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FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/empire-of-light-spoiler-free-review-lff-2022 "Empire of Light works best as a love letter to the art of filmmaking and the theater experience. Brilliant performances. Astonishing to behold. Emotional to listen to - score is the technical highlight. Not so captivating narratively, considering that Sam Mendes' first solo script lacks depth in the most important themes. It's a beautiful tribute to the magic of cinema that cinephiles will enjoy, but for viewers less passionate about the 7th art, it might be difficult to genuinely care." Rating: B-
"Hilary" (Olivia Colman) is the shift leader at a grand old cinema living a routine life and largely just going through the motions each day. When the young "Stephen" (a strong and engaging performance from Micheal Ward) arrives, she takes him on a tour of the building and that takes them to the upper echelons of the building - now disused - where they discover an injured pigeon. They also discover something else, and soon are having bit of a clandestine affair. Thing is, she's also having one of those with her boss "Ellis" (Colin Firth) and keeping secrets amongst her small team isn't the easiest! Things come to an head, however, when some fascist thugs are marauding down the local esplanade and they see the young man through the locked doors. Soon, he is in hospital and everyone is having to re-evaluate their relationships and priorities - and it's at this point that "Hilary" comes off the rails a little. Years of resentment and frustration - coupled with a bit of booze - all come to the fore just as her young friend comes to some conclusions about his own future too! Toby Jones is wonderful here as the projectionist, allowing the intensity of the personal stories to be diffused with a nostalgic look back at just how (even as recently as the 1980s) films were synched from a series of projectors, with cue dots and played from reels. He ("Norman") even demonstrates to the enthusiastic young "Stephen" as we go. The themes of racism, tolerance, ageism and ignorance are never far from the surface, though, and essentially this film is a cleverly nuanced piece of drama that uses a cinema - itself a conduit for so many different aspects of human life and behaviour - to serve as the focus for a brief observation of two lives that overlap for a while. It does have some sentiment to it - but for me that was about the old days of cinema gone by; otherwise this is a complex and thought-provoking look at life in Mrs. Thatcher's Britain long before she had had any real chance to mould it...
The ENT doctor dr. Arnold Fischer, called Arnie, always tries to please everyone. His friend and colleague Gregor is quite different: Purposeful and enterprising, he thinks especially of his own progress. Together, they want to expand the practice to a state-of-the-art tinnitus center. For this they need the neighboring apartment, but lives in the Mathilda, in which the shy Arnie is secretly in love. He does not have the heart to show Mathilda out of the apartment. And so Gregor tries with not always fine methods to get rid of the unpleasant tenant - which ends in a complete disaster ...
Mika is a fresh high school student who starts texting a mysterious boy. She is shocked when he reveals who he is - Hiro, a delinquent attending her school. What she doesn't know is that Hiro isn't as bad as he seems.
Captain Ralls fights Dutch shipping magnate Mayrant Sidneye for the woman he loves, Angelique Desaix, and for a fortune in gold aboard the Red Witch.
Young Pud is orphaned and left in the care of his aged grandparents. The boy and his grandfather are inseparable. Gramps is concerned for Pud's future and wary of a scheming relative who seeks custody of the child. One day Mr. Brink, an agent of Death, arrives to take Gramps "to the land where the woodbine twineth." Through a bit of trickery, Gramps confines Mr. Brink, and thus Death, to the branches of a large apple tree, giving Gramps extra time to resolve issues about Pud's future.
A white family has just put their house on the market and are soon showing it to an interested black family. The neighbors begin to gossip and soon the white family becomes the target of harassment and threats by bigoted residents in the community, who do not want a black family in the neighborhood.
Shortly after a tragic accident that took the life of her girlfriend, Ambre, a young writer, has a coffee with Jade, her editor and childhood friend. All their lives, the two women were inseparable and full of ambition, but their friendship is now overwhelmed by resentment and guilt. To overcome their grief, they must give up what was once their greatest strength.
Music gives her life. Music is his life. This is a story that will make our hearts skip a beat this season of love. Ikaw Pa Rin ang Pipiliin Ko, a May-December romance, promises the fresh tandem of Aga and Julia, who portray a musical conductor and chorister, respectively.
15-year old Klaus Kambor, called Kurbel, is living in a village in Lusatia and already thinks of himself as an adult. He can hold a lot of rhubarb wine and has already kissed a girl. But with his new method of lawn mowing, which he thinks is brilliant, Klaus makes a big mistake: He causes a wild fire in the forest. Then he does not react adult-like at all, but shirks the responsibility, which leads to the break-up with his girlfriend Daniela. Furthermore, Klaus does not realize that several of the places he likes the most in his environment are now going to be sacrificed to mining. When Klaus becomes friends with the teacher Konzak and with the construction worker Jule, he feels understood for the first time and starts to take more responsibility.
A bored young man meets with his former girlfriend, now a cabaret dancer and single mother, and soon finds himself falling back in love with her.