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Americas Got Talent - (May 28th)
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Boring and with low quality animations.
Me and the kids watched this movie yesterday evening. We all liked it quite a lot. This is a very enjoyable family movie. It is, not surprisingly, a new twist on the old Jack and the Beanstalk story. The basic elements are there, Jack, beans, beanstalks and, of course, giants. A few new elements are thrown in like a Crown to control the giants, a treacherous bastard responsible for the entire mess and a few other things. The giants are very well done. The CGI is good to very good most of the time. As can be expected, it is the giants that make up this movie. I would say that they are slightly scary (for kids) and rather funny at the same time. Unfortunately the same cannot be said about the human actors. The acting is generally not so good and sometimes downright abysmal. It is rather surprising for such a relatively big production to have such poor TV-show quality acting. The bottom line is that it is a very enjoyable family movie. If you watch it as an adult I guess you must have a liking for special effects and CGI, which I do, in order to enjoy it.
***Medieval fairy tale with a noble hero, a beautiful princess and hordes of barbaric giants*** Released in 2013 and directed by Bryan Singer, “Jack the Giant Slayer” has plot similarities to 1962’s “Jack the Giant Killer” with Nicholas Hoult playing the wholesome farm boy, Eleanor Tomlinson the winsome princess and Ian McShane the king. The rural protagonist slays a couple giants and rescues the royal maiden, but that’s where the similarities between the two movies end. This one lacks an evil wizard and his dark castle, which are substituted by the brutal giants and the colossal beanstalk that leads up to their awesome realm above the clouds. Despite the almost $200 million spent mostly on the CGI giants & their world, “Jack the Giant Slayer” just isn’t as compelling as “Jack the Giant Killer,” which had super-cheesy effects, albeit charming. Yes, the giants & their realm look superb, as far as cartoonish CGI goes, but more time & money needed spent on the characters and their story to hook the viewer. In other words, despite all the action/adventure and millions blown on CGI, the story’s generally meh. Nonetheless, the flick’s good enough if you favor CGI-laden films like “King Kong” (2005) and “Avatar” (2009). Hoult and Tomlinson are more-than-worthy as the protagonists with Hoult being reminiscent of Richard Thomas. I just wish the script fleshed them out more and made us care about them and their considerable challenges. The film runs 1 hour, 54 minutes and was shot in England (Surrey, Norfolk & Somerset). ADDITIONAL CAST: Ewan McGregor plays a knight, Stanley Tucci a royal bastage and Eddie Marsan his inane crony. GRADE: C+/B-
'Jack the Giant Slayer' is a perfectly watchable movie. Nothing special, but it does enough. That's in my opinion, of course. A quick glance at Letterboxd shows a big split in its reception, but the majority - at least in terms of rating - are in agreement with me. The movie does start off a bit slowly, though once it got going I was enjoying it to be honest. It's nowt award-worthy, though it works as a passable fantasy adventure flick. I dug everyone on the cast, which features many people I like or have at least seen in other productions. Nicholas Hoult and Eleanor Tomlinson (the only one I didn't previously know of) give competent performances and suit each other well enough. while Ewan McGregor and Ian McShane are good value, among others. Ewen Bremner's Wicke is the only iffy character, though Bremner himself narrowly makes it work. I caught a glimpse of the special effects prior to watching, think it was on one of the movie websites when I was checking if it has sequels etc., and wasn't all that excited about what I saw. However, in the actual film the effects are all satisfactory to be honest. The look of the giants is decent.
In the boorish city of Agrabah, kind-hearted street urchin Aladdin and Princess Jasmine fall in love, although she can only marry a prince. He and power-hungry Grand Vizier Jafar vie for a magic lamp that can fulfill their wishes.
For four years, the courageous crew of the NSEA protector - "Commander Peter Quincy Taggart", "Lt. Tawny Madison and "Dr.Lazarus" - set off on a thrilling and often dangerous mission in space...and then their series was cancelled! Now, twenty years later, aliens under attack have mistaken the Galaxy Quest television transmissions for "historical documents" and beam up the crew of has-been actors to save the universe. With no script, no director and no clue, the actors must turn in the performances of their lives.
Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met with skepticism, she agrees to accompany a team of Colonial Marines back to LV-426.
Young Scottish doctor, Nicholas Garrigan decides it's time for an adventure after he finishes his formal education, so he decides to try his luck in Uganda, and arrives during the downfall of President Obote. General Idi Amin comes to power and asks Garrigan to become his personal doctor.
A new technologically-superior Soviet nuclear sub, the Red October, is heading for the U.S. coast under the command of Captain Marko Ramius. The American government thinks Ramius is planning to attack. Lone CIA analyst Jack Ryan has a different idea: he thinks Ramius is planning to defect, but he has only a few hours to find him and prove it - because the entire Russian naval and air commands are trying to find Ramius, too. The hunt is on!
When Claire Spencer starts hearing ghostly voices and seeing spooky images, she wonders if an otherworldly spirit is trying to contact her. All the while, her husband tries to reassure her by telling her it's all in her head. But as Claire investigates, she discovers that the man she loves might know more than he's letting on.
Three detectives in the corrupt and brutal L.A. police force of the 1950s use differing methods to uncover a conspiracy behind the shotgun slayings of the patrons at an all-night diner.
A fairy godmother helps a princess disguise herself so she won't have to marry her father.
Two drag queens and a transgender woman contract to perform a drag show at a resort in Alice Springs, a town in the remote Australian desert. As they head west from Sydney aboard their lavender bus, Priscilla, the three friends come to the forefront of a comedy of errors, encountering a number of strange characters, as well as incidents of homophobia, whilst widening comfort zones and exploring new horizons.
Captain Glenn Edwards's plane crashes over the mysterious Amarok Crater. When the government covers up his disappearance, Glenn's fiancée, Samantha, assembles a ragtag team of misfits to find out what really happened. They are horrified to discover bizarre creatures created by the rays of a radioactive meteor. But not even these monstrosities can prepare them for Triclops, a 50-ft tall, three-eyed behemoth who rules this lost world with an iron fist. Samantha believes that the colossal beast is really her missing lover, mutated beyond human comprehension. Her affection may be tragically misplaced, however, when the monster picks the beautiful girl for his next dinner...
A magical blend of choreography, stop-motion and live action, Stories from a Flying Trunk captures the enchantment of three classic stories from Hans Christian Andersen. Conceived, written and directed by Oscar nominated Christine Edzard and featuring the dancers of the Royal Ballet, choreographed by Frederick Ashton. The Kitchen contains household objects which come to life and hold an animated conversation. The Little Match Girl updates Andersen's heart-rending tale to London's East End in the late seventies. Little Ida is an inspired celebration of dance featuring members of the Royal Ballet.