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**A very well-made film, in which the biggest flaw is trying to make a teenage love eternal.** What happens after we die is one of the mysteries that has preoccupied the human race forever and remains unsolved. Of course, this will continue because Man's incessant search for more knowledge is doomed to hit insurmountable limits, barriers that we cannot penetrate. That is, despite his will, Man is not supposed to know everything. However, faith has proposed a lot of answers to the question of death, and there is not, I think, a single religion that does not defend the existence of life after the moment when the heart stops beating. What changes is what each religion and belief system proposes for that existence, and the way it seeks to advocate that proposal. We don't know what religion believed Tessa and Skylar, the two main characters in the film, which never touches on issues of faith or religion at any time. We only know about the teenage love story they live, during a very short period of time that ends suddenly, when they have an accident, he dies, and she is injured. Times later, she begins to notice strange things, which lead her to believe that her late boyfriend is trying to communicate with her. The script is good, the story is nice, we quickly see a strong influence of the movie “Ghost” in this cinematographic work, and much of the story takes place in flashback, but it is relatively easy for us to understand when they start and when they end. However, and despite the qualities, we have to recognize that the film does not bring anything new and that there are many overly sugary moments, in which the romance is served with excessive doses of sweetness and fussiness, normal for a teenage couple, but deeply irritating for the mentality of more adult and mature people. Let's face it, it was a summer dating! It was almost certainly not the great love of Tessa's life. I don't know that many couples who met each other in their teens and stayed together for all (or almost all) of their lives. It just doesn't happen on a regular basis, and it's difficult for us, however painful and traumatic the situation for the young girl may be, for her loss to be comparable to a mother who loses a child, or a child who loses her mother or something. And the supernatural and the existence of spirits or “ghosts” does not make sense to all people, even when their faith beliefs admit their existence. The protagonists are Kyle Allen and Joey King, two very young actors who still have a long way to go if they want to keep their careers active in the world of cinema and television. I can't say they didn't do well… in fact, considering their youth, they both seem to have done a very satisfying job, especially King, who has more screen time, better material and more experience as an actress. The chemistry between the two is also good, it works quite well and lends some credibility to their romance. There is, however, something missing, a spark of intensity and maturity. Technically, the film consistently relies on CGI and digital and computer-made special effects. It's something increasingly common, and dealing with a movie with a supernatural theme, it was difficult to escape it and avoid spending a good sum of money on good effects. I liked them, in general, especially the effect of the TV static, the mirror that breaks and the slow motion that follows (which reminded me of “Matrix” with their bullets). The bluish cloud that follows the car and that starts to drive it, after a certain moment, seemed to me cliché and exaggerated. The film makes use of a fairly regular cinematography, but well executed, with good colors and good lighting, and the editing was well done, giving the film a very safe and pleasant rhythm. The locations used for filming, the sets and the costumes are predictable, and the soundtrack is not memorable.
Based on the wraparound story penned by Clive Barker in the author's "Books of Blood" collection, the story centers on a paranormal expert who, while investigating a gruesome slaying, finds a house that is at the intersection of "highways" transporting souls to the afterlife.
Nina is totally heartbroken at the death of her boyfriend Jamie, but is even more unprepared for his return as a ghost. At first it's almost as good as it used to be – hey, even the rats that infested her house have disappeared. But Jamie starts bringing ghostly friends home and behaving more and more oddly.
Spoiled playboy Henry van Cleve dies and arrives at the entrance to Hell, a final destination he is sure he deserves after living a life of profligacy. The devil, however, isn't so sure Henry meets Hell's standards. Convinced he is where he belongs, Henry recounts his life's deeds, both good and bad, including an act of indiscretion during his 25-year marriage to his wife, Martha, with the hope that "His Excellency" will arrive at the proper judgment.
When George and her colleagues get a new boss whose focus is on moving souls quickly and enjoying life without consequences, the team begins to break the strict reaper rules. While her friends fall victim to their desires for money, success, and fame, George breaks another rule by revealing her true identity to her living family.
Chris Nielsen dies to find himself in a heaven more amazing than he could have ever dreamed of. There is one thing missing: his wife. After he dies, his wife Annie killed herself and went to hell. Chris decides to risk eternity in Hades for the small chance that he will be able to bring her back to heaven.
Joe Pendleton is a quarterback preparing to lead his team to the superbowl when he is almost killed in an accident. An overanxious angel plucks him to heaven only to discover that he wasn't ready to die, and that his body has been cremated. A new body must be found, and that of a recently-murdered millionaire is chosen. His wife and accountant—the murderers—are confused by this development, as he buys the L.A. Rams in order to once again quarterback them into the Superbowl.
Is there love after death? After he dies suddenly, the hapless advertising executive Daniel Miller finds himself in Judgment City, a gleaming way station where the newly deceased must prove they lived a life of sufficient courage to advance in their journey through the universe. As the self-doubting Daniel struggles to make his case, a budding relationship with the uninhibited Julia offers him a chance to finally feel alive.
A fateful night in 1959, four people die when the bus they are riding crashes. They continue as ghosts; their souls become eternally entwined to the life of a child born at the moment of their deaths as his guardians. Baby Thomas grows up to be a businessman who has memories of his playmates, but assumes they are products of his youthful imagination. When the ghosts realize they need Thomas' help to move on to the afterlife, they decide to make an appearance once more.
After she is killed in a wave of small town hysteria, Mercy Hawkins is resurrected by a mysterious healer who gives her the power to seek justice against her attackers.
Zia, distraught over breaking up with his girlfriend, decides to end it all. Unfortunately, he discovers that there is no real ending, only a run-down afterlife that is strikingly similar to his old one, just a bit worse. Discovering that his ex-girlfriend has also "offed" herself, he sets out on a road trip to find her.
Forty-year-old Andreas arrives in a strange city with no memory of how he got there. He is presented with a job, an apartment - even a wife. But before long, Andreas notices that something is wrong. Andreas makes an attempt to escape the city, but he discovers there's no way out. Andreas meets Hugo, who has found a crack in a wall in his cellar. Beautiful music streams out from the crack. Maybe it leads to "the other side"? A new plan for escape is hatched.