Mar Portuguez

Pestilent City covers Manhattan from South to North, from Times Square to Harlem, finding along the way ever more poverty, violence, rage and tragic drunkenness.

The 6 minute short film SLEDGE (1962) was filmed and directed by then 27 years old Kotse Mitrev in Stip, Republic of Macedonia. The lead role is played by London-based producer-director George Stankoski, then 4 years old and son of Macedonian actor Panko Stankoski. SLEDGE won first prizes in the Sarajevo Festival Children's Film Category in 1962, and the Belgrade Republic Festival Shorts Category in 1964. SLEDGE was recently recovered by Stip-based historian and film archivist Alexander Donski, and efforts are now being made to restore and re-scan this working copy for high quality viewing.

After eight years of practicing Tae Kwon Do, Lauren Smith achieves her goal of becoming a 3rd Degree Black Belt, Assistant Instructor, and Demonstration Team Member.

The original 54-minute documentary, as broadcast by Channel Four on 20 June 1984, after which the animated links by the Quay Brothers were recompiled as a separate short.

Documentary about the universe and the craft of popular photographers who work at parties, fairs and pilgrimages in the northeastern interior of Brazil.

Player Two is a short animation that explore the relationship that develops between two brothers of differing age growing up, and how video games foster that bond.

Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.

Biopic filmed in a single shot about the Majorcan musician Juanjo Monserrat.

The subject matter of Memory Room 451 is the cultural and historical significance of 20th-century hairstyles – the Afro, the conk, dreadlocks – in Black communities on both sides of the Atlantic. Akomfrah has disguised this exploration as a science fiction story – in the manner of the groundbreaking writers profiled in The Last Angel of History – while providing a bravura display of the aesthetics of video art in the 1990s. The tale of visitors from the future who gather dreams from unwitting subjects in order to construct a history of the Black diaspora both defamiliarizes Akomfrah’s ongoing project and points to the danger that extracting history from memory can be a kind of expropriation.

Layering real-life details with an otherworldly magic, Thanadoula recounts the story of an end-of-life doula brought to her calling through the loss of her beloved sister.

In Finland, a small child is waiting for his time to begin. His heart is broken. A major heart surgery is expected. There is a fight against time. The boys parents are wandering in the corridors of the hospital. The heart is stopped during the surgery operation. Le Locle, a village in Switzerland acts as the heart of watch industry. Narrow streets of the village carry vital parts to watches and nowdays also into human bodies, for example pacemakers. Village is formed as a big factory line and appears as a time-twisting machine. There pieces are refined and workers hands turns the time on and off.