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We Beat the Dream Team 2025 - Movies (Feb 18th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
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Salvage Hunters - (Feb 19th)
George Clarkes Building Home - (Feb 19th)
Richard Osmans House of Games - (Feb 19th)
Surgeons- A Matter of Life or Death - (Feb 19th)
Katy Tur Reports - (Feb 19th)
Four in a Bed - (Feb 19th)
Come Dine With Me- South Africa - (Feb 19th)
Vincenzo - (Feb 19th)
Chris Jansing Reports - (Feb 19th)
The Bold and the Beautiful - (Feb 19th)
On Cinema - (Feb 19th)
Lets Make a Deal - (Feb 19th)
The Kelly Clarkson Show - (Feb 19th)
Tipping Point - (Feb 19th)
The Bachelor - (Feb 19th)
Family Feud Canada - (Feb 19th)
Frontline - (Feb 19th)
The Joe Schmo Show - (Feb 19th)
Tyler Perrys The Oval - (Feb 19th)
Georgia Harrison- Porn, Power, Profit - (Feb 19th)
An comprehensive look at the life and music of Mark Linkous, a influential figure in the alternative music scene. Critically-acclaimed Linkous had a dramatic life that saw him battle with drug and alcohol addiction, paralysis, and debilitating depression that resulted in his eventual suicide. Mark's music was heralded by his peers and critics; a mix of delicate pop, discordant punk and melodic odyssey; it has been described as defiantly surrealist with all manner of references to smiling babies, organ music, birds, and celestial bodies. The film mines Marks life and music and navigates the sacrifices and highs and lows of his art.
Once described by the press as "one of the most controversial figures on the Australian art scene", avant-garde poet and playwright Christopher Barnett achieved a level of notoriety in the Melbourne underground theatre scene during the ‘70s and ‘80s, before self-exiling to France. He remains there today, running an experimental theatre lab working with the marginalised and underprivileged, applauded by the establishment (including former French Prime Minister Jean-Marc Ayrault) and faithful to his belief that art can change the world. These Heathen Dreams is an intimate portrait of Barnett's life and revolutionary philosophy. Combining archival footage dating back to the ‘60s with contemporary observational documentation and text from Barnett's writings, it is a poignant and inspiring study of the power of both art and political activism.
A feature-length documentary about The Smashing Pumpkins, which chronicles the band's residencies at The Orange Peel in Asheville and The Fillmore in San Francisco in summer 2007. The documentary covers Pumpkins frontman Billy Corgan's attempts to write and debut new music at the residencies, as well as the revival of the band with new members.
The first American documentary about Traditional (Non-Racist) Skinheads. Focuses on the 'cross of cultures' that came together to form the Skinhead identity: The origins of the Skinhead scene in England, its roots in Jamaican Reggae and Ska (mid-'60s) to its revival and global impact with 2 Tone, Punk, Oi, and Hardcore (late '70s to present day). Features interviews and live concert footage by current bands across these various musical genres in the United States, England and Germany; discussing their viewpoints on Skinhead, its Working Class values, and its continuing relevance around the world.
A live performance by Radiohead of their 2007 album In Rainbows. This was their first of two full-episode performances, filmed at Maida Vale Studios in London, as part of the ‘From The Basement’ television series produced by Nigel Godrich, Dilly Gent, James Chads and John Woollcombe.
Documentary about British artist Andrew Logan as he attempts to put on the 2009 edition of his Alternative Miss World. The film also presents a history of the contest (which has run eccentrically since 1972) which was set up firstly as an excuse to have a good party, but has grown into a celebration of alternative lifestyles and sexualities. The documentary mixes archive footage, animated inserts, with talking head interviews and a fly-on-the-wall look at the organisation of the 2009 event
When a gang of suburban teens stumbled across a bunch of abandoned instruments and formed The Fleshtones little did they know that 30 years later they'll still be struggling to rock - and pay the bills.