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A woke dumpster fire, that turns the memory of brave men, like my uncle who fought and in many cases died, as he did, during WWII, into ugly caricatures. Backed up by a moronic back story and villains who are little more than clay pigeon's, that is,bullet magnets. I wont say more, this thing simply doesn't deserve it.
I was pleasantly surprised by The Ministry of Ungentlemanly Warfare. Guy Ritchie crafts an intriguing story about Winston Churchill’s team of highly skilled misfit soldiers recruited for the dirtiest missions against the Germans. This film combines historical drama with Ritchie's signature style, resulting in an engaging and action-packed experience. Henry Cavill stands out as the deranged leader of this unorthodox team, delivering a performance that balances madness with a fierce sense of duty. His character's unpredictable nature keeps the audience on edge. Cavill stands out as the deranged leader of this unorthodox team, delivering a performance that balances madness with a fierce sense of duty. His character's unpredictable nature keeps the audience on edge. Simultaneously, the subplot involving two Allied spies embedded within the German ranks adds an exciting layer of espionage. Babs Olusanmokun and Eiza González deliver fantastic performances, navigating the perilous environment with a blend of cunning and bravery. However, not all elements of the film work seamlessly. The scenes featuring Winston Churchill are notably weaker, often disrupting the narrative flow and diminishing the film’s intensity. These moments feel out of place, detracting from the otherwise tight and focused storytelling. On the technical front, the film excels with masterful cinematography and outstanding sound design. The visual style captures the gritty and chaotic nature of war while maintaining clarity during intense action sequences. The sound design immerses the audience in the film’s world, from the clamor of battle to the subtle tension of stealth operations. The Ministry of Ungentlemanly Warfare is a compelling addition to the war film genre, distinguished by its strong performances, engaging dual storylines, and technical prowess. While some scenes fall short, particularly those involving Winston Churchill, the film’s overall impact remains powerful. Guy Ritchie’s unique touch brings a fresh perspective to a historical narrative, making this film a must-watch for fans of action, history, and espionage.
**"There's a lot of things you can do with a Nazi, and An Axe"** *~William "B.J." Blazkowicz (Wolfenstein II: The New Colossus)* I said that in reference to one scene in this movie, won't say which though. ~ .^ Guy Richie continues to expand his "Brits in violent situations that go sideways" genre to WW II. His fast dialog is not quite as verbose as in his older work, but it's still excellent. I like all of his movies, but this is up there on his more recent fare. Alan Ritchson playing a kinda dweeby, murderous Scandinavian is a highlight. In the vein of, if far more grounded than, Tarantino's Inglourious Basterds. A good vibe to go into 2025.
A PG-13 action comedy that embodies MEAN GIRLS in a Tarantino tone targeting the centennial market that will encapsulate and define the pop culture of our decade, with the feel of Ryan Murphy's SCREAM QUEENS.
The story of German minority members who, after escaping from Wehrmacht, form a partisan unit named "Ernst Thalmann" in eastern Croatia. The focus is a family whose members fight on different sides of the barricade.
Arsène Lupin decides to run a detective agency in addition to being a gentleman thief. As a detective he happens to cooperate with police in order to unveil the criminal activities of a villain. When he succeeds the villain returns the favour. The unmasked Arsène Lupin manages to escape with the villain's gangster moll as his new companion.
U.S. Army Captain Clark Allen gains attention by walking back and forth, the length of Japan, gambling with U.S. servicemen in order to raise funds to rebuild an orphanage. Suspicious of Allen's motives, a Japanese newsman, Hiroshi Kitabayashi, traces the American's background until he discovers the motive behind Allen's long walk.
During World War II, a squad of five American soldiers become lost in Tunisia and are killed one by one in fights with German units. Finally only one man, Private Russo, is left, in the midst of a mine field, together with a German officer, locked in a stalemate. Russo has water, while the German claims to have a map revealing the mine positions. So Russo agrees to swap water for the map, but the German officer tries to double-cross him. This was Burt Topper's debut film, made on 16mm on weekends together with some friends in Indio, California. It was also Wally Campo's debut film, as well as script supervisor Joyce King's.
A young girl comes to an embittered town and confronts its attitude with her determination to see the best in life.
Irena Sendler is a Catholic social worker who has sympathized with the Jews since her childhood, when her physician father died of typhus contracted while treating poor Jewish patients. When she initially proposes saving Jewish children from the Warsaw Ghetto, her idea is met with skepticism by fellow workers, her parish priest, and even her own mother Janina.
After handing in a report on the treatment of Chinese colonial labor, Kaji is offered the post of labor chief at a large mining operation in Manchuria, which also grants him exemption from military service. He accepts, and moves to Manchuria with his newly-wed wife Michiko, but when he tries to put his ideas of more humane treatment into practice, he finds himself at odds with scheming officials, cruel foremen, and the military police.
A day in the life of a comic book artist and his family in Russia. While suffering from the flu, Petrov is carried by his friend Igor on a long walk, drifting in and out of fantasy and reality.
A young and beautiful female teacher starts working in an all boys high school.
A young district attorney seeking to prove a case against a corrupt police detective encounters a former lover and her new protector, a crime boss who refuses to help him.
