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Hudson and Rex - (Apr 18th)
Foreign Correspondent - (Apr 18th)
Dinner with the Parents - (Apr 18th)
The Bidding Room - (Apr 18th)
Police Interceptors- Pursuit and Capture - (Apr 18th)
Four in a Bed - (Apr 18th)
Raw Talk - (Apr 18th)
Red Flags - (Apr 18th)
Deal or No Deal - (Apr 18th)
Tipping Point Australia - (Apr 18th)
The Chase Australia - (Apr 18th)
Motorway Patrol - (Apr 18th)
The 11th Hour with Stephanie Ruhle - (Apr 18th)
Divided Youth - (Apr 18th)
Dateline- Secrets Uncovered - (Apr 18th)
The Cleaning Lady - (Apr 17th)
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Palm Royale - (Apr 17th)
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Under the Bridge - (Apr 17th)
**Glenn Close shone in one of the most interesting films she's made in recent years.** Glenn Close is undoubtedly a great actress, with a lot of credit, even if she has terrible bad luck at the Oscars, with eight nominations and eight letdowns. I've seen several works that she really puts a lot of effort into, and this film is just one more. She had already played the same character on Broadway before, but this time in addition to being an actress, she was still dedicated to scriptwriting, production and other details. So, the film entirely bears the imprint of this great artist. Based on a fictional text, the film introduces us to a mature woman who, after a life of difficulties, decided to hide her gender and disguise herself as a man in order to work. So, Albert Nobbs is a shy and withdrawn woman who never lived a full life because of this lie. Her dream is to save enough to start her own business. He finally meets someone in a similar situation to her and gains the courage to woo Helen Dawes, a chambermaid at the same hotel where he works... but she's not entirely genuine in the way she lets herself be wooed. She has a boyfriend who is interested in Nobbs' savings. The film has an excellent initial premise and that works very well, but the truth is that the characters are too dense for a film that I would classify as a “light drama” given the inability to create a more tense and more serious atmosphere. To make things more difficult, the film is extremely slow and most of the characters don't evoke any sympathy, and they weren't particularly well-thought-out. The strongest point of the whole film is Close's enormous multipurpose exercise, who writes a song for the film, helps with the script, produces and still acts wonderfully. She gives Nobbs a typically British composure and sheer shyness that I thought suited the character. Mia Wasilowska does what she can and makes the most of her beauty and charm, but the character seems shallow and uninteresting. Aaron Johnson doesn't look bad to me either, but the truth is that he, like Pauline Collins and Janet McTeer, had almost no screen time. They are actors who have been set aside. Technically, the film has low-key production values and successfully seeks to set its story in the Dublin city of the late 19th century. The props, costumes and sets are what you would expect in a good movie. Cinematography is average, editing is not very good, dialogue is decent but not particularly good. The soundtrack has moments of quality and a lot of inspiration.
After a convivial holiday dinner party, things begin to unravel when a husband and wife address some prickly issues concerning their marriage.
Five maids in São Paulo are observed in this episodic, impressionistic film. The women interact with each other, ride busses, work, and have longings: Rai for a husband, Créo for her lost daughter, Roxane for a career in modeling. Quitéria is naive, a gull for thieves. Cida has a husband and also a lover. While each woman gets what she wishes for (more or less), it doesn't always make things better.
Three close friends who have never left the outskirts of Dublin (much less Ireland) get the journey of a lifetime — a visit to Lourdes, the picturesque French town and place of miracles.
Martial is discharged from a mental insitution where he spent a few years due to a serious nervous breakdown. Upon his return he finds his mother, a busy business woman who owns a supermarket chain, convinced that her son will be able to find himself again if tasked with some responsibilities. Soon enough, he's sent to Limoges on a business trip to check on one of their stores in the hope to reinvigorate the failing business. Once he arrives, Martial is faced with responsibilities he had never imagined, including dealing with the store's personnel.
Nora Ryan, a poor Irish girl, living in New York decides to change her life by working as a personal maid for the wealthy, Gary family.
Two years after the death of his beloved wife, Pat O'Brien summons his children back to their homestead in the west of Ireland. Fionn travels from New York, Gareth from London, and daughter Una returns from Dublin, fearing the worst. Pat is not the only family member bearing the burden of a secret. The O’Briens is a modern comedy about a dysfunctional Irish family and the town they grew up in.
As she reaches her mid-thirties and quits her lucrative job, singleton Olivia finds herself unsure about her future and her relationships with her successful and wealthy friends. She begins to envy the security of her richer friends and, although their lives may seem easier, Olivia's friends have their problems too: screenwriters Christine and Patrick are unable to collaborate on their latest project, Jane and Aaron have lost the romance in their relationship, and Franny and Matt have difficulties handling the demands of parenthood.
After a chance encounter, a Dubliner is stalked by a murderous facsimile of himself.
A decade after punk band Crust split, the band members lives have fallen apart. Drummer Bonehead has just been released from prison and sets about reforming the band for one last show.
A vacuum repairman moonlights as a street musician and hopes for his big break. One day a Czech immigrant, who earns a living selling flowers, approaches him with the news that she is also an aspiring singer-songwriter. The pair decide to collaborate, and the songs that they compose reflect the story of their blossoming love.
After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies - the very building blocks of love.