The Liberal War

The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients (soundtrack from the film "Vivre sa vie" by Jean-Luc Godard), the second is a scraped wall and the third is a crossroad with pedestrians and cars (sound taken from the film "The Time-Machine " by George Pal).

1996 Peter Rose short work. A magician-like figure delivers a peculiar speech that is embedded in extravagant arrays of time-delayed images that reflect and refract ideas about memory, time and language.

Documentary about the fight for LGBTQ-rights in Sweden during the 1970s.

The Rosie Kay Dance Company present a piece about the strange history and pop-cultural aftermath of CIA mind control experiments during the Cold War, with documentary segments by Adam Curtis.

Combining documentary with experimental video, "Grace Period" documents the activities of female sex workers in the Yeongdeungpo red-light district in Seoul, South Korea. Facing constant police crackdowns and the threat of permanent closure following the opening of a massive shopping complex adjacent to their workplaces, the women of Yeongdeungpo band together in protest. Archival footage, mostly shot by the women themselves, shows their collective efforts as they organize with other sex workers from brothels across the country. In creative and daring acts of resistance, they launch a series of demonstrations that trace a lineage to Korea's democratic union movements of the 1980s- denouncing the government and corporate interests, demanding decriminalization, and declaring their rights as workers.

A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.

In the blink of an eye perception shifts, opening up opportunities to explore and fluidly move between waking and dreaming realities. Shot in the hills of Brown County, Indiana on Super 8 and edited digitally, Attention to Detail Guides the Dreamer explores a recursive, deepening process that eradicates reliance on form and structure, expands space, and invites viewers to heighten their awareness of the multi-layered nature of reality.

For 50 years, Berlin was the symbol of the Cold War. The city at the heart of the intelligence war between the US and the Soviet bloc. Thousands of KGB or CIA, agents observed each other, cogs in the biggest information war in history.

Images of the Church of the Sagrada Familia by Antoni Gaudí confronted with brief flashes of housing projects and industrial areas. The furious display of a effervescent imagination is opposed to a grey functionality.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.