기생춘

About two girls and their erotic adventures.

The marriage of Yin Nan and Mei Ai has lasted for eight years. The passion and romance at the beginning have already been exhausted by the world. Yin Nan has nothing to do at home all day, waiting for the beauty to make money and come back to raise him. This makes Mei Ai feel very angry. The dual pressures of work and life have made Meiai start to look for excitement in other men. By going to bed with a strange man, Mei love seems to be able to vent a little dissatisfaction with the world. Over time, this has become her habit. Next to Yin Nan’s family, a beautiful woman named Yi Yin was moved. Yi Yin discovered that her boyfriend, who had been with her for many years, actually stole himself and succumbed to his life. By chance, Yin Nan and Yi Yin met, and the two lonely hearts quickly approached. Mei Ai found that Yin Nan’s attitude towards himself was a lot colder, and he began to want to study the reasons behind it.

Ga-eul is six years into her marriage but her trouble with her husband brings her to depend on alcohol. Hee-mang is a writer who lives next door but can't stand the fighting going on at Ga-eul's house and makes his way over there one day. Ever since then, Ga-eul goes over to Hee-mang's house to have sex everytime she fights with her husband. Hee-mang is confused at her behavior and gradually falls for her. Then Ga-eul slowly resolves things with her husband but Hee-mang asks to talk with the three of them...

The second film in the series of a brother and sister and their messy relationship with each other and old lovers. This time, will they or won’t they?

Soo-hyeok and Yeon-ji are faithful couples. Although Soo-hyeok is faithful during the day, he wants to be rough at night, however, Yeon-ji is still faithful at night. Su-hyuk uses his junior In-seop to turn Yeon-ji into a hot woman. In-seop manipulates Yu-ri to defile Yeon-ji, but falls in love with Yeon-ji and covets her. Soo-hyeok is angry that Yeon-ji and In-seop slept. Soo-hyeok covets Yu-ri for revenge, but gets caught by his wife Yeon-ji, who declares her union with Yu-ri. Soo-hyeok must reveal that Yu-ri is actually bisexual, not gay, to protect Yeon-ji. Soo-hyeok shows Yeon-ji a scene where In-seop and Yu-ri have sex. However, Yu-ri and In-seop's sex is not good enough. In-seop forcibly scurries Yu-ri at Soo-hyeok's order, and eventually runs to Yeon-ji when he finds out that Yeon-ji is disappointed in her. The two find a new gender identity.

Yeon-woo is reunited with her first love, Yoon-jeong, at a reunion after returning from America. While her husband is on a business trip, Yoon Jeong-eun calls Yeon-woo to her house and has sex. Yoon-jeong's husband, Jun-hyeok, finds another man's hair in the bed and visits Yeon-woo to warn him. Yoon-jung comes to Yeon-woo with a complicated heart. The two have sex once again and confirm their love...

Seon-mi hands a name card to Joo-hee who is about to get married, saying that she'll be able to feel sexual satisfaction like never before. Joo-hee experiences something new and starts expressing her rising emotions to her fiance despite the time and place. Unlike Joo-hee who is enjoying this, Min-woo is getting tired. He tries to satisfy her to the best of his abilities and even asks for advice from friends but it's not enough. What is that place that has her upside down like this?

Sang-cheol, who had been doing well in medical school was unable to graduate due to his father's business failure, and entered the path of being a film director instead. It's been a while since he’s been in touch with his college junior, Nam-soo, who had a hard time living in college to have a doctor title. He is living well because he married an actress. Nam-soo feels that Sang-cheol is having a hard time and suggests that they live together in his house.

The second generation of a chaebol was exiled to a rural villa because of a mistake. However, it only brought fun and excitement to another world that unfolds there.

A sex movie about a man who loves dolls and a woman who is jealous of dolls.

A twisted take of a psychodrama session where the participants believes that liberation of the mind travels via the body.