by a whistling wolf is frightening under any circumstance, but with Lupino adding her noir touches it's positively shattering. Rest of the pic is tenderly played, a touch too sedate perhaps, while the appearance of a religious slant is forced and not the wisest of choices for the story, but ultimately it's not about mass market appeal. It's about being noticed and worthy, it achieves both for sure. 7/10
In 19th century New England, the lives of a diverse group of people collide through interweaving stories of despair, identity, faith, hope and trust.
An "un-biopic" of the young Hilary Rodham set in 1969, during the unverifiable weeks her autobiography has her working at an Alaskan salmon cannery. A parable about America, political narratives, and the absence of free will.
An adolescent girl loses her mother and is left to live with her distant family members. She discovers her aunt is keeping her from the last letter her mother left for her, growing her resentment toward her family.
Kim Ji-young, an ordinary woman in her 30s, suddenly shows signs of being inhabited by other women from her life, past and present.
At Lara's 13th birthday, her mother takes her to a picnic in the park. Everything goes well until the girl disappears, leaving the mother in complete despair.
A semi-fictionalized documentary about a day in the life of Australian musician Nick Cave's persona.
It’s a beautiful winter day. Four children are playing on the bridge, but fifth actor enters the game... The sniper.
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.
After a serial killer strangles several women with a necktie, London police identify a suspect—but he claims vehemently to be the wrong man.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.