Zoom.Mov

On a Saturday night during lock down, a group of very good friends go online to share a virtual aperitif. Suddenly, one of them is attacked and kidnapped live by an unknown man in front of his friends who watch helplessly from behind their screens. They soon discover that this mysterious stranger knows all their worst secrets, which he intends to bring to light one after the other.

Professional driver, and former Special Forces officer, Frank Martin is living in Miami, where he is temporarily filling in for a friend as the chauffeur for a government narcotics control policy director and his family. The young boy in the family is targeted for kidnapping, and Frank immediately becomes involved in protecting the child and exposing the kidnappers.

A television reporter and cameraman follow emergency workers into a dark apartment building and are quickly locked inside with something terrifying.

A ghost hunter investigates an evil spirit dwelling within a young man who reportedly became possessed after playing with a Ouija board.

After discovering a secret box in the wall of her house, a demonic presence begins terrorizing a YouTuber, at 8 after 1:00am every night.

A man is unknowingly filmed by a stalker.

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?

Do You Like My Basement? tracks how one man's creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath's streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.

A documentary film crew investigate a series of brutal killings known as the Black Water murders. As they dwelve deeper into the story, they stumble upon a horrifying secret. One they may not survive.

The story of Carl Merryweather who believes he experienced an alien encounter at 10-years-old and is now trying to reconnect with the UFO as the same location.

In postwar Vienna, Austria, Holly Martins, a writer of pulp Westerns, arrives penniless as a guest of his childhood chum Harry Lime, only to learn he has died. Martins develops a conspiracy theory after learning of a "third man" present at the time of Harry's death, running into interference from British officer Major Calloway, and falling head-over-heels for Harry's grief-stricken lover, Anna.