Io, Don Giovanni

This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have. (Performance taped November 13, 1982. Broadcasted September 28, 1983.)

In a corrupt city, a small-time gangster and the estranged wife of a pot dealer find themselves thrown together in an escapade of love, money, drugs and danger.

London, 1761. St. Mary's of Bethlehem, a sinister madhouse, is visited by wealthy people who enjoy watching the patients confined there as if they were caged animals. Nell Bowen, one of the visitors, is horrified by the deplorable living conditions of the unfortunate inhabitants of this godforsaken place, better known as Bedlam.

Set in Paris, the story concentrates on the romantic triangle involving cabaret singer Liane, bon vivant Tony and petty crook Jean.

All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.

This first film of Cyprus' first director, Giorgios Filis, depicts music and dance customs in the form and style of a folk opera, with traditional Cypriot dances and songs. The film consists of a folkloric inventory based on the folk culture of Cyprus, as well as on similar ritual happenings. The narration and dialogue are entirely in the Cypriot dialect and are characterized by a rhetorical and poetic mood.

In 1894, Gabriel, an ambitious medicine graduate, spends his summer learning from the renowned Doctor Fidalgo in his isolated Mansion. Upon developing a lustful admiration for Fidalgo's wife, the young doctor is forced to break his morals.

18th century English aristocrat Sir Percy Blakeney leads a double life. He appears to be merely the effete aristocrat, but in reality is part of an underground effort to free French nobles from Robespierre's Reign of Terror.

During the French Revolution, a mysterious English nobleman known only as The Scarlet Pimpernel (a humble wayside flower), snatches French aristos from the jaws of the guillotine, while posing as the foppish Sir Percy Blakeney in society. Percy falls for and marries the beautiful actress Marguerite St. Just, but she is involved with Chauvelin and Robespierre, and Percy's marriage to her may endanger the Pimpernel's plans to save the little Dauphin

A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.

Two warriors in pursuit of a stolen sword and a notorious fugitive are led to an impetuous, physically-skilled, teenage nobleman's daughter, who is at a crossroads in her life.