Madeleine McCann The Unseen Evidence 2025 - Movies (Aug 21st)
Exit 8 2025 - Movies (Aug 21st)
Clown in a Cornfield 2025 - Movies (Aug 19th)
House on Eden 2025 - Movies (Aug 19th)
DEVO 2024 - Movies (Aug 19th)
The Bad Guys 2 2025 - Movies (Aug 19th)
The Land That Time Forgot 2025 - Movies (Aug 19th)
The Miners Son 2024 - Movies (Aug 16th)
Weapons 2025 - Movies (Aug 16th)
One Million Babes BC 2024 - Movies (Aug 16th)
Souls of the Damned 2024 - Movies (Aug 16th)
On the Run 2024 - Movies (Aug 15th)
Night Always Comes 2025 - Movies (Aug 15th)
Superman 2025 - Movies (Aug 15th)
The Facebook Honeytrap Catching A Killer 2025 - Movies (Aug 15th)
Snoopy Presents A Summer Musical 2025 - Movies (Aug 15th)
The Alto Knights 2025 - Movies (Aug 15th)
Terrestrial 2025 - Movies (Aug 14th)
The Killing Cove 2025 - Movies (Aug 13th)
Fixed 2025 - Movies (Aug 13th)
Songs from the Hole 2024 - Movies (Aug 13th)
Madeleine McCann The Unseen Evidence 2025 - ()
Exit 8 2025 - ()
Clown in a Cornfield 2025 - ()
House on Eden 2025 - ()
DEVO 2024 - ()
The Bad Guys 2 2025 - ()
The Land That Time Forgot 2025 - ()
The Miners Son 2024 - ()
Weapons 2025 - ()
One Million Babes BC 2024 - ()
Souls of the Damned 2024 - ()
On the Run 2024 - ()
Night Always Comes 2025 - ()
Superman 2025 - ()
The Facebook Honeytrap Catching A Killer 2025 - ()
Snoopy Presents A Summer Musical 2025 - ()
The Alto Knights 2025 - ()
Terrestrial 2025 - ()
The Killing Cove 2025 - ()
Fixed 2025 - ()
**Glenn Close shone in one of the most interesting films she's made in recent years.** Glenn Close is undoubtedly a great actress, with a lot of credit, even if she has terrible bad luck at the Oscars, with eight nominations and eight letdowns. I've seen several works that she really puts a lot of effort into, and this film is just one more. She had already played the same character on Broadway before, but this time in addition to being an actress, she was still dedicated to scriptwriting, production and other details. So, the film entirely bears the imprint of this great artist. Based on a fictional text, the film introduces us to a mature woman who, after a life of difficulties, decided to hide her gender and disguise herself as a man in order to work. So, Albert Nobbs is a shy and withdrawn woman who never lived a full life because of this lie. Her dream is to save enough to start her own business. He finally meets someone in a similar situation to her and gains the courage to woo Helen Dawes, a chambermaid at the same hotel where he works... but she's not entirely genuine in the way she lets herself be wooed. She has a boyfriend who is interested in Nobbs' savings. The film has an excellent initial premise and that works very well, but the truth is that the characters are too dense for a film that I would classify as a “light drama” given the inability to create a more tense and more serious atmosphere. To make things more difficult, the film is extremely slow and most of the characters don't evoke any sympathy, and they weren't particularly well-thought-out. The strongest point of the whole film is Close's enormous multipurpose exercise, who writes a song for the film, helps with the script, produces and still acts wonderfully. She gives Nobbs a typically British composure and sheer shyness that I thought suited the character. Mia Wasilowska does what she can and makes the most of her beauty and charm, but the character seems shallow and uninteresting. Aaron Johnson doesn't look bad to me either, but the truth is that he, like Pauline Collins and Janet McTeer, had almost no screen time. They are actors who have been set aside. Technically, the film has low-key production values and successfully seeks to set its story in the Dublin city of the late 19th century. The props, costumes and sets are what you would expect in a good movie. Cinematography is average, editing is not very good, dialogue is decent but not particularly good. The soundtrack has moments of quality and a lot of inspiration.
Set in and around the male and female toilets of a Dublin jazz bar. A drama concerning the trials and tribulations of two lowly paid toilet attendants and the people they serve.
In Dublin, two couples (Jim and Danielle; Yvonne and Chris) are seemingly living in marital bliss. However, when Chris's behaviour begins to change, Yvonne seeks solace in the arms of Jim, and before long they are in the midst of an affair. When a life-changing secret is later revealed, all four are forced to re-evaluate their lives, their marriages, and their friendships - but can anything be salvaged from the wreckage?
Set in contemporary Dublin, this is a timeless urban tale about "Clocker" and "Sanga", two young street kids whose innocence is starkly contrasted by the harsh environment in which they both live. Over the course of a day and in their interactions with various characters in central city locations, Clocker and Sanga learn much about each other and themselves as the start of their friendship develops.
An orphaned girl is taken in by a snobbish family at the insistence of their rich, crotchety uncle, even as her devoted aviator godfather fights for custody.
Daydream Therapy is set to Nina Simone’s haunting rendition of “Pirate Jenny” and concludes with Archie Shepp’s “Things Have Got to Change.” Filmed in Burton Chace Park in Marina del Rey by activist-turned-filmmaker Bernard Nicolas as his first project at UCLA, this short film poetically envisions the fantasy life of a hotel worker whose daydreams provide an escape from workplace indignities. —Allyson Nadia Field
Join Jason on a chemically enhanced trip through the streets of Dublin as he stumbles from one misguided adventure to another. Somewhere between the DJs, decks, drug busts and hilltop raves, he stumbles across a familiar face from the past, his brother Daniel. Daniel is an educated homeless heroin addict living on the streets of Dublin. The brothers haven’t seen or spoken to each other in years but over a lost weekend they reconnect and reminisce over tunes, trips, their history and their city. Two brothers living on the edge but perhaps they have more in common than they think.
In 1930s England, a group of pretentious rich and famous gather together for a weekend of relaxation at a hunting resort. But when a murder occurs, each one of these interesting characters becomes a suspect.
Five maids in São Paulo are observed in this episodic, impressionistic film. The women interact with each other, ride busses, work, and have longings: Rai for a husband, Créo for her lost daughter, Roxane for a career in modeling. Quitéria is naive, a gull for thieves. Cida has a husband and also a lover. While each woman gets what she wishes for (more or less), it doesn't always make things better.
As she reaches her mid-thirties and quits her lucrative job, singleton Olivia finds herself unsure about her future and her relationships with her successful and wealthy friends. She begins to envy the security of her richer friends and, although their lives may seem easier, Olivia's friends have their problems too: screenwriters Christine and Patrick are unable to collaborate on their latest project, Jane and Aaron have lost the romance in their relationship, and Franny and Matt have difficulties handling the demands of parenthood.
After being discharged from a mental institution, a man is tasked by his mother to revive a struggling supermarket in Limoges. He must navigate unexpected responsibilities and the challenges of managing the store's staff.
After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies - the very building blocks of love.