Bigorexia

Featuring Robert Crumb, Arnold Schwarzenegger, Tiny Tim, Russ Meyer and more this volume of the “Midnight Blue” collection focuses on celebrities.

Energy freedom is at our fingertips, yet a powerful system is waging war against the solar industry and people's rights. Jonathan Scott travels the USA confronting those at the root of the issue and meeting with ordinary citizens fighting back.

The COVID-19 pandemic scars the citizens of Mexico City.

Douglas Davis presents his interpretations of The Maltese Falcon (1941), The Wizard of Oz (1939), and Napoleon in the triptych style of the finale of the Abel Gance version of the latter.

In the spring of 2015, with her 80 years of age, Eloísa prepares to participate in a new celebration commemorating October 17, 1945. 70 years have passed since that feat of the working people. Everything is fresh in Eloísa's memory, also that night in 1944 when she became a witness to a secret meeting in the mansion where she worked as a service staff. There was Colonel Juan Domingo Perón fighting a duel with the representatives of the economic power of the time who proposed to condition his actions. Meanwhile, in the kitchen, the staff debated the current employment and political situation.

Emma Freese is desperate when her husband Alfred falls ill at the Howaldtswerke in Kiel. How is the family supposed to get by without their wages? The war has scarred this generation, but now things are supposed to be looking up. The workers want their fair share and are fighting for an income that also gives them room to live. In October 1956, 34,000 metalworkers in the shipyards and factories of Schleswig-Holstein walk off the job to fight for justice and their dignity. This strike is still regarded as the toughest and longest in Germany. Employers and politicians stand in the strikers' way.

Lifting the lid on the fascinating last decade of Andy Warhol's life and the legacy he left for future artists, through never-before-seen footage and interviews with insiders.

Thinking Money is an hour-long exploration on public television of what behavioral economics has to tell us about how and why we spend, save (or don't) and think about money. It presents some of the country's most innovative thinkers who mix economics with psychology. Their experiments and insights into our financial behavior enlighten and often amuse as we learn to recognize how both our brains and the marketplace can trick us into spending money we shouldn't. The program explores a whole raft of techniques, apps, websites and ways of thinking that help us to save for the types of things that make our lives more secure: emergency funds, our kids' education, and ultimately our comfortable retirements. A mix of fascinating theory and practical takeaways, Thinking Money is designed to decrease the stress and increase the bandwidth in not just our finance, but our whole lives.

On June 4, 1944 Captain Daniel Gallery and his men of the U.S. Naval Task Force 22.3 did the nearly impossible - they captured a German U-boat. It was the first enemy vessel-of-war captured in battle on the high seas by the U.S. Navy since 1815. Climb aboard the historic U-505 and relive its journey from a powerhouse of the German fleet to a display at the Museum of Science and Industry in Chicago. Witness archival footage and rare interviews with both German and American crew members involved in the capture of the U-505. And view even rarer footage of Captains Daniel Gallery and Harold Lange, captain of the 505 at the time of its capture..

Step into our world, as we bring you a raw look at the talents of the next wave of riders and photographers. Come face to face with our diverse styles as we take on new lines and new places. ARRIVAL is all about what is happening now. Bringing viewers into the reality of a new generation of freeriders and racers.

Robert Breer’s What Goes Up... continues his “kitchen sink” approach of including as many different kinds of things as possible. Central to his art are a series of tensions. Rather than using animation to produce seamless illusions, his films reveal cinema’s dual nature as both an illusion of movement and a succession of stills. The ultimate effect of his work is ecstatic: by combining various rhythmic patterns, abstract and photographed shapes, and flatness mixed with depth illusions, Breer energizes ordinary eyesight. The whole world can seem more alive, alive with rhythms and colors and shapes and textures as well, after seeing one of his films. But Breer’s films also often have a theme of failure, of failed movements and failed aspirations, and the title What Goes Up..., in referencing the idiom “What goes up must come down”, refers to his childhood dreams of flying (illustrated here as in many of his films with airplanes) as well as to the limpness that follows orgasm for males.