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I saw this movie as a troubling status of our present day situation, where everything is about hate, blood and gore. While I understand that this is a hypothetical story, I have no doubt that the direction this world is heading this could be in our future. The acting was a little weak, but with strong cast members like Bruce Willis and Neil McDonough I put that shortcoming on lines and direction. Even the action scenes left a little to be desired. Still I give this 3 stars.⭐⭐⭐
Bruce Willis is "Stone". He used to be a cop before a miscarriage of justice saw him serving a life sentence for a crime he didn't commit. As luck would have it, though, "Rainsford" (Neal McDonough) and his sidekick "West" (Alexia Feast) are organising a lethal man-hunt on their remote island. They decide that "Stone" would make for an ideal target so offer him his freedom if he survives - and that's a big if. What now ensues is a truly awful hash of a film that sees him wandering about the forest in an hig-vis cardigan generating about as much menace as a day in an ice cream factory. The story has elements of the far superior "The Most Dangerous Game" (1942) but is just remarkably devoid of character. The dialogue is really puerile and, to be perfectly honest, I felt that they could all have been doing with being left on the island to slaughter each other without troubling the audience at all. What is Willis doing here? He cannot need the money? His laid back, slightly sarcastic style falls completely flay and McDonough - well perhaps someone could explain to me how this ultimate in one-dimensional actors still gets work? I think "Nadir" would have been a far better title for this - it really is for all concerned.
Apex is an ironic title for something that feels more like a nadir. This is not only the latest but also the dumbest version of the Most Dangerous Game plot, wherein the would-be hunters spend more time hunting each other while their supposed prey sits idly by watching them kill each other. As for the prey himself, the film offers two contradictory narratives, with the character inhabiting a limbo somewhere in between. On the one hand, Thomas Ernest Malone (Willis), aka The Mutilator, has been convicted of assault, fraud, wire fraud, embezzlement, tax evasion, computer crime, robbery, arson, kidnapping, possession of illegal firearms, manslaughter and “criminal activity”. Criminal activity? What’s all the other stuff, then? Hobbies? (comically, both IMDb and All Movie speak of "a crime he didn't commit"). Furthermore, Malone — who “became addicted to gambling and lost custody of his children,” which makes it sound like he bet his offspring on a losing hand — has “active warrants in 47 states” (even though he’s already in prison), and his sentence is "life imprisonment without parole/117 years." Huh? On the other hand, we’re shown a long list of serious injuries and medical problems including "two synthetic liver transplants" (the movie is set 20 Minutes into the Future) and "more than 60 concussions." Finally, his date of birth “cannot be authenticated”; i.e., the character must be as old as Willis himself. This kind of cognitive dissonance reminds me of Demolition Man. In that film, Wesley Snipes can't hide his excitement at the prospect of having Jeffrey Dahmer among his henchmen, unaware that Dahmer would be totally useless in hand-to-hand combat with Sly Stallone. Similarly, it can't be very amusing or challenging to hunt down a battered old man that even the NFL wouldn't clear to play. Sure, Malone may be "the toughest prey" they've ever faced, and "The universe just doesn't seem capable of killing him," but in that case, wouldn't it be quicker and easier to just tie him up, hang him upside down, and club him to death like a piñata? But as I noted above, Malone is essentially a bystander in his own movie — or maybe he’s supposed to be his character from Unbreakable, which would at least explain his otherworldly resilience.
The story of the early, murderous roots of the cannibalistic killer, Hannibal Lecter – from his hard-scrabble Lithuanian childhood, where he witnesses the repulsive lengths to which hungry soldiers will go to satiate themselves, through his sojourn in France, where as a med student he hones his appetite for the kill.
John Rambo is released from prison by the government for a top-secret covert mission to the last place on Earth he'd want to return - the jungles of Vietnam.
Construction worker Douglas Quaid's obsession with the planet Mars leads him to visit Recall, a company who manufacture memories. Something goes wrong during his memory implant turning Doug's life upside down and even to question what is reality and what isn't.
By 2017, the global economy has collapsed and U.S. society has become a totalitarian police state, censoring all cultural activity. The government pacifies the populace by broadcasting a number of game shows in which convicted criminals fight for their lives, including the gladiator-style The Running Man, hosted by the ruthless Damon Killian, where “runners” attempt to evade “stalkers” and certain death for a chance to be pardoned and set free.
In a small village, a young man named Yudha revolts against ruthless, oppressive tribal chief Mahesa and his pet monster, Gordo. After Yudha is defeated and falls into a ravine, he ends up in a land of amazon women and then plots of decapitate an evil princess with death ray eyes to use as a secret weapon.
A twist on the classic game of Mafia. 12 competitors take part in a game of life and death where the innocent must take out the Mafia in order to win the cash prize. Those that are voted out must face their biggest fears in a computer simulation.
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
Despite Jigsaw's death, and in order to save the lives of two of his colleagues, Lieutenant Rigg is forced to take part in a new game, which promises to test him to the limit.
In order to foil a terrorist plot, an FBI agent undergoes facial transplant surgery and assumes the identity of a criminal mastermind. The plan turns sour when the criminal wakes up prematurely and seeks revenge.
John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.
Jigsaw has disappeared. Along with his new apprentice Amanda, the puppet-master behind the cruel, intricate games that have terrified a community and baffled police has once again eluded capture and vanished. While city detective scrambles to locate him, Doctor Lynn Denlon and Jeff Reinhart are unaware that they are about to become the latest pawns on his vicious chessboard.