Unter dir die Stadt

When a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.

Marc, an unexperienced medical doctor from Germany arrives at the Hospital Universitario del Valle in Cali, Colombia for his internship and soon finds himself in-between a raging gang war in Siloé, a Cali barrio. In the hospital he has to care mostly for shotgun wounds, while in the streets he falls in love with a stall-holder who cares for some of the children involved in drug trafficking and criminal violence. Alienating his colleagues and his host family while befriending the kids, he soon finds himself trapped in the center of the violent conflict between the gangs and has to come to a decision.

Sabrina Fairchild, a chauffeur's daughter, grew up at the Long Island estate of the wealthy Larrabee family enchanted with their sparkling world of privilege and wealth, but she's especially enamored of younger son David, a charming playboy. After the once plain Sabrina returns from a sojourn in Paris transformed into a glamorous young woman, she at long last catches David's eye. In a calculated effort to manipulate David away from her and into a more financially advantageous marriage, formidable older brother Linus devises a plan to keep them apart.

Ambitious Emma Eckhert successfully makes her way into a world previously reserved for men: that of high finance. She quickly becomes popular with small savers, but leads a scandalous life that will cost her.

Katja Flint, Hannelore Elsner and Heiner Lauterbach star in this German film about a woman who climbs the social ladder by sleeping with those she encounters on her way to the top. When she's discovered dead in her apartment in 1957, the police try to piece together the clues to find out who murdered her … but to no avail.

When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.

A young, idealist American gets a job as a train conductor for the Zentropa railway network in postwar, US-occupied Frankfurt. As various people try to take advantage of him, he soon finds his position politically sensitive, and gets caught up in a whirlpool of conspiracies and Nazi sympathisers.

Linus and David Larrabee are the two sons of a very wealthy family. Linus is all work – busily running the family corporate empire, he has no time for a wife and family. David is all play – technically he is employed by the family business, but never shows up for work, spends all his time entertaining, and has been married and divorced three times. Meanwhile, Sabrina Fairchild is the young, shy, and awkward daughter of the household chauffeur, who goes away to Paris for two years, and returns to capture David's attention, while falling in love with Linus.

Beautiful, detached, laconic, consumptive Lily Brest is a streetwalker with few clients. She loves her idle boyfriend Raoul who gambles away what little she earns. The town's power broker, called the rich Jew, discovers she is a good listener, so she's soon busy. Raoul imagines grotesque sex scenes between Lily and the Jew; he leaves her for a man. Her parents, a bitter Fascist who is a cabaret singer in drag and her wheelchair-bound mother, offer no refuge. Even though all have a philosophical bent, the other whores reject Lily because she tolerates everyone, including men. She tires of her lonely life and looks for a way out. Even that act serves the local corrupt powers.

'White' revolves around a banker who is in his 40's and is a widower. He leads a luxurious lifestyle, and in the course, he falls in love with an IT professional in her 20s.

Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.