Pornography: Andrea Dworkin

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

DETECTION. Consideration of past, present and future of a small village in Germany. For over a century — wars and states went by — the military is the largest employer. The everyday life of the community is inextricably linked to the events on the nearby military training area. Diaries, daily instructions, petitions, letters and photos tell about daily life at different times.

Professional snowboarder and mountaineer Jeremy Jones has an intimate relationship with the outdoors. It’s his escape, his identity, and his legacy. But over the course of his 45 years in the mountains, he’s seen many things change: more extreme weather, fewer snow days, and economic strain on mountain towns. Motivated by an urge to protect the places he loves, Jeremy sets out on a physical and philosophical journey to find common ground with fellow outdoor people across diverse political backgrounds. He learns their hopes and fears while walking a mile in their shoes on the mountain and in the snow. With intimacy and emotion set against breathtaking backdrops, Purple Mountains navigates America’s divide with a refreshing perspective: even though we may disagree about climate policy, our shared values can unite us

The Borneo Case is a unique story filmed over 25 years and tells the epic tale of how the rainforest, home of the last nomads was stripped of its natural resources. It reveals how billions of dollars of illegal profits solicited by the Chief Minister of Sarawak State in Malaysia were money laundered with the assistance of the largest global banks into offshore accounts and property portfolios all over the world. The case was labelled as the largest environmental crime of the century.

Melania is both an ideal symbol of a conservative America and the evil embodiment of limitless ambition. Political journalist Laurence Haïm has observed her for the past years and is able to reveal a much more complex part of the personality and life of the mysterious lady. For some, Melania Trump is an unscrupulous trophy wife on the arm of the most powerful man in the world. For others, the First Lady embodies with distinction the conservative woman, the unwavering wife in the service of her husband. For all, she remains inaccessible and secretive, a woman whose public appearances are heavily prepared and scripted. In the time of ‘Me too’, let us take a dive into conservative America, discover another side of feminism impersonated by none other than Melania Trump.

A painter, a naked woman, and a camera. In this triple constellation we explore the power of the gaze and the roles it imposes on us. An artist's studio turns into the setting for questions about how we look at and perceive women. The naked skin of the model becomes the canvas for an audiovisual exploration of the ways in which seeing and being seen anchors us in our body. And how this body shapes our experience of the world and our role in it.

Emma and Eddie live two lives: one on social media and one in real life. The webcam couple is out to save their marriage by starting their own adult web-studio in Eastern Europe.

Welcome to a never-before-seen tour of the creations by resistance artists around the world. From the streets of Moscow to the shores of Los Angeles and featuring interviews with Tom Morello, Dave Navarro, Moby, Shepard Fairey, and more, this powerful film brings a message of hope and change through radical resistance and righteous social uprising.

Portrait of the spokesman of the student movement and extra-parliamentary opposition Rudi Dutschke, who died on December 24, 1979 from the late effects of an assassination attempt. The film is not limited to the mere biography of the extra-parliamentary politician, but also depicts the political environment as well as the late effects of the student movement. In retrospect, it condenses into a picture of a highly politicized society that had not yet begun its retreat into the private sphere.

The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.