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Marketplace - (Jan 26th)
The Fifth Estate - (Jan 26th)
The Masked Singer- AfterMask - (Jan 26th)
Michael McIntyres Big Show - (Jan 26th)
The Weakest Link - (Jan 26th)
Farming Life in Another World - (Jan 26th)
The Kelly Clarkson Show - (Jan 26th)
WWE Main Event - (Jan 26th)
The 1 Club - (Jan 26th)
The Masked Singer - (Jan 26th)
The Sunday Show with Jonathan Capehart - (Jan 26th)
The Beat with Ari Melber - (Jan 25th)
Match of the Day - (Jan 25th)
Perfect Match - (Jan 25th)
Love Island- All Stars - (Jan 25th)
Gladiators - (Jan 25th)
Alex Witt Reports - (Jan 25th)
Sarah Beenys New Life in the Country - (Jan 25th)
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Special Report with Bret Baier - (Jan 25th)
**It's a reference film, although it's not exactly my cup of tea.** Well, first of all, I have to acknowledge the impact and popularity of this film, not just at the time it came out, but even today. It was one of the great successes of the time (except for the United Kingdom, shaken by the death of Diana Spencer, and where the film only later, on physical support, came to gain popularity). It is one of the most popular comedies of the late 20th century and was instrumental in consolidating and expanding Mike Myers' career. However, I don't think it's exactly… my cup of tea. And I will explain why. The script is, basically, a parody of the James Bond films… Austin Powers is a flamboyant and liberal spy who is described as the man all women want and all men want to copy. This is hilarious because the character is ugly, kitschy and has the manners of a deeply misogynistic sexual pervert. Nothing against it, I'm not a fan of political correctness. What really bothers me about this movie is the total absence of funny jokes and the emphasis on the sex theme. Almost all jokes have a sexual connotation, and this proved not only ineffective but tiresome. The plot is simple: in the Sixties, Powers fails in his attempt to neutralize his greatest enemy, Dr. Evil, when he escapes and freezes himself in a cryogenic capsule. In order not to be left behind, the spy offers to go through it, being frozen until the day his enemy returns, which happens in the late 90's. From here, a whole sub-plot is generated in which both characters, in their own way, will have to adapt to the new period as they prepare for the final confrontation. Myers is the driving force of the entire film, taking on the skin of two of the important characters: the hero and the villain. This is not something new in cinema and has already been carried out by Peter Sellers and Alec Guinness, two references that Myers took into account in his work. And even though I didn't really like the film, it wouldn't be right of me if I refrained from praising this actor, and his ability and commitment. Elizabeth Hurley played a spy, daughter of a former colleague of the protagonist, being the "Powers-Girl" in this film. She is good enough for the task and does a pleasant job. Technically, the film does what it needs. A regular cinematography with good colors and sharpness, a very pleasant rhythm and no dead moments. I liked the props and the sets, especially Powers' car (a classic Jaguar). His costume, clearly inspired by 18th century clothing, also seemed creative and original to me, although I have some difficulty in finding any credible basis for this option in the fashions and aesthetics of the 60s. Finally, a note of praise for the very good soundtrack and, in particular, for the lively dance sequence that accompanies the opening credits.
I know this is a very popular movie. It's just a little to weird of a comedy for my liking.
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
Brian Cohen is an average young Jewish man, but through a series of ridiculous events, he gains a reputation as the Messiah. When he's not dodging his followers or being scolded by his shrill mother, the hapless Brian has to contend with the pompous Pontius Pilate and acronym-obsessed members of a separatist movement. Rife with Monty Python's signature absurdity, the tale finds Brian's life paralleling Biblical lore, albeit with many more laughs.
It's a major double-cross when former police officer Brian O'Conner teams up with his ex-con buddy Roman Pearce to transport a shipment of "dirty" money for shady Miami-based import-export dealer Carter Verone. But the guys are actually working with undercover agent Monica Fuentes to bring Verone down.
Lovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters, Inc., the scream-processing factory in Monstropolis. When a little girl named Boo wanders into their world, it's the monsters who are scared silly, and it's up to Sulley and Mike to keep her out of sight and get her back home.
A paranoid, secretive surveillance expert has a crisis of conscience when he suspects that the couple he is spying on will be murdered.
Six months after the events depicted in The Matrix, Neo has proved to be a good omen for the free humans, as more and more humans are being freed from the matrix and brought to Zion, the one and only stronghold of the Resistance. Neo himself has discovered his superpowers including super speed, ability to see the codes of the things inside the matrix and a certain degree of pre-cognition. But a nasty piece of news hits the human resistance: 250,000 machine sentinels are digging to Zion and would reach them in 72 hours. As Zion prepares for the ultimate war, Neo, Morpheus and Trinity are advised by the Oracle to find the Keymaker who would help them reach the Source. Meanwhile Neo's recurrent dreams depicting Trinity's death have got him worried and as if it was not enough, Agent Smith has somehow escaped deletion, has become more powerful than before and has fixed Neo as his next target.
After a police chase with an otherworldly being, a New York City cop is recruited as an agent in a top-secret organization established to monitor and police alien activity on Earth: the Men in Black. Agent K and new recruit Agent J find themselves in the middle of a deadly plot by an intergalactic terrorist who has arrived on Earth to assassinate two ambassadors from opposing galaxies.
Kay and Jay reunite to provide our best, last and only line of defense against a sinister seductress who levels the toughest challenge yet to the MIB's untarnished mission statement – protecting Earth from the scum of the universe. It's been four years since the alien-seeking agents averted an intergalactic disaster of epic proportions. Now it's a race against the clock as Jay must convince Kay – who not only has absolutely no memory of his time spent with the MIB, but is also the only living person left with the expertise to save the galaxy – to reunite with the MIB before the earth submits to ultimate destruction.
After losing their academic posts at a prestigious university, a team of parapsychologists goes into business as proton-pack-toting "ghostbusters" who exterminate ghouls, hobgoblins and supernatural pests of all stripes. An ad campaign pays off when a knockout cellist hires the squad to purge her swanky digs of demons that appear to be living in her refrigerator.
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.