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Worlds Most Evil Killers - (Mar 30th)
The 40th Anniversary of Chinese Film Since Chinas Reform and Opening-Up - (Mar 30th)
Dylans Playtime Adventures - (Mar 30th)
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A League of Their Own - (Mar 30th)
Australian Idol - (Mar 30th)
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Lighthearted and enjoyable comedy featuring two wonderful and charismatic performances by Gregory Peck and Audrey Hepburn in her first major role. Last saw this 12 years ago and still fun to this day. **4.5/5**
Audrey Hepburn is the visiting princess "Ann" whose whistle-stop tour of Europe reaches Rome. Put to bed, as usual, she decides to don some ordinary clothes and venture out for a bit of exploring. Now, initially I thought she was going to hook up with some swarthy, tousled, Lothario but nope - she meets American journalist Gregory Peck - quite the epitome of the ordinary "Joe"! Full of the sedatives that her people gave her before she snuck out, she ends up crashing at his apartment and next morning he realises whom she is, and that his boss wants an exclusive! Just about penniless, she leaves and tries to make her way home - but again "accidentally" bumps into "Joe" and together with his photographer pal "Irving" (Eddie Albert), the three embark on some fun and engaging escapades in the Eternal City where this young woman finally manages to escape her cosseted life - she even gets an haircut - before reality gradually starts to reimpose itself on them all. There is a smashing chemistry between Hepburn and Peck; the script and the scenarios allow to us to follow as they gradually fall in love. There is an engaging innocence about Hepburn's performance; she manages to convey a great sense of a woman who is finally free - but knows it can only be temporary, and the scenes with Peck and Albert are entertaining as their cunning plans are continually being altered. Georges Auric's score is classy and mischievous, and the whole stylish look of the film makes it quite delightful to watch. A classic class of less is more!
**Considered by many to be the first and greatest film of Audrey Hepburn's career.** What is special about this film? Really, little. The story is very simple: it is the almost adolescent escape of a young princess who, tired of the responsibilities and visibility inherent in a crown, decides to distract herself and live her youth for a few hours. The problem is that she ends up, inadvertently, at the home of an American news journalist in charge of interviewing her, and who wants to take advantage of the situation. Of course, anyone hoping for an interesting dalliance between the princess and the commoner will be rewarded, to some extent. Predictable? Cliché? Of course, but it was with illusions like these that cinema fed the magic of the monarchical universe, somewhat to its own advantage. If the story told is not particularly brilliant and stands out for its simplicity and a range of obvious choices and solutions, what are we left with? Scenarios? Costumes? Effects? Sound? Cinematography? In part, yes. The sets are very well done, and the film, which is actually filmed in Rome, is one of the first and best cinema postcards of this city. I still know people who have been to Rome, and been where the characters in the film have been too, such as the Trevi Fountain or the Mouth of the Truth, tourist landmarks that this film helped to popularize. Without major effects, it has a nice and atmospheric sound and soundtrack, and the cinematography, in black and white, is very good. The scenes of the two main characters riding a Vespa through the streets of the city center are particularly anthological. We can also say that the film was wonderfully edited, and the story moves at an elegant and pleasant pace. But what would this movie be without Audrey Hepburn? I don't think it's possible to imagine the character in the skin of another actress. She had the nobility and dignified serenity required of royalty, and imbued the character with authenticity, credibility, and friendliness. It's impossible to watch the film and not feel a certain sympathetic affection for her character, who simply wants a few hours to distract herself from the institutional routines and duties for which she was educated. Gregory Peck was a clear choice to be the journalist who helps her and creates a certain romantic affection for her.
Shot in one single shot with no cuts, Rendez-vous is an original Mexican thriller about a couple that met online.
silent cowboy western starring Dustin Farnum as a rancher whose partner is killed by rustlers. He takes in his partner's young son, and begins to sell his ranch, but the boy finds oil on the land.
Ben is a young bisexual man. He comes out to the world and develops an intense relationship with Sam, a man of color struggling with deep wounds of his own. As the summer progresses and their intimacy grows, Ben's past crawls to the surface.
In their final night together, a boy and a girl create a tender universe under their blanket fort, blissfully indifferent to the world outside that is slowly coming to an end.
At a dark pier in the middle of the night, a boat captain and his mate, Nong, are readying their vessel for the next trip. But what they discover is a shocking: the lifeless body of Mia, the wife of the boat’s owner, is hanged from a mast in a gruesome fashion. The corpse also sets off panic among other sailors. The captain orders everyone to calm down. He decides that he has to get rid of the body, and comes up with a plan to throw Mia’s body in the middle of the sea. But it’s not that simple. Once the ship sets sail, the body hidden in the engine room disappears. Mia’s spirit is set loose and wreaking havoc on the boat in the middle of the sea. The ghost terrorizes the sailors, who can’t escape anywhere except into the water that surrounds them. Things get worse when a storm hits. The only way to save the boat and everyone on it is to locate Mia’s body. But there’s more serious question that no one remembers to ask: Who murdered Mia?
The plot revolves with Raicharan's tragic life. He is the obedient servant of local zamindar and takes care of zamindar's son whom he addresses as Khokababu. One day the little son dies in an accident in river flood and he is blamed for the same. In a delusional state, Raicharan starts believing his own infant to be his much loved khokababu and brought him up only to return him to his master.
A modern retelling of Shakespeare's classic comedy about two pairs of lovers with different takes on romance and a way with words.
After the death of her husband, Lilia's life revolves solely around her teenage daughter, Salma. Whilst looking for Salma late one night, Lilia stumbles upon a belly dance cabaret and though initially reserved and taken aback by the culture of the place, Lilia gets consistently drawn back to it. She befriends one of the belly dancers and is encouraged into dancing for the audience. Lilia also starts a romance with one of the cabaret's musicians, who unbeknown to both of them, is also romancing Salma.
Stan lies to his wife about going to a nightclub with Ollie but Mrs. Laurel overhears the plot and outsmarts them both.
Alex is the definition of loser. He has no, nor has he ever had, friends. His life has no direction and he has a stupid haircut. While attending the Venice Beach Art School, he meets Lizzy, Patrick and Gnome, who become his friends. When Alex figures out he should make a movie, he decides to do an "alternative political documentary in black and white" about Gnomes struggle to free Hawaii. He hires some brain dead film students and meets the girl of his dreams and he's all ready to make his movie. Until the first scheduled shooting date when Gnome, who has the budget, turns up missing.
The story of "Chandrettan Evideya" revolves around Chandramohan (Dileep), who is a government servant and also an ardent classical dance follower and his wife Sushama(Anusree) is also a government employee. But the doubting wife keeps track of each and every thing her husband does. Chandramohan is well known among art followers as a good critic of classical dance. His reviews are often published in leading magazines. Considering his close association with beautiful dancers, his wife Sushama keeps close tabs on him by making phone calls every now and then. One fine day, they decide to go for a trip to Thanjavur where they meet an astrologer who tells them certain aspects of Chandramohan's previous life, which forms the crux of the story.