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FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/fresh-spoiler-free-review-sundance-2022 "FRESH is an unforgettably shocking start to another Sundance Film Festival, holding all of the characteristics to end up as one of the absolute favorites. Mimi Cave delivers an extraordinarily captivating, assertive directorial debut, taking Lauryn Kahn's original, gruesome screenplay to the next level. Sebastian Stan demonstrates his ludicrous range, while Daisy Edgar-Jones gives a breakthrough performance that may warrant a couple of awards by the end of the festival. With an extremely engaging yet too quick first act, the viewers are immediately grabbed by the endearing love story that slowly builds up to a brutally impactful revelation, leading the movie into a rabbit hole of (in)tense, suspenseful, surprising developments. The last twenty minutes are the definition of insanity." Rating: A-
'Fresh' is very good - strong performances and perfectly chosen music are the main reasons for that. I wouldn't say it's perfect, just because I don't think it nails the split between humour and seriousness but apart from that it's a terrifically made film. Daisy Edgar-Jones and Sebastian Stan give excellent showings, while the music throughout is top notch. It's nicely paced and has an interesting story. Definitely one I'd recommend.
Fun! The performances from Sebastian Stan and Daisy Edgar-Jones are probably the strongest things here. Pretty solid body horror, but something in me wishes it was a bit more grimy in sections. Some gutsy stylistic decisions here in the cinematography and direction that I think really pay off and help cultivate a more immersive atmosphere. Adored the opening credits and the soundtrack too!
Fresh (2022) is an interesting mix of horror and dark humor, taking a different approach to the usual thriller setup. The plot starts off engaging, following a modern dating experience that quickly spirals into something unexpected. While the premise isn’t exactly new, the way it unfolds keeps things unsettling enough to hold attention. It does lose some of its sharpness as it goes on, leaning a little too much on familiar horror tropes, but it still manages to keep things entertaining. The writing is decent, though some character decisions feel out of place, making certain moments less believable than they should be. The directing is solid, with a good balance of tension and style. There’s an interesting use of close-up shots that add to the unease without feeling forced. The cinematography stands out, using lighting and framing to create an eerie atmosphere that matches the film's tone. The sound design and score do their job well, adding to the creep factor without being overbearing. It’s not the kind of movie where the music steals the show, but it complements the visuals nicely. Acting-wise, Daisy Edgar-Jones carries the film effortlessly, making her character feel natural and relatable even when the script stumbles. Sebastian Stan brings a fun and unsettling energy to his role, making the dynamic between the two leads work well. Some of the supporting cast feel a bit underdeveloped, but the main performances keep things engaging. Overall, Fresh is an entertaining watch that delivers just enough tension and style to stand out. And while the story may not be entirely original, at least some parts of it are very well done… just not overcooked.
A couple and their daughter moves to Colombia to take over a family manufacturing plant, only to realize their new home is haunted.
After spending two years in prison, framed for accepting a bribe, former newspaper reporter Harry Barber is released, bitter and disillusioned. Feeling like he were owed something for his loss of time, he proceeds to get himself involved in a simple kidnapping plot which turns out to be more complex than he imagined.
Two girls who want to become masochists are trained by a sadistic woman and turned into lovers.
A young couple inherits an old mansion inhabited by small demon-like creatures who are determined to make the wife one of their own.
Ray is an aging ex-socialist who has become a bankrobber after seeing the demise of socialism in 1980s Britain. Teaming up with a gang of other has-beenish crims, he commits one bank job too many. The gang dissolves in a murderous flurry of recriminations.
I was scrounging around the neighborhood for inspiration. Within a block from my apartment, I found a wild mushroom in the grass, and an advertisement for a psychic named Sara.
In the heat of the summer lays a lonesome house in the countryside where nine year old twin brothers await their mother’s return. When she comes home, bandaged after cosmetic surgery, nothing is like before and the children start to doubt whether this woman is actually who she says she is.
In this loose adaptation of "Hamlet," illegitimate son Kôichi Nishi climbs to a high position within a Japanese corporation and marries the crippled daughter of company vice president Iwabuchi. At the reception, the wedding cake is a replica of their corporate headquarters, but an aspect of the design reminds the party of the hushed-up death of Nishi's father. It is then that Nishi unleashes his plan to avenge his father's death.
Valentin is a shy and reserved guy, everyone things he is a loser with the girls, but now, he is preparing himself for a date.
Midnight, New Year’s Eve: when all the hopes of new beginnings come to life – except for Lindsey and Jeff Pittman, whose strained marriage faces the ultimate test after they cover up a terrible crime and find themselves entangled in a Hitchcockian web of deceit and madness.