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All In with Chris Hayes - (Jul 27th)
The Kelly Clarkson Show - (Jul 27th)
Love Island - (Jul 27th)
Terror at 30000 Feet - (Jul 27th)
The Stand Up Sketch Show - (Jul 27th)
The Bold and the Beautiful - (Jul 27th)
The Young and the Restless - (Jul 27th)
The ReidOut - (Jul 27th)
Champions- Full Gallop - (Jul 27th)
Motorway- Hell On The Highway - (Jul 27th)
GRAND SUMO Highlights - (Jul 27th)
The Beat with Ari Melber - (Jul 27th)
Deadline- White House - (Jul 26th)
8 Out of 10 Cats Does Countdown - (Jul 26th)
Gutfeld! - (Jul 26th)
Jesse Watters Primetime - (Jul 26th)
Outnumbered - (Jul 26th)
Special Report with Bret Baier - (Jul 26th)
The Ingraham Angle - (Jul 26th)
Hannity - (Jul 26th)
***Justifiable execution and justifiable lying*** “Sleepers” (1991) starts out as a coming-of-age film about four boys in 1966-1967 from Hell’s Kitchen, Manhattan, and then morphs into a juvenile prison picture, which covers the first hour. The rest of the movie is a crime tragedy turned courtroom drama, taking place 13 years later in the early 80s. Jason Patric plays the adult version of Shakes, the main protagonist and narrator, while Brad Pitt plays his attorney friend, Michael. When their other two buds, John and Tommy, are taken into custody for murder they hatch a plan to get them off for understandable reasons. Robert De Niro plays their Catholic pastor and father-figure while Dustin Hoffman appears as the dubious defense attorney. Kevin Bacon is on hand as a perverse guard at the boys’ reformatory. In an eye-rolling knee-jerk response, liberal critics have dissed the film as “homophobic” when this isn’t the case at all. For verification, if the victims at the reformatory were girls the baseless criticism wouldn’t even be mentioned. It is not about gender; it is about children and the monstrous abuse of authority for selfish purposes. The film NEVER criticizes what two adults CHOOSE to do behind closed doors. In tone and theme, “Sleepers” is similar to the heralded “Mystic River” (2003), but more episodic in nature and therefore not as dramatically compelling. Yet it’s a poignant crime drama. Some have panned the movie on the grounds that it justifies revenge murder, but it more clearly supports the idea of just execution when legal authorities have failed and allowed gross corruption to continue. Another moral issue revolves around lying. Is it ever right to lie for the sake of justice? In other words, is lying ever justifiable? Of course it is; at least on rare occasions. For instance, in the bible the midwives lied to Pharaoh in order to save Hebrew infants and are commended for fearing God (Exodus 1:15-21). Rahab also lied to save the two Hebrew spies in Jericho and her actions are hailed in Hebrews 11, the Hall of Faith chapter. During WW2, if Nazi authorities came to your door looking for hidden Jews, would you say “Yes, I cannot lie; they are hiding in the attic”? Of course you wouldn’t. The script by director Barry Levinson was based on a book by Lorenzo Carcaterra, which is supposedly a true story. Although New York authorities have denied its authenticity, they have good reason to do so. Whether or not every jot & tittle is accurate is irrelevant; stories LIKE IT have happened. The film runs 2 hours, 27 minutes and was shot in New York City & surrounding areas (Brooklyn, Manhattan, Yonkers, Hoboken) and Fairfield Hills Hospital, Newtown, Connecticut (Wilkinson School for Boys). ADDITIONAL CAST: Minnie Driver plays the guys’ friend from their youth while Vittorio Gassman is on hand as a nonchalant mob leader in Hell’s Kitchen. GRADE: B
‘Sleepers’ uses a disturbing and unnecessary narration to tell its controversial revenge story, but the rich characters and great actors easily make up for that. 8/10
In 1962 England, a young couple finds their idyllic romance colliding with issues of sexual freedom and societal pressure, leading to an awkward and fateful wedding night.
Ordinary young couple Gemma and Richard have just bought their first home and are expecting a baby. It's all very exciting, and the couple settles in nicely to their new pad. Except for the screaming and shouting they hear at all times of the night through their walls from the house next door. Listening more closely, pregnant Gemma is convinced that she's also hearing cries and smacking noises, which she is certain are the sounds of a toddler being abused. She and Richard have seen the child just once, but not since. Feeling morally obliged to act, the couple gather as much information as possible about what's going on next door. And after social services say there's nothing to worry about, Gemma becomes increasingly obsessed and she starts to spy on them in a way that raises questions about who is actually committing the crime — Gemma's neighbours, or Gemma?
Meet the once-battered woman who overcame years of abuse and a sensational televised trial to become an advocate for victims of domestic violence everywhere.
Selma's mother died giving birth to her, and Selma's step aunt is living proof that men only cause trouble. So the 11 year old girl makes a deal with her best friends that they will stay away from boys and dedicate their lives to science. And by the way, Selma was probably born on another planet and not meant to fall in love with anyone. But what happens when her friends break the pact, and she actually meets a boy who's not like the rest?
During the Vietnam War, a soldier finds himself the outsider of his own squad when they unnecessarily kidnap a female villager.
When CIA Analyst Jack Ryan interferes with an IRA assassination, a renegade faction targets Jack and his family as revenge.
District Attorney Tom Logan is set for higher office, at least until he becomes involved with defence lawyer Laura Kelly and her unpredictable client Chelsea Deardon. It seems the least of Chelsea's crimes is the theft of a very valuable painting, but as the women persuade Logan to investigate further and to cut some official corners, a much more sinister scenario starts to emerge.
Based on the true story of Jack DiNorscio, a mobster who defended himself in court for what would be the longest mafia trial in U.S. history.
“Counterpoint” is a story about a former violin player who, due to an accident, is now in a wheelchair and unable to play. In order to help someone much weaker than himself, he has to take a huge step and conquer his inner fears.
The imprint of the past is made present by the return of three migrants to a community in the upper Mixteca region of Oaxaca, where the three stories intersect.
Matti and Niila, growing up in the mid-sixties in the harsh and conservative environment of a Finnish-speaking part of Tornedalen in Swedish Laponia, close to the Finnish border. Their big dream is to become rock stars. In the present the now grown-up Matti feels guilt for the death of his drug-addicted rock star friend Niila.