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Rob is the loneliest of loners. He is so desperate to find love that he constructs an absurd (and quite cinematic) plot to meet and impress women: he is tracking a man by the name of Jack S. who killed his wife to seek revenge, which – to him – is obviously an insanely loyal and courageous thing to do. Hannah, a seductive bartender who used to be married to a man named Jack S., agrees to help Rob track him down – a perfect excuse to get closer to (the now single) Hannah and to do everything he can to become exactly who she wants in her ideal guy. But little does Rob know that some of the people he meets along the way have intentions that turn Rob’s reality upside down – or is it right-side up?
Following a huge misunderstanding, two friends always decide to tackle everything to make up for lost time.
Sam is a shy, mysterious and inconspicuous teenage girl, who falls in love with Troy, leader of an ultraviolent teenage gang, who does not feel physical pain, nor knows what love is. Together, against everyone and everything, they will face a series of obstacles trying to separate them, meanwhile figuring out what love and pain are. Debuting at Curtas, French filmmaker Elsa Rysto presents a love story mediated by ultraviolence, in a modern variation on the classic story of Bonnie and Clyde – or of the more contemporary Mickey and Mallory from “Natural Born Killers”. “Love Hurts” is a simple yet sensitive narrative about the so-called growing pains.
Joy Brown (Billie Dean) is a 40-something woman with little confidence, less self-esteem and a burning desire to realise her dream of being a singer/songwriter. But she cant sing. When Joy takes in a stray dog, Raffi, her life immediately changes. Her best friend, the tarot card reading Tessa (Janet Watson Kruse), moves in, Joy changes her name to Luna Starr, and she meets Peter Wolfman (Andrew Einspruch). When Peter encourages her to perform with him at the local pizzerias folk music nights, Joy sings sort of hiding behind masks of wigs and silliness. Despite the singing, Peter and Joys relationship blossoms. But there are lots of hiccups along the way - ex-wives, ex-husbands, frightening performances, and bucket loads of doubt. Set to the backdrop of the folk music scene in an arty country town, the film celebrates universal themes of friendship, low self-esteem, love relationships, and the joy of dogs.
Deputy Officer of the United Nations Alliance, Simon Marcus, who aims to conquer the world with the terrorist organization Downfall along with the mad scientist Keiji Uraga, attack the Kamen Riders with overwhelming strength. It is only on Kamen Rider Grease that the enemy's abilities did not work. In order to defeat this new enemy and rescue Misora, Kazumi Sawatari must create a new item ... but it is told that it requires the life of his friends, the Three Crows. The ultimate decision must be made.
During a long, hot summer in seventies London, young neighbors Holly and Marina make a childhood pact to be friends forever. For Marina, troubled, fiercely independent, determined to try everything, Holly stays the only constant in a life of divorcing parents, experimental drugs and fashionable self-destruction. But for Holly, a friendship that has never been equal gradually starts to feel like a trap.
The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),
A young gay, neurotic and ex-religious art student goes into a spin with the surprise visit of an eccentric childhood friend.
Crab fishers Fred and Malte have never talked about their feelings. After a stroke of fate Fred experiences a mental breakdown.
When the experienced guide Vic accompanies the city boy Alan and his three friends on their first wilderness experience, he not only hopes to teach the four boys lessons about the wilderness, but about themselves. Vic pushes them to the limit. Soon after alienating the boys, Vic finds himself in desperate need of help and must rely on his students in order to survive.