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This was a decent anthology film in the tradition of 'Twilight Zone: The Movie' and 'Creepshow', and was director Miller's only cinematic feature in her career from 1971-2002. It has an interesting framing device of a man, cheating on his wife with a married woman, taking a cab from where he had a late-night rendezvous with his mistress, but instead of being dropped off at his hotel, where he wants to call his wife (perhaps in feeling guilty, maybe just as an excuse not to have to stay with his partner after intercourse), is left at another place altogether. In trying to locate his hotel, he encounters strange, unresponsive man, then many empty buildings, and is finally offered shelter from the rain and a cup of hot coffee by an embalmer. Though the man feels really creeped out and tries to leave, the mortician, lonely and seemingly wanting company, makes him feel guilty and in politeness the man stays to see the five coffins the host wants to show him. After that comes four short stories, told in flashback, as the mortician (a creepy Ivor Francis) shows each of the coffin's contents (only to his visitor, not to us viewers) and, in a morality tale of sorts, what the person did wrong to get there: --The first story is by far the worst. A nasty teacher that hates children gets her comeuppance; --Secondly, a man that makes snuff films, having a movie camera on in his living room, while having a series of women over for 'dates'. He's arrested, and it's left to the imagination (at least, how the cut I watched from my Mill Creek 50-film 'Nightmare Worlds' pack was edited) how he was killed; --Thirdly, by far the most interesting and best executed of the stories, the best detective in England visits his American counterpart, and while they dine together, the host Detective Toliver receives a mysterious and anonymous note that in three days, someone he knows will be murdered horrifically--This was outstandingly carried out, and deserves special credit; --Fourthly, a cynical man who cares about no one other than himself is trapped inside a deserted building, then seemingly escapes, only to find himself trapped in a garbage truck, only sometimes given bottles of booze to mark the time; --The fifth coffin is empty, and the climax extremely predictable, but still watchable. I conclude that if you're the sort that likes the aforementioned two movies, or late-night horror to begin with, you'll enjoy this shabby, poor-boy's version. For those so inclined, it's worth one watch. Only the third segment is worth a rewatch, however.
The action of this story begins in the near future. The great device codenamed as the “Phantom” is invented by the Global Security Corporation in order to eliminate the crime and to establish a secure global community. But, it is not how it really is. The reverse side of the “Phantom” is to establish an absolute control over people’s minds. The Corporation aims to change the course of the history, by gaining the community of obedient “puppets”, who would never realize that their minds are being controlled. Step by step, the “Phantom” fractures people’s lives, but nobody suspects anything, until it destroys the lives of in-love couple- Timur and Keira. She is convicted of murder, and he needs to break the law to save her. An American criminal hacker named Zach helps Timur to find the truth, and to uncover the Corporation’s conspiracy.
Just when you thought it was safe to sleep, Freddy Krueger returns in this sixth installment of the Nightmare on Elm Street films, as psychologist Maggie Burroughs, tormented by recurring nightmares, meets a patient with the same horrific dreams. Their quest for answers leads to a certain house on Elm Street - where the nightmares become reality.
When Narcing brings home his wife Puring to their hometown Mulawin in the 1930s, it sets off a series of events that include parricide, infidelity, betrayal, guilt and redemption.
An FBI agent tracks a serial killer with the help of three of his would-be victims - all of whom have wildly different stories to tell.
The "sematary" is up to its old zombie-raising tricks again. This time, the protagonists are Jeff Matthews, whose mother died in a Hollywood stage accident, and Drew Gilbert, a boy coping with an abusive stepfather.
A group of Soul Hunters come to Babylon 5 demanding the return of something that was stolen from them.
Following the gruesome murder of a young woman in her neighborhood, an English teacher living in New York City — as if to test the limits of her own safety —propels herself into an impossibly risky sexual liaison with a police detective.
Terry works for a bank, and uses computers to communicate with clients all over the world. One day, she gets a strange coded message from an unknown source. After decoding the message, Terry becomes embroiled in an espionage ring. People are killed, and Terry is chased. Throughout, she remains in contact with this mysterious person, who needs Terry's help save his life.
Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?
A single mom in the 1970s raises her two daughters and becomes involved in illegal drug trade to make a better life.
Manu has lived a difficult life. Abused and violently raped, she sets off to find herself only to meet Nadine, a prostitute who has encountered one too many injustices in the world. Angry at the world, they embark on a twisted, rage-filled road trip. They choose to have sex when they please and kill when they need. Leaving a trail of mischief and dead bodies in their wake. Generating a media blitz and manhunt, soon everyone is out to capture the young fugitives.