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WWE Main Event - (Aug 30th)
James Martins Saturday Morning - (Aug 30th)
Beyond the Bar - (Aug 30th)
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Foreign Correspondent - (Aug 30th)
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The One Show - (Aug 30th)
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I hate to admit it, but I allowed myself to be suckered in to this one as a result of its rambunctiously funny trailer only to be grossly disappointed at what I saw. This is a positively dreadful film, and I’m at a complete loss to understand how viewers have found it funny. When a pair of lesbian high school students (Rachel Sennott, Ayo Edebiri) establish a fight club (i.e., a euphemistically labeled “self-defense program”) as a means to surreptitiously bed down their cheerleader classmates (a story line that’s more than a little dubious in itself), they subsequently launch into a meandering narrative that makes little sense and plays like it was made up by a group of stoners who’ll laugh at anything when suitably smoked up. The film starts out trying way too hard and then proceeds to quickly go downhill from there. Much of the material is in questionable taste, too, such as sequences that feature unrestrained physical abuse against women, as well as other forms of sanctioned violence. How is this stuff supposed to be funny? “Bottoms” has been described by viewers and critics as a go-for-broke/anything-for-a-laugh comedy, but I found its distasteful stabs at humor cringeworthy at best. What’s more, the picture’s feeble attempts at trying to inject the narrative with a message related to women’s empowerment are completely betrayed by its many wrong-headed plot devices. To the film’s credit, it does feature some passable performances by its supporting cast (most notably Punkie Johnson, Dagmara Dominczyk and former NFL star Marshawn Lynch). But, sadly, this effort is a big step down for director Emma Seligman and writer-actor Rachel Sennott, both of whom turned in brilliant work in their raucous collaboration, “Shiva, Baby” (2020) (not to mention that Sennott’s casting represents a laughable choice for someone who’s nearly 28 attempting to portray an 18-year-old character). It’s also quite a comedown for producer Elizabeth Banks, who scored big earlier this year with the utterly hilarious “Cocaine Bear.” It occurred to me after watching this debacle that maybe I’m just getting old and losing my sense of humor, but, after thinking it over, I realized that’s genuinely not the case. This may indeed represent a case of changing movie tastes, but, if that’s so, I’m seriously troubled about the direction in which those tastes are headed.
"PJ" (Rachel Sennott) and her best mate "Josie" (Ayo Edebiri) are starting the new year at school confident that they won't get laid! It's not just that they are gay, it's that they are gay, "ugly" and "untalented" - a toxic combination designed to ensure they continue to get their fun from Pornhub. Meantime, cheating school heart-throb "Jeff" (Nicholas Galitzine) is having a row with his girlfriend "Isabel" (Havana Rose Liu) that sees the latter take refuge with the girls in their car and the most minuscule of car accidents reduce this macho lad to a gibbering wreck! This is what inspires our duo to start a club at school that will ostensibly teach young women the basics of self defence whilst allowing them to maybe get some "fun" into the bargain! What now ensues is all rather puerile, I found. Maybe it's supposed to be satire, but that any school would allow the pupils to use the gym to beat each other up - under the supervision of a teacher - is just preposterous. The characterisations are just about as shallow as you can get and the writers need to appreciate that using the full gamut of Anglo-Saxon expletives doesn't actually make a film funny. As it lumbers on it becomes more and more cringe-worthy until a denouement that is just like something left on the cutting room floor from an edition of "Happy Days". I get that I'm not the demographic, but this is still a weakly constructed, over-acted and rather aggressive reinforcement of just about every stereotype there might be in an American school - and none of these people come off very well.
Bottoms tries to be a queer, feminist twist on the high school comedy, but what it delivers is a chaotic, mean-spirited farce that confuses shock value for substance. Also, writer is a degenerate for putting sex scenes in a high-school movie. Watch literally anything else.
Misfortune and tribulations with domestic violence lead to an expectable romance. The fairy godfather must save poor Cinderfella from misery and servitude. How will the princess strike back, exactly? This modernized fairy-tale short film by Keeley Knight and Dave Lojek reverses gender roles.
In 1970s England, three blue-collar friends spend their days joking, drinking, fighting and chasing girls. Freddie wants to leave their working-class world but cool, charismatic Bruce and lovable loser Snork are happy with life the way it is. When Freddie gets a new job as a door-to-door salesman and bumps into his old school sweetheart Julie, the gang are forced to make choices that will change their lives for ever.
The friendship between two life-long girlfriends is put to the test when one starts a family and the other falls ill.
One evening, in his apartment in Paris, Lorenzo is getting ready to receive Marvin for the first time, a boy he really likes. Marvin shows up at the door with Thomas, a homeless man he met on the street in need of a shower. Lorenzo doesn’t dare say no.
Dr. Jack Hammond has best chances to become medical superintendent in the clinic. So he's completely absorbed in his work and has no understanding for his teenage son Chris' problems with school. By accident one of them drinks a brain-exchanging serum, and it switches their identities. This leads of course to extraordinary complications in school and at work, but also to insight in the problems and feelings of each other.
Three friends, Robban, Alexander and Kim has just left the compulsory school, and now they consider themselves grown-up and mature, being 16 years old. During the summer holiday they also get a bit of experience of the world: Robban becomes a full-time drug addict, Alexander plays in a rock band but leaves it and Kim is desperate to get the girl of his dreams.
Ever since he was a child, the seventeen-years-old Edoardo has suffered from a malformation of the foreskin that stops him from masturbating and makes him insecure and ill at ease with girls. Shut up in his sexless microcosm, Edoardo reacts with irritation to the pressures of the outside world, which do nothing but exacerbate his insecurity. Forced against his will to emerge from the shadows in which he has hidden for years, Edoardo will initially try to solve his problem by clumsy stratagems before finding, at last, the courage to face his own fears.
Koizumi Risa an unusually tall high school girl, meets the "vertically challenged" young man Otani Atsushi. They find common ground in height anxieties and interests. Risa, a tall Japanese girl, gets rejected by a boy because she is taller than him. Otani, a short Japanese guy, gets rejected by a girl because he is shorter than her. Obviously these two would make the oddest of couples and would never be a good match for each other right?
A disillusioned college graduate finds himself torn between his older lover and her daughter.
Timid 14-year old 'Baduday' develops a crush on the new guy in their neighborhood, but he only sees her as a child. With only her best friend’s lip tint and a whole lot of imagination at her disposal, Baduday journeys on a rocky road of self-exploration and learns the awkward truths of girlhood along the way.
Steven Russell leads a seemingly average life – an organ player in the local church, happily married to Debbie, and a member of the local police force. That is until he has a severe car accident that leads him to the ultimate epiphany: he’s gay and he’s going to live life to the fullest – even if he has to break the law to do it. Taking on an extravagant lifestyle, Steven turns to cons and fraud to make ends meet and is eventually sent to the State Penitentiary where he meets the love of his life, a sensitive, soft-spoken man named Phillip Morris. His devotion to freeing Phillip from jail and building the perfect life together prompts him to attempt (and often succeed at) one impossible con after another.