Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
My Old Ass 2024 - Movies (Nov 7th)
The 430 Movie 2024 - Movies (Nov 7th)
Ex-Husbands 2023 - Movies (Nov 7th)
American Highway 2024 - Movies (Nov 7th)
Afraid 2024 - Movies (Nov 6th)
Strange Darling 2024 - Movies (Nov 6th)
Blink Twice 2024 - Movies (Nov 6th)
Lovely Dark and Deep 2023 - Movies (Nov 6th)
Made in England The Films of Powell and Pressburger 2024 - Movies (Nov 6th)
Meet Me Next Christmas 2024 - Movies (Nov 6th)
Pedro Páramo 2024 - Movies (Nov 6th)
The Crow 2024 - Movies (Nov 6th)
South Park (Not Suitable for Children) 2023 - Movies (Nov 5th)
Mayhem 2023 - Movies (Nov 5th)
Assassins Guild 2024 - Movies (Nov 5th)
Secrets Between Sisters 2024 - Movies (Nov 5th)
Slingshot 2024 - Movies (Nov 5th)
James May and the Dull Men - (Nov 7th)
Return to Las Sabinas - (Nov 7th)
After Midnight - (Nov 7th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
Countdown- Paul vs. Tyson - (Nov 7th)
American Pickers - (Nov 7th)
Outer Banks - (Nov 7th)
The Golden Bachelorette - (Nov 7th)
The Real Housewives of Salt Lake City - (Nov 7th)
A testament of the greta B-movie director Lucio Fulci, whose films inspired great director like Quentin Tarantino. Lucio Fulci gift a long meditation about moviemaking fascinating for his sincerity, irony e clearness, about his filmmaking and his particular career.
From behind the closed doors of women's washrooms, The Powder Room reveals women sharing intimacies in the privacy of each other's company. Originating from the director's observation that women trade secrets with friends and strangers in public washrooms, this innovative and candid documentary takes us to high school bathrooms, seniors centres' powder roooms, Newfoundland dance halls, New York nightclubs, a sauna in Copenhagen, a Casablanca hamman and country-and-western bars in Texas. In each location, as women are filmed in verité sequences, they confess their joys, their frustrations and their pain about love, sex, relationships with men and friendships with each other.
Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.
Flora Bear’s youngest granddaughter searches for truth and answers about her Indigenous grandmother’s life.
Alfred Brendel, one of the greatest of all pianists, plays and reflects on Franz Schubert’s last three piano sonatas. As he points out, Schubert can’t have known that he was soon to die, so they probably do not embody the air of resignation and finality future generations have sentimentally insisted they bear. They were however long neglected, all but forgotten, and only in more recent times have they come to be treasured and performed. The repose and wisdom of the maestro, together with the patient observation of one who is no stranger to the idea of the irrevocably lost, of the erasures of history, and of the value of fragile objects passed carefully from generation to generation, is a joy.
Abigail connects the dots of a human map that links the indigenous Amazon cultures to Afro-Brazilian religions. The reverse of the inverse, a house of nearly extinct memories.
Contrasts traditional and modern village life, as changes occur with better transport and as country estates are sold off for housing.
My Millennial Life is an intimate and entertaining observational documentary, featuring five dynamic 20-somethings. Set against the backdrop of underemployment, high unemployment, and uncertainty, the film presents the subjects' longings, challenges and dreams to make a mark in the world.
This cinema-verite-style documentary interweaves the pregnancy and childbirth of a young woman with the lingering death of a cancer patient to comment on the celebration and tragedy of existence. The tenderness and intimacy of the young couple, and the mystery of birth are contrasted with the dignity of a man who faces his death without deception.
A cinema verite study of the world of the blue-collar worker and the economic and psychological bind in which he is caught.
Profile of choreographer, composer and performer Meredith Monk, recorded on location in her home base, New York City. Monk discusses some ideas underlying her work: her attraction to the eloquence of the human voice, and the direct communication made possible by the abstract qualities of music; her emphasis on the poetic rather than the political; her belief in the power of images; her willingness to take risks. She describes her experiences in working in different media, such as audio recordings, films, and videos, and the challenge of weaving them together.