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Kingdom of the Planet of the Apes 2024 - Movies (May 9th)
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MSNBC Reports Andrea Mitchell Reports - (May 9th)
Money for Nothing - (May 9th)
A Gentleman in Moscow - (May 9th)
Foreign Correspondent - (May 9th)
Glow Up- Britains Next Make-Up Star - (May 9th)
WWE Main Event - (May 9th)
Location, Location, Location - (May 9th)
Alarm for Cobra 11- The Motorway Police - (May 9th)
Painting Birds with Jim and Nancy Moir - (May 9th)
Love Triangle - (May 9th)
Six Is Not a Crowd - (May 9th)
Deal or No Deal - (May 9th)
Tipping Point Australia - (May 9th)
Survivor - (May 9th)
The 11th Hour with Stephanie Ruhle - (May 9th)
Dance Moms - (May 9th)
The GOAT - (May 9th)
After Midnight - (May 9th)
Watch What Happens Live with Andy Cohen - (May 9th)
Pawn Stars- Best Of - (May 9th)
On the 1st August 1936, 100,000 spectators watched as Hitler and the Olympic delegates arrived at the Olympic opening ceremony in Berlin. The Olympic flags hung cheerfully side-by-side banners bearing the Nazi swastika. With the help of specialists and images from Léni Riefenstahl’s 1938 film, ‘Olympia’, we see what really went on behind the scenes and investigate the secret negotiations and compromises made by the International Olympic Committee to bring the Olympics to Berlin.
Until 1942 around 100 German propaganda films were made, that were set in Africa. They were produced in Germany, with Black Germans and Africans living in Germany. Who were these Black extras and how did they come to Germany? Why did they work in film-making? Which roles did they play and what messages did they send? What were their daily experiences as Black people during the Weimar Republic and the Nazi Regime?
Five times, Earth has faced apocalyptic events that swept nearly all life from the face of the planet. What did these prehistoric creatures look like? What catastrophes caused their disappearance? And how did our distant ancestors survive and give rise to the world we know today?
A documentary about a proposed military training area in Rothenthurm, Central Switzerland, and the village's resistance to those plans.
A bold reveal of a rose tattoo opens this 1980 documentary on tattooing in New Zealand. The potted history includes visits to tattoo parlours on K' Road and Hastings, and the studios of industry legends Steve Johnson and Roger Ingerton. Tattooists discuss public stigma, people's reasons for getting inked, and popular designs: sailors, serpents, swallows and tā moko. Made for documentary slot Contact, Skin Pics chronicles a time when "folk art has become high art".
In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.
Alex Horne tries to discover why some games survived, and examines the best of those that did not. Whilst revisiting his own childhood haunts, he attempts to relaunch the ancient sport of the Quintain, horseless jousting, and tries his damnedest to understand the rules of the Jingling Match. Not forgetting his attempt to restage the forgotten spectacle of Cricket on Horseback. This might just be a journey to the very heart of sport itself, but if not, it will be a lot of fun playing games that have not been seen for hundreds of years and even more fun discovering why.
A fascinating, revealing, and poetic documentary exposing the disappearance, obliteration, and omission of a culture. The disappearance of a humanist equilibrium during the Ottoman Empire and the willful erasing of the nonconformist history of a city that did not adhere to the nationalistic ideology that turned the Balkans upside down and continues to do so. The ancient Jerusalem of the Balkans has become a forgotten city, a “judenfrei” city. Organized like a stroll around the urban environment and accommodating the words of survivors of the extermination camps of 1943, the film puts together fragments of memories and nostalgia to witness the exceptional past of the city. A Thessaloniki-born director tres to raise his own cinematic voice, to refuse the elimination and silence which are like a second death, more definitive than the first.
Cuba, 1961: 250,000 volunteers taught 700,000 people to read and write in one year. 100,000 of the teachers were under 18 years old. Over half were women. MAESTRA explores this story through the personal testimonies of the young women who went out to teach literacy in rural communities across the island - and found themselves deeply transformed in the process.