Ed Hill Stupid Ed 2024 - Movies (Jan 16th)
Alien Rubicon 2024 - Movies (Jan 17th)
Smile 2 2024 - Movies (Jan 16th)
Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 16th)
The Substance 2024 - Movies (Jan 16th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Unstoppable 2024 - Movies (Jan 16th)
Here 2024 - Movies (Jan 16th)
The Calendar Killer 2025 - Movies (Jan 16th)
Venom The Last Dance 2024 - Movies (Jan 15th)
You Gotta Believe 2024 - Movies (Jan 15th)
Wolf Man 2025 - Movies (Jan 15th)
Sentinel 2024 - Movies (Jan 15th)
Out Come the Wolves 2024 - Movies (Jan 15th)
Diddy Summit to Plummet 2024 - Movies (Jan 14th)
Powder Pup 2024 - Movies (Jan 14th)
Den of Thieves 2 Pantera 2025 - Movies (Jan 14th)
Diddy The Making of a Bad Boy 2025 - Movies (Jan 14th)
Alex Wagner Tonight - (Jan 17th)
The ReidOut with Joy Reid - (Jan 17th)
The Bold and the Beautiful - (Jan 17th)
The Young and the Restless - (Jan 17th)
Lets Make a Deal - (Jan 17th)
The Price Is Right - (Jan 17th)
Building Outside the Lines - (Jan 17th)
The Sex Lives of College Girls - (Jan 17th)
Severance - (Jan 17th)
Bookie - (Jan 17th)
The Pitt - (Jan 17th)
Silo - (Jan 17th)
Very Important People - (Jan 17th)
Deadline- White House - (Jan 16th)
The Beat with Ari Melber - (Jan 17th)
Beat the Chasers - (Jan 17th)
Someday at a Place in the Sun - (Jan 17th)
Malta- The Jewel of the Mediterranean - (Jan 16th)
The Traitors- Uncloaked - (Jan 16th)
Love Island- All Stars - (Jan 16th)
Animation, also of a new order in the recent series of short works. Mostly on black space, the figures in blue perform a very compact and jewel-like opera in surreal form, again to Satie’s piano music. Ideally, the film should be projected on a 30" wide white card sitting on a music stand, center stage of a large auditorium or music hall, with sound from the projector piped into the big speaker system. The film is most effective this way, but can be shown normal-size also
Capturing John Lennon, Paul McCartney, George Harrison and Ringo Starr in their electrifying element, 'A Hard Day's Night' is a wildly irreverent journey through this pastiche of a day in the life of The Beatles during 1964. The band have to use all their guile and wit to avoid the pursuing fans and press to reach their scheduled television performance, in spite of Paul's troublemaking grandfather and Ringo's arrest.
Animal Charm makes videos from other people's videos. By compositing TV and reducing it to a kind of tic-ridden babble, they force television to not make sense. While this disruption is playful, it also reveals an overall 'essence' of mass culture that would not be apprehended otherwise. Videos such as Stuffing, Ashley, and Lightfoot Fever upset the hypnotic spectacle of TV viewing, revealing how advertising creates anxiety, how culture constructs "nature" and how conventional morality is dictated through seemingly neutral images. By forcing television to convulse like a raving lunatic, we might finally hear what it is actually saying.
In an effort to cure her smoking habit a middle-aged woman discovers that she can communicate with her long lost son while watching a Halloween safety program on TV. After suffering a nervous breakdown, her husband, a used car salesman, is revitalized when he travels back in time to drive the first car he ever sold. Seventeen years later a powerful canned food manufacturer crashes the same car into a toaster truck while endorsing a brand of yams on live TV. At the funeral his clergyman experiences a crisis of faith when he and a lifelike Mexican continue their search for a married couple who have befriended an insect who enjoys drinking lime soda. They later meet a young man whose bizarre murder scheme involves four innocent members of an experimental rock band who have all given up smoking.
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
The scene is set in front of a French chateau. The camera chases improbable incidents across the screen. Many are constructed out of one of Jordan's favorite engravings illustrators: Poyet. Duels occur on a tight rope. Heavier-than- air machines fly (and sometimes crash). Below guns spear exploding spheres. The timing of the animation is exquisite, existing in an atmosphere balanced between frenzy and delight.
King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ. These childhood recollections are a point of departure for larger issues such as the roots of Christian anti-Semitism.
In celebration of the 50th anniversary of The Beatles' first appearance on The Ed Sullivan Show, this magnificent star-studded tribute salutes the Fab Four. Appearing with Paul McCartney and Ringo Starr were guest musicians Joe Walsh, Gary Clark, Jr., Stevie Wonder, The Eurythmics, John Legend, Alicia Keys, Maroon 5, Dave Grohl, Katy Perry, Peter Frampton, and more.
A documentary chronicling the Beatles' rehearsal sessions in January 1969 for their proposed "back to basics" album, "Get Back," later re-envisioned and released as "Let It Be."
An accurate depiction of the basic tenets of northern Mahayana Buddhism, cast into living or "experiential" form, consistent with powerful mantras heard on the soundtrack of the film. Tarthang Tulku, a Tibetan Lama, was the advisor.