미스터트롯: 더 무비

Stuck in a small town, aspiring rocker Dal Ho makes a living reluctantly playing trot at local clubs. When small-time recording company head Jang offers Dal Ho a contract, he eagerly grabs the opportunity, believing that his time has finally come. After he signs, however, Dal Ho discovers that he won't be rocking after all. Instead, he will be singing trot. Unable to back out of his contract, Dal Ho takes to the stage behind a mask to hide his embarrassment, and ends up an overnight sensation. The wannabe rocker seems to have found his true calling, but doing music he dislikes. With the help of Jang and a certain cute trot singer, maybe he'll actually learn the passion of trot.

An extraordinary adventure through the interior of the human body; or the discovery of an alien landscape of unprecedented beauty.

German actor Conrad Veidt is best remembered for playing Nazi Major Strasser in Casablanca. In reality, he was an ardent anti-fascist who left Nazi Germany for Britain, falsely claiming to be Jewish in solidarity with his Jewish wife. Using clips from Veidt’s films, acclaimed director Mark Rappaport imagines the actor narrating his life and career from the silent era—including his leading roles in The Cabinet of Dr. Caligari and The Man Who Laughs through to his Hollywood years where he often played a Nazi.

This is a two-reel short appealing for financial support from Americans to assist in the feeding and resettlement in Palestine of 1.5 million European Jews who in 1946 were "incredibly, alive." Orson Welles' magnificent narration stirs one's soul.

Documentary on how Oswald, the Lucky Rabbit returned to the Walt Disney Company's ownership.

The sophomore feature film by Stephen McCoy (NIGHTCRAWLERS) using audio and visual alone as a continued attempt toward creating a different kind of visual cinematic language and experience. No superficial action or violence, no dialogue or narrative. This is his swan song to the analog HI8 video filmmaking he fell in love with. This is a visual essay on loneliness, love, death and 21st century post-postmodernist voyeurism. This is not entertainment, enjoy...

An exposure of the fallacy of race myths; Nazi and Japanese theories about pure blood and master races are contrasted with scientific facts of mixed origins to prove that no nation or race can be considered inferior or superior.

The bare life draws us into a hallucinating journey: from the incandescent set of a city under lockdown, with the rare survivors wandering aimlessly, to a hospital where the nurses and the patients carrying the virus are applying a daily ritual of life and death gestures. Antoine d’Agata transforms these opaque spaces into a theatre of shadows, freed from all pretences of reality, and obliterates the very surface of things, the skin of beings and the skin of the world, only to better reveal its tragic dimension.

In the summer of 1998 Hanson took their live show across the planet. Even if you were lucky enough to see them perform you only had a taste of what you're about to experience in "The Road to Albertane." This video is not about a concept, it's about a tour: each song a journey that may start in Boston, continue through Toronto or Denver, and eventually end up in San Francisco or Paris. You will be overwhelmed by the new live versions of your favourite Hanson rock 'n' roll songs and drawn in by the energy of a live Hanson performance. In addition, a beautifully shot acoustic section gets you front row seats for an intimate look at Hanson's most personal songs.