Ghost Cat Anzu 2024 - Movies (Jan 13th)
Daniel Sloss Hubris 2024 - Movies (Jan 12th)
The Room Next Door 2024 - Movies (Jan 12th)
Polar Opposites 2025 - Movies (Jan 12th)
Moon Maidens 2 2024 - Movies (Jan 12th)
Putin 2024 - Movies (Jan 12th)
The Last Showgirl 2024 - Movies (Jan 12th)
Behave 2024 - Movies (Jan 12th)
The Darkening Hour 2024 - Movies (Jan 12th)
The Death That Awaits 2024 - Movies (Jan 12th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Watchmen Chapter II 2024 - Movies (Jan 12th)
The Gardener 2025 - Movies (Jan 11th)
Absolution 2024 - Movies (Jan 11th)
Bank of Dave 2 The Loan Ranger 2025 - Movies (Jan 11th)
A Complete Unknown 2024 - Movies (Jan 11th)
Engaged by Christmas 2024 - Movies (Jan 10th)
Apocalypse Z The Beginning of the End 2024 - Movies (Jan 10th)
When Calls the Heart - (Jan 13th)
Sister Wives - (Jan 13th)
90 Day Pillow Talk Before the 90 Days - (Jan 13th)
Home Town - (Jan 13th)
90 Day Fiance- Before the 90 Days - (Jan 13th)
Homestead Rescue - (Jan 13th)
A Bite to Eat with Alice - (Jan 13th)
Very Scary People - (Jan 13th)
Countryfile - (Jan 13th)
GRAND SUMO Highlights - (Jan 13th)
Snapped - (Jan 13th)
The Sunday Show with Jonathan Capehart - (Jan 13th)
Grand Sumo Live - (Jan 12th)
Dancing on Ice - (Jan 12th)
Rich House, Poor House - (Jan 12th)
The Great Pottery Throw Down - (Jan 12th)
Sunday Brunch - (Jan 12th)
Saturday Kitchen Best Bites - (Jan 12th)
Alex Witt Reports - (Jan 12th)
Taskmaster - (Jan 12th)
The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.
The highly anticipated follow-up to their critically acclaimed VIDEO NASTIES: MORAL PANIC, CENSORSHIP & VIDEOTAPE documentary, director Jake West and producer Marc Morris continue uncovering the shocking story of home entertainment post the 1984 Video Recordings Act. A time when Britain plunged into a new Dark Age of the most restrictive censorship, where the horror movie became the bloody eviscerated victim of continuing dread created by self-aggrandizing moral guardians. With passionate and entertaining interviews from the people who lived through it and more jaw dropping archive footage, get ready to reflect and rejoice the passing of a landmark era.
Award-winning filmmakers Jean-Pierre and Luc Dardenne profess their love for the classic "Modern Times." The directors expose their views on the many aspects of the film, Chaplin's brilliancy and they also provide interesting details about the making of Chaplin's masterpiece.
For just forty days, filmmaker and writer Mark Cousins embarks on a peculiar journey in order to explore topics as the passion for cinema and certain aspects related to making films as style, ideas, emotions and practicalities; an ambitious exploration of the universal language of cinema by analyzing pieces of work that cross every artistic and cultural boundaries.
Over a 50-year career and more than a hundred movies, filmmaker John Ford (1894-1973) forged the legend of the Far West. By giving a face to the underprivileged, from humble cowboys to persecuted minorities, he revealed like no one else the great social divisions that existed and still exist in the United States. More than four decades after his death, what remains of his legacy and humanistic values in the memory of those who love his work?
An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)
Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.